# 토미

Libertango- Astor Piazzolla

2009-11-18T15:10:16Z

Libertango

Yoyoma

Libertango

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Libertango is a composition by tango composer Ástor Piazzolla, published in 1974. The title is a portmanteau merging "Libertad" (Spanish for liberty) and "Tango", symbolizing Piazzolla's break from Classical Tango to Tango Nuevo.^[1]

Grace Jones's song I've Seen That Face Before (Libertango) uses the same music, as does Jazz Mandolin Project's song "Jungle Tango" and Guy Marchand's song "Moi je suis tango."

Astor Piazzolla

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Astor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.

Adiós Nonino (1960)
Tiempo Nuevo (1962)
La Guardia Vieja (1966)
ION Studios (1968)
María de Buenos Aires (1968)
Roma (1972)
Libertango (1974)
Reunión Cumbre (Summit) (1974) with Gerry Mulligan
With Amelita Baltar (1974)
Buenos Aires (1976)
Il Pleut Sur Santiago (1976)
Suite Punta del Este (1982)
Concierto de Nácar (1983)
SWF Rundfunkorchester (1983)
Live in Wien Vol.1 (1984)
Enrico IV (1984)
Green Studio (1984)
Teatro Nazionale di Milano (1984)
El exilio de Gardel (soundtrack, 1985)
Tango: Zero Hour (1986)
The New Tango (1987) with Gary Burton
Sur (1988)
La camorra (1989)

Yo-Yo Ma

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Ma was born in Paris to Chinese parents and had a musical upbringing. His mother, Marina Lu, was a singer, and his father, Hiao-Tsiun Ma, was a conductor and composer. His family moved to New York when he was seven years old.At a very young age, Ma began studying violin, and later viola, before taking up the cello in 1960 at age four. The child prodigy began performing before audiences at age five, and performed for President John F. Kennedy when he was seven.^[2] At eight years old, he appeared on American television in a concert conducted by Leonard Bernstein. By fifteen years of age, Ma had graduated from Trinity School in New York and appeared as a soloist with the Harvard Radcliffe Orchestra **in a performance of the Tchaikovsky: Rococo Variations.**

Ma studied at the Juilliard School of Music with Leonard Rose, and attended Columbia University, before enrolling at Harvard University, but began questioning whether he should continue his studies until, in the 1970s, Pablo Casals's performances inspired him.^{[citation needed]}

However, even before that time he had steadily gained fame and had performed with most of the world's major orchestras. His recordings and performances of the Johann Sebastian Bach: Cello Suites recorded in 1983 and again in 1994-1997 are particularly acclaimed. He has also played a good deal of chamber music, often with the pianist Emanuel Ax with whom he has a close friendship back from their days together at the Juilliard in New York.

He received his bachelor's degree from Harvard in 1976.^[3] In 1991, he received an honorary doctorate from Harvard.^[4]

Chopin Piano Concerto No.1 Op.11

2009-11-13T14:52:13Z

Chopin Piano Concerto No.1 Op.11

Piano Concerto No. 1 (Chopin)

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The Piano Concerto No. 1 in E minor, Op. 11 by the Polish composer Frédéric Chopin was composed in 1830. It was first performed on October 11, 1830, in Warsaw, with the composer as soloist during one of Chopin's "farewell" concerts before leaving Poland. It was the first of his two piano concertos to be published, and was therefore given the designation as Piano Concerto "No. 1" at the time of publication, even though it was actually written immediately after what was later published as Piano Concerto No. 2.

It contains the three movements typical of instrumental concertos of the period:

Allegro maestoso
Romance - Larghetto
Rondo - Vivace

Classical critics usually fall in to one of two schools of thought concerning the piece. The first of these says that given that Chopin was a composer for the piano first and foremost; the orchestral part of this piece acts more as a vehicle for the pianist, with the individual instrumental parts being uninteresting to perform. The second suggests that the orchestral backing is carefully and deliberately written to fit in with the sound of the piano, and that the simplicity of arrangement is in deliberate contrast to the complexity of the harmony.

