blueSpirit

Zhang Daqian Chinese Painter, 1899-1983 178 Zhang Daqian Peach Blossom Spring 1983 hanging scroll, ink and color on paper 209.1 x 92.4 cm Cemac Ltd. Published in: Julia F Andrews and Kuiyi Shen, A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China (New York: Guggenheim Museum, 1998), Pl. 178. Chang Dai-chien continued to develop his remarkable range of techniques a..

Legend of Lady Godiva Lady Godiva, 1898 / John Collier, Courtesy of the Herbert Art Gallery & Museum, Coventry Godiva by Lord Alfred Tennyson I waited for the train at Coventry; I hung with grooms and porters on the bridge, To watch the three tall spires; and there I shaped The city's ancient legend into this: Not only we, the latest seed of Time, New men, that in the flying of a wheel Cry down..

전시의의 전시구성 http://www.moca.go.kr [미술]한국미술 반세기를 돌아보다…‘한국미술 100년’ 긴 계단을 오르면 현관 앞에 둥그런 봉분 형태의 검은색 설치작품이 놓여 있다. 작품 앞쪽에 설치된 사각형 비디오 화면에서는 커다란 눈이 관람객들을 바라본다. 1992년 ‘카셀 도큐멘타’에 출품된 육근병..

No artist has had a greater influence in imagining and realizing the artistic potential of video and television than Korean-born Nam June Paik. Through a vast array of installations, videotapes, global television productions, films, and performances, Paik has reshaped our perceptions of the temporal image in contemporary art. The Worlds of Nam June Paik transforms the Guggenheim Museum into a c..

Nam June Paik, 73, Dies; Pioneer of Video Art Whose Work Broke Cultural Barriers By ROBERTA SMITH Published: January 31, 2006 Nam June Paik, an avant-garde composer, performer and artist widely considered the inventor of video art, died Sunday at his winter home in Miami Beach. He was 73 and also lived in Manhattan. Nam June Paik in 2004 with one of his installations at the Deutsche Guggenheim ..

기획의도 ≪한국미술 100년≫전은 광복 60주년을 기념하여‘은둔의 나라’에서 세계 속의 국가로 성장하기까지 1세기 동안의 한국 미술을 대상으로 기획되었다. 금년에는 1905년부터 1959년까지의 미술을 다룬 ≪한국미술 100년≫(1부)가 열리고, 내년에는 1960년부터 2005년까지의 미술을 다루는　≪한국..

http://sally.fowler.faculty.noctrl.edu/phl220/TOLSTOY/index.htm

Henri Matisse: A Retrospective Reproducing more than 400 artworks (320 in color), this hefty catalogue of an exhibition at New York's Museum of Modern Art documents the largest and most ambitious Matisse retrospective ever assembled. In his exciting introductory essay, MoMA curator Elderfield, who organized the exhibit, interprets the artist as a painter of metaphors, signs and analogies that p..