Frédéric François Chopin (Polish: Fryderyk Franciszek Chopin, sometimes Szopen; surname pronounced /ˈʃoʊpæn/ in English; French pronunciation: [ʃɔpɛ̃]; 1 March 1810^[1] – 17 October 1849) was a Polish composer and virtuoso pianist.^[2]^[3] He was one of the great masters of Romantic music.^[4]

Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a French-expatriate father and Polish mother and was regarded as a child-prodigy^[5]^[6] pianist. On 2 November 1830, at the age of twenty, he left Warsaw for Austria, intending to go on to Italy. The outbreak of the Polish November Uprising seven days later, and its subsequent suppression by Russia, led to Chopin's becoming one of many expatriates of the Polish Great Emigration.^[7]

In Paris, Chopin made a comfortable living as a composer and piano teacher, while giving few public performances. Though an ardent Polish patriot,^[8]^[9] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.^[10]^[11]^[12] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he had a turbulent relationship with the French authoress George Sand. Always in frail health, he died in Paris in 1849, aged thirty-nine, of pulmonary tuberculosis.^[13]^[14]

Chopin's compositions were written primarily for the piano as solo instrument. Though they are technically demanding,^[15] the emphasis in his style is on nuance and expressive depth. Chopin invented musical forms such as the instrumental ballade^[16] and was responsible for major innovations in the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.

Chopin compositions,
[edit] Ballade

Opus 23: Ballade in G minor (composed 1835-36)
Opus 38: Ballade in F major (1836-39)
Opus 47: Ballade in A-flat major (1841)
Opus 52: Ballade in F minor (1842-43)

[edit] Étude

Main article: Études (Chopin)

Opus 10:
- No. 1: Étude in C major (composed 1830)
- No. 2: Étude in A minor (1830)
- No. 3: Étude in E major "Tristesse" (1832)
- No. 4: Étude in C-sharp minor (1832)
- No. 5: Étude in G-flat major "Black Key" (1830)
- No. 6: Étude in E-flat minor (1830)
- No. 7: Étude in C major (1832)
- No. 8: Étude in F major (1829)
- No. 9: Étude in F minor (1829)
- No. 10: Étude in A-flat major (1829)
- No. 11: Étude in E-flat major (1829)
- No. 12: Étude in C minor "Revolutionary" (1831)
Opus 25:
- No. 1: Étude in A-flat major "Aeolian Harp" (composed 1836)
- No. 2: Étude in F minor (1836)
- No. 3: Étude in F major (1836)
- No. 4: Étude in A minor (1832-1834)
- No. 5: Étude in E minor (1832-1834)
- No. 6: Étude in G-sharp minor (1832-1834)
- No. 7: Étude in C-sharp minor (1836)
- No. 8: Étude in D-flat major (1832-1834)
- No. 9: Étude in G-flat major "Butterfly" (1832-1834)
- No. 10: Étude in H minor (1832-1834)
- No. 11: Étude in A minor "Winter Wind" (1834)
- No. 12: Étude in C minor (1836)
Trois Nouvelles Études:
- No. 1: Étude in F minor (1839)
- No. 2: Étude in A-flat major (1839)
- No. 3: Étude in D-flat major (1839)

[edit] Fantaisie

Opus 49: Fantaisie in F minor
Opus 61: Polonaise-Fantaisie in A-flat major

[edit] Impromptu

Opus 29: Impromptu in A-flat major (1837)
Opus 36: Impromptu in F-sharp major (1839)
Opus 51: Impromptu in G-flat major (1843)
Opus posth. 66: Fantaisie-Impromptu in C-sharp minor (1834)

[edit] Mazurka

Opus 6, Four Mazurkas:
- No. 1: Mazurka in F-sharp minor
- No. 2: Mazurka in C-sharp minor
- No. 3: Mazurka in E major
- No. 4: Mazurka in E-flat minor
Opus 7, Five Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F minor
- No. 4: Mazurka in A-flat major
- No. 5: Mazurka in C major
Opus 17, Four Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in E minor
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in A minor
Opus 24, Four Mazurkas:
- No. 1: Mazurka in G minor
- No. 2: Mazurka in C major
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in B-flat minor
Opus 30, Four Mazurkas:
- No. 1: Mazurka in C minor
- No. 2: Mazurka in B minor
- No. 3: Mazurka in D-flat major
- No. 4: Mazurka in C-sharp minor
Opus 33, Four Mazurkas:
- No. 1: Mazurka in G-sharp minor
- No. 2: Mazurka in D major
- No. 3: Mazurka in C major
- No. 4: Mazurka in B minor
Opus 41, Four Mazurkas:
- No. 1: Mazurka in C-sharp minor
- No. 2: Mazurka in E minor
- No. 3: Mazurka in B major
- No. 4: Mazurka in A-flat major
Opus 50, Three Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in C-sharp minor
Opus 56, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in C major
- No. 3: Mazurka in C minor
Opus 59, Three Mazurkas:
- No. 1: Mazurka in A minor
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in F-sharp minor
Opus 63, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in F minor
- No. 3: Mazurka in C-sharp minor
Opus posth. 67, Four Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in G minor
- No. 3: Mazurka in C major
- No. 4: Mazurka in A minor
Opus posth. 68, Four Mazurkas:
- No. 1: Mazurka in C major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F major
- No. 4: Mazurka in F minor
S 1, No. 2, Two Mazurkas:
- a. Mazurka in G major (1836)
- b. Mazurka in B flat major (1836)
S 2, Two Mazurkas:
- No. 4, Mazurka No. 50 in A minor "Notre Temps" (1840)
- No. 5, Mazurka No. 51 in A minor "Émile Gaillard" (1841)
P 2, Four Mazurkas:
- No. 1, Mazurka in B flat major (1832)
- No. 2, Mazurka in D major (1832)
- No. 3, Mazurka in C major (1833)
- No. 4, Mazurka in A flat major (1834)
A 1, No. 1: Mazurka in F major "Mazurek" (1820)
P 1, No. 7: Mazurka in D major (1829)

[edit] Nocturne

Opus 9:
- No. 1: Nocturne in B-flat minor
- No. 2: Nocturne in E-flat major
- No. 3: Nocturne in B major
Opus 15:
- No. 1: Nocturne in F major (1830-1831)
- No. 2: Nocturne in F-sharp major (1830-1831)
- No. 3: Nocturne in G minor (1833)
Opus 27:
- No. 1: Nocturne in C-sharp minor
- No. 2: Nocturne in D-flat major
Opus 32:
- No. 1: Nocturne in B major (1836-1837)
- No. 2: Nocturne in A-flat major (1836-1837)
Opus 37:
- No. 1: Nocturne in G minor
- No. 2: Nocturne in G major
Opus 48:
- No. 1: Nocturne in C minor
- No. 2: Nocturne in F-sharp minor
Opus 55:
- No. 1: Nocturne in F minor
- No. 2: Nocturne in E-flat major
Opus 62:
- No. 1: Nocturne in B major
- No. 2: Nocturne in E major
Opus posth. 72:
- No. 1: Nocturne in E minor
Posthumously published:
- Nocturne in C-sharp minor (1830)
- Nocturne in C minor (1837)

[edit] Polonaise

Opus 26:
- No. 1: Polonaise in C-sharp minor
- No. 2: Polonaise in E-flat minor
Opus 40:
- No. 1: Polonaise in A major "Military"
- No. 2: Polonaise in C minor
Opus 44: Polonaise in F-sharp minor
Opus 53: Polonaise in A-flat major "Heroic"
Opus 61: Polonaise-Fantaisie in A-flat major
Opus posth. 71:
- No. 1: Polonaise in D minor
- No. 2: Polonaise in B-flat major
- No. 3: Polonaise in F minor
KK IIa No. 1: Polonaise in G minor (1817)
KK IVa:
- No. 1: Polonaise in B flat major (1817)
- No. 2: Polonaise in A flat major (1821)
- No. 3: Polonaise in G sharp minor (1822)
- No. 5: Polonaise in B flat minor "Adieu à Guillaume Kolberg" (1826)
- No. 8: Polonaise in G flat major (1829).

[edit] Prélude

Main article: Preludes (Chopin)

Opus 28:
- No. 1: Prélude in C major (composed 1839)
- No. 2: Prélude in A minor (1838)
- No. 3: Prélude in G major (1838-1839)
- No. 4: Prélude in E minor (1838)
- No. 5: Prélude in D major (1838-1839)
- No. 6: Prélude in B minor (1838-1839)
- No. 7: Prélude in A major (1836)
- No. 8: Prélude in F-sharp minor (1838-1839)
- No. 9: Prélude in E major (1838-1839)
- No. 10: Prélude in C-sharp minor (1838-1839)
- No. 11: Prélude in B major (1838-1839)
- No. 12: Prélude in G-sharp minor (1838-1839)
- No. 13: Prélude in F-sharp major (1838-1839)
- No. 14: Prélude in E-flat minor (1838-1839)
- No. 15: Prélude in D-flat major ("Raindrop") (1838-1839)
- No. 16: Prélude in B-flat minor (1838-1839)
- No. 17: Prélude in A-flat major (1836)
- No. 18: Prélude in F minor (1838-1839)
- No. 19: Prélude in E-flat major (1838-1839)
- No. 20: Prélude in C minor (1838-1839)
- No. 21: Prélude in B-flat major (1838-1839)
- No. 22: Prélude in G minor (1838-1839)
- No. 23: Prélude in F major (1838-1839)
- No. 24: Prélude in D minor (1838-1839)
Opus 45: Prélude in C-sharp minor (1841)
Posthumously published: Prélude in A-flat major (1834, published 1918)

[edit] Rondo

Opus 1: Rondo in C Minor
Opus 5: Rondo à la Mazur in F major (1826)
Opus 16: Rondo in E-flat major (1832)
Opus posth. 73: Rondo in C major, two pianos (1828)

[edit] Scherzo

Opus 20: Scherzo in B minor (1831)
Opus 31: Scherzo in B-flat minor (1837)
Opus 39: Scherzo in C-sharp minor (1839)
Opus 54: Scherzo in E major (1843)

[edit] Sonata

Opus 4: Piano Sonata in C minor
Opus 35: Piano Sonata in B-flat minor; movement number 3 is the famous "Funeral March"
Opus 58: Piano Sonata in B minor

[edit] Waltzes

Opus 18: Grande Valse brillante in E-flat major
Opus 34:
- No. 1: Valse brillante in A-flat major (1835)
- No. 2: Valse brillante in A minor (1831)
- No. 3: Valse brillante in F Major (1838)
Opus 42: Valse in A-flat major
Opus 64:
- No. 1: Valse in D-flat major "Minute Waltz" (1846)
- No. 2: Valse in C-sharp minor (1846)
- No. 3: Valse in A-flat major
Opus posth. 69:
- No. 1: Valse in A-flat major (1835)
- No. 2: Valse in B minor
Opus posth. 70:
- No. 1: Valse in G-flat major
- No. 2: Valse in F minor
- No. 3: Valse in D-flat major
Posthumously published:
- Valse in E minor
- Valse in E major
- Valse in A minor
- Valse in A-flat major
- Valse in E-flat major
- Valse in E-flat major
- Valse in F-sharp minor (Doubtful)
Partially lost:
- Valse in C major (1826)
- Valse in A-flat major (1827)
- Valse in A-flat major (1829-30)
- Valse in D minor (1827)
- Valse in E-flat major (1829-30)
- Valse in C major (1831)
Unpublished (privately owned): Valse in B major (1848)

[edit] Miscellaneous

Opus 12: Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic"
Opus 19: Bolero in A minor
Opus 43: Tarantelle in A-flat major
Opus 46: Allegro de Concert in A major
Opus 57: Berceuse in D-flat major
Opus 60: Barcarolle in F-sharp major
Opus posth. 72:
- No. 2: Marche funèbre (1829)
- No. 3: Trois Ecossaises (1830)
B. 12a: Variations in D major on a Theme by Thomas Moore, piano four-hands
B. 14: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub"
B. 17: Contredanse in G-flat major
B. 37: Variations in A major, 'Souvenir de Paganini'
B. 84: Cantabile in B-flat major
B. 109a: Largo in E-flat major
B. 129a: Canon in F minor
B. 144: Fugue in A minor
B. 151: Album Leaf in E major

Piancerstra

Opus 2: Variations on 'Là ci darem la mano' in B-flat major (1827)
Opus 11: Piano Concerto No. 1 in E minor (composed 1830)
Opus 13: Fantaisie brillante on Polish Airs in A major (1828)
Opus 14: Rondo à la Krakowiak in F major (1828)
Opus 21: Piano Concerto No. 2 in F minor (1829-1830)
Opus 22: Andante Spianato and Grande Polonaise Brillante in E-flat major (1830-1831)^[1]

Piancrestra

Opus 3: Introduction and Polonaise brillante in C major
Opus 65: Cello Sonata in G minor (1845–46)
B. 70: Grand Duo Concertante in E major on Themes from "Robert le Diable", cello and piano (1832; written jointly with August Franchomme, and published under both their names)

[edit] Violin, cello and piano

Opus 8: Trio for Violin, Cello & Piano in G minor

[edit] Vocal music

Op. posth. 74, 19 Songs (1829-1847; Polish)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)
One other song.

[edit] Chopin compositions, by opus number

In all possible cases, Opus numbers are given. However, because a number of Chopin's works were not part of his original Opus, or published in part of a posthumous group, alternate catalogue designations are used.

[edit] Works with opus number

Op. 1, Rondo in C minor (1825)
Op. 2, Variations on "La ci darem la mano" from Mozart's Opera "Don Giovanni" in B-flat major (1827)
Op. 3, Introduction and Polonaise brillante for Violoncello and Piano in C major (1829)
Op. 4, Piano Sonata No. 1 in C minor (1828)
Op. 5, Rondo à la Mazur in F major (1826)
Op. 6, 4 Mazurkas (1830)
- No. 1 in F-sharp minor
- No. 2 in C-sharp minor
- No. 3 in E major
- No. 4 in E-flat minor
Op. 7, 5 Mazurkas (1830-1831)
- No. 1 in B-flat major
- No. 2 in A minor
- No. 3 in F minor
- No. 4 in A-flat major
- No. 5 in C major
Op. 8, Trio for Violin, Violoncello and Piano in G minor (1829)
Op. 9, 3 Nocturnes (1830-1831)
- No. 1 in B-flat minor
- No. 2 in E-flat major
- No. 3 in B major
Op. 10, 12 Études à son ami Franz Liszt (1829-1832)
- No. 1 in C major (1830)
- No. 2 in A minor (1830)
- No. 3 in E major (1832)
- No. 4 in C-sharp minor (1832)
- No. 5 in G-flat major ("Black Key") (1830)
- No. 6 in E-flat minor (1830)
- No. 7 in C major (1832)
- No. 8 in F major (1829)
- No. 9 in F minor (1829)
- No. 10 in A-flat major (1829)
- No. 11 in E-flat major (1829)
- No. 12 C minor - (Revolutionary étude) (1831)
Op. 11, Concerto for Piano and Orchestra No. 1 in E minor (1830)
Op. 12, Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic" (1833)
Op. 13, Fantasia on Polish Airs in A major (1828)
Op. 14, Rondo à la Krakowiak in F major (1828)
Op. 15, 3 Nocturnes (1830-1833)
- No. 1 in F major (1830-1831)
- No. 2 in F-sharp major (1830-1831)
- No. 3 in G minor (1833)
Op. 16, Rondo in E-flat major (1832)
Op. 17, 4 Mazurkas (1832-1833)
- No. 1 in B-flat major
- No. 2 in E minor
- No. 3 in A-flat major
- No. 4 in A minor
Op. 18, Grande Valse brillante in E-flat major (1831)
Op. 19, Bolero in A minor (1833)
Op. 20, Scherzo No. 1 in B minor (1831)
Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829-1830)
Op. 22, Andante spianato in G major and Grande Polonaise brillante in E-flat major (Piano Solo 1834; the Polonaise section orchestrated 1830-31)
Op. 23, Ballade No.1 in G minor (1831-1835)
Op. 24, 4 Mazurkas (1834-1835)
- No. 1 in G minor
- No. 2 in C major
- No. 3 in A-flat major
- No. 4 in B-flat minor
Op. 25, 12 Études à son ami Mme la Comtesse d'Agoult (1832-1836)
- No. 1 in A flat major (1836)
- No. 2 in F minor (1836)
- No. 3 in F major (1836)
- No. 4 in A minor (1832-1834)
- No. 5 in E minor (1832-1834)
- No. 6 in G-sharp minor (1832-1834)
- No. 7 in C-sharp minor (1836)
- No. 8 in D-flat major (1832-1834)
- No. 9 in G-flat major (1832-1834)
- No. 10 in B minor (1832-1834)
- No. 11 in A minor ("Winter Wind") (1834)
- No. 12 in C minor ("Ocean") (1836)
Op. 26, 2 Polonaises (1834-1835)
- No. 1 in C-sharp minor
- No. 2 in E-flat minor
Op. 27, 2 Nocturnes (1835)
- No. 1 in C-sharp minor
- No. 2 in D-flat major
Op. 28, 24 Preludes (1836-1839)
- No. 1 in C major (1839)
- No. 2 in A minor (1838)
- No. 3 in G major (1838-1839)
- No. 4 in E minor (1838)
- No. 5 in D major (1838-1839)
- No. 6 in B minor (1838-1839)
- No. 7 in A major (1836)
- No. 8 in F-sharp minor (1838-1839)
- No. 9 in E major (1838-1839)
- No. 10 in C-sharp minor (1838-1839)
- No. 11 in B major (1838-1839)
- No. 12 in G-sharp minor (1838-1839)
- No. 13 in F-sharp major (1838-1839)
- No. 14 in E-flat minor (1838-1839)
- No. 15 in D-flat major ("Raindrop") (1838-1839)
- No. 16 in B-flat minor (1838-1839)
- No. 17 in A-flat major (1836)
- No. 18 in F minor (1838-1839)
- No. 19 in E-flat major (1838-1839)
- No. 20 in C minor (1838-1839)
- No. 21 in B-flat major (1838-1839)
- No. 22 in G minor (1836-1839)
- No. 23 in F major (1838-1839)
- No. 24 in D minor (1838-1839)
Op. 29, Impromptu No. 1 in A flat major (1837)
Op. 30, 4 Mazurkas (1836-1837)
- No. 1 in C minor
- No. 2 in B minor
- No. 3 in D-flat major
- No. 4 in C-sharp minor
Op. 31, Scherzo No. 2 in B-flat minor (1837)
Op. 32, 2 Nocturnes (1836-1837)
- No. 1 in B major (1836-1837)
- No. 2 in A-flat major (1836-1837)
Op. 33, 4 Mazurkas (1837-1838)
- No. 1 in G-sharp minor
- No. 2 in D major
- No. 3 in C major
- No. 4 in B minor
Op. 34, 3 Waltzes (1831-1838)
- No. 1 in A-flat major (1835)
- No. 2 in A minor (1831)
- No. 3 in F major (1838)
Op. 35, Piano Sonata No. 2 in B-flat minor - Funeral March (1839)
Op. 36, Impromptu No. 2 in F-sharp major (1839)
Op. 37, 2 Nocturnes (1838-1839)
- No. 1 in G minor (1838)
- No. 2 in G major (1839)
Op. 38, Ballade No. 2 in F major (1836-1839)
Op. 39, Scherzo No. 3 in C-sharp minor (1839)
Op. 40, 2 Polonaises (1838-1839)
- No. 1 in A major - Military (1838)
- No. 2 in C minor (1838-1839)
Op. 41 4 Mazurkas (1838-1839)
- No. 1/2, in E minor (1839)
- No. 2/3, in B major (1838)
- No. 3/4, in A-flat major (1839)
- No. 4/1, in C-sharp minor (1839)
Op. 42, Waltz in A-flat major (1840)
Op. 43, Tarantella in A-flat major (1841)
Op. 44, Polonaise in F-sharp minor (1841)
Op. 45, Prelude in C-sharp minor (1841)
Op. 46, Allegro de Concert in A major (1832-1841)
Op. 47, Ballade No. 3 in A-flat major (1840-1841)
Op. 48, 2 Nocturnes (1841)
- No. 1 in C minor
- No. 2 in F-sharp minor
Op. 49, Fantasia in F minor (1841)
Op. 50, 3 Mazurkas (1841-1842)
- No. 1 in G major
- No. 2 in A-flat major
- No. 3 in C-sharp minor
Op. 51, Impromptu No. 3 in G-flat major (1842)
Op. 52, Ballade No. 4 in F minor (1842)
Op. 53, Polonaise in A-flat major - "Heroic" (1842)
Op. 54, Scherzo No. 4 in E major (1842)
Op. 55, 2 Nocturnes (1843)
- No. 1 in F minor
- No. 2 in E-flat major
Op. 56, 3 Mazurkas (1843)
- No. 1 in B major
- No. 2 in C major
- No. 3 in C minor
Op. 57, Berceuse in D-flat major (1843)
Op. 58, Piano Sonata No. 3 in B minor (1844)
Op. 59, 3 Mazurkas (1845)
- No. 1 in A minor
- No. 2 in A-flat major
- No. 3 in F-sharp minor
Op. 60, Barcarolle in F-sharp major (1845-1846)
Op. 61, Polonaise-Fantaisie in A-flat major (1845-1846)
Op. 62, 2 Nocturnes (1846)
- No. 1 in B major
- No. 2 in E major
Op. 63, 3 Mazurkas (1846)
- No. 1 in B major
- No. 2 in F minor
- No. 3 in C-sharp minor
Op. 64, 3 Waltzes (1846-1847)
- No. 1 in D-flat major - (Minute Waltz)
- No. 2 in C-sharp minor
- No. 3 in A-flat major (c. 1840)
Op. 65, Sonata for Violoncello and Piano in G minor (1845-1846)
Op. posth. 66, Fantaisie-Impromptu in C-sharp minor (1835)
Op. posth. 67, 4 Mazurkas (1835-1849)
- No. 1 in G major (1835)
- No. 2 in G minor (1849)
- No. 3 in C major (1835)
- No. 4 in A minor (1846)
Op. posth. 68, 4 Mazurkas (1827-1849)
- No. 1 in C major (1829)
- No. 2 in A minor (1827)
- No. 3 in F major (1829)
- No. 4 in F minor (1849) (Last Composition)
Op. posth. 69, 2 Waltzes (1829-1835)
- No. 1 in A-flat major (1835)
- No. 2 in B minor (1829)
Op. posth. 70, 3 Waltzes (1829-1841)
- No. 1 in G-flat major (1833)
- No. 2 in F minor (1841)
- No. 3 in D-flat major (1829)
Op. posth. 71, 3 Polonaises (1825-1828)
- No. 1 in D minor (1825)
- No. 2 in B-flat major (1828)
- No. 3 in F minor (1828)
Op. posth. 72, (1826-1827)
- No. 1 Nocturne in E minor (1827)
- No. 2 Funeral March in C minor (1827)
- No. 3 3 Ecossaises (1826)
  - No. 3a in D major
  - No. 3b in G major
  - No. 3c in D-flat major
Op. posth. 73, Rondo in C major (for two pianos) (1828)
Op. posth. 74, 19 Songs (1829-1847)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)

Paganini's Joke

2009-11-03T11:04:50Z

Paganini's Joke

Niccolò Paganini

(born Genoa, October 27, 1782, died Nice, May 27, 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known compositions, and serves as inspiration for other prominent artists from Johannes Brahms to Sergei Rachmaninoff.

Adagio
MS 49		Adagio E-Dur
Capriccio
Op.1	♣	24 Capricci per violino solo [24 Capricen f?r Violine solo]
Duos
Op.17	♣	Cantabile
MS 111	♧	Duetto Amoroso for Violin & Guitar C Major
		Duetto concertante I (1.Allegro, 2.Rondo Allegretto)
		Duetto concertante II (1.Allegro, 2.Rondo Presto)
		Duetto concertante III (1.Allegro, 2.Polonaise, Andantino con brio)
Fantasie
		Fantasia for violoncello e contrabbasso
Guitar Quartete
Op.4 No.1	♧	Guitar Quartet No.1 (MS28)
Op.4 No.2	♣	Guitar Quartet No.2 (MS28)
Op.4 No.3	♣	Guitar Quartet No.3 (MS28)
Op.5 No.1		Guitar Quartet No.4 (MS29)
Op.5 No.2		Guitar Quartet No.5 (MS29)
Op.5 No.3		Guitar Quartet No.6 (MS29)
		Guitar Quartet No.7
		Guitar Quartet No.8
		Guitar Quartet No.9
		Guitar Quartet No.10
		Guitar Quartet No.11
		Guitar Quartet No.12
		Guitar Quartet No.13
		Guitar Quartet No.14
		Guitar Quartet No.15
Sonaten
Op.2	♣	Sei sonate per violino e chitarra [Sechs Sonaten f?r Violine und Gitarre]
Op.3	♧	Sei sonate per violino e chitarra [Sechs Sonaten f?r Violine und Gitarre]
Op.35[MS 3]	♣	Grand Sonata, for guitar & violin
Op.61	♣	Sonata Concertata
Op.64 No1	♧	Centone Di Sonate For Violin & Guitar - Volume 1[6 Sonatas]
Op.64 No2		Centone Di Sonate For Violin & Guitar - Volume 2[6 Sonatas]
Op.64 No3	♧	Centone Di Sonate For Violin & Guitar - Volume 3[6 Sonatas]
MS 09		Lucca Sonata [Opera 1 - dedicated to Madame Frassinet]
MS 10		Lucca Sonata [Opera 2 - dedicated to Madame Frassinet]
MS 11	♧	Lucca Sonata [Opera 3 - dedicated to Felice Baciocchi]
MS 12	♣	Lucca Sonata [Opera 4 - dedicated to Felice Baciocchi]
MS 13		Lucca Sonata [Opera 5 - dedicated to Madame T. ]
MS 14	♣	Lucca Sonata [Opera 6 - dedicated to Princess Napoleone]
String Quartete
MS20		String Quartet No.1 Quartetto Primo(4), ,
{MS21}		String Quartet No.2 Quartetto Secondo(4)
{MS22}		String Quartet No.3 Quartetto Terzo(4)
Trio
		Terzetto concertante
Variationen
Op.8	♧	Le Streghe(마녀들의 춤) - Intro. & Var. on theme from S?ssmayer's ballet
Op.9		God Save The King [Intrduction and Variation on“God save the King”]
Op.10	♧	Il Carnevale di Venezia
Op.11[MS 72]	♧	Moto perpetuo For Violin And Guitar In C Major
Op.12	♣	Non piu mesta accanto al fuoco(Hearhside no more I'm Feeling sad) -Viriations on a theme from "La Cenerentola" by Rossini
Op.13	♧	Di tanti palpiti
Op.14 No1		60 Variation by "Barucaba" I.Muta : 1)Tema, 2)Variazioni (6-25)
Op.14 No2		60 Variation by "Barucaba" II.Muta : 1)Tema, 2)Variazioni (27-46)
Op.14 No3		60 Variation by "Barucaba" III.Muta : 1)Tema, 2)Variazioni (48-67)
Op.24		Variationen
Op.38		Paisiello-Variationen
Violin Concertoe
		Violin Concerto e-moll
Op.6 [MS 21]	♣	Violin Concerto No.1
Op.7	♣	Violin Concerto No.2 (La Clochette)
MS 50	♣	Violin Concerto No.3
MS 60	♣	Violin Concerto No.4
MS 78	♣	Violin Concerto No.5
MS 75	♣	Violin Concerto No.6

.Paganini-Sonata concertata , Allegro spiritoso

2009-11-03T10:25:46Z

Sonata concertata , Allegro spiritoso

Niccolò Paganini

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Niccolò Paganini (born Genoa, October 27, 1782, died Nice, May 27, 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known compositions, and serves as inspiration for other prominent artists from Johannes Brahms to Sergei Rachmaninoff.

Listing of compositions

24 caprices, for solo violin, Op.1
- No. 1 in E major (The Arpeggio)
- No. 2 in B minor
- No. 3 in E minor (La Campanella)
- No. 4 in C minor
- No. 5 in A minor
- No. 6 in G minor (The Trill)
- No. 7 in A minor
- No. 8 in E-flat major
- No. 9 in E major (The Hunt)
- No. 10 in G minor
- No. 11 in C major
- No. 12 in A-flat major
- No. 13 in B-flat major (Devil's Laughter)
- No. 14 in E-flat major
- No. 15 in E minor
- No. 16 in G minor
- No. 17 in E-flat major
- No. 18 in C major
- No. 19 in E-flat major
- No. 20 in D major
- No. 21 in A major
- No. 22 in F major
- No. 23 in E-flat major
- No. 24 in A minor (Tema con variazioni)
6 sonatas, for violin and guitar, Ops. 2 and 3
- Op. 2, No. 1 in A major
- Op. 2, No. 2 in C major
- Op. 2, No. 3 in D minor
- Op. 2, No. 4 in A major
- Op. 2, No. 5 in D major
- Op. 2, No. 6 in A minor
- Op. 3, No. 1 in A major
- Op. 3, No. 2 in G major
- Op. 3, No. 3 in D major
- Op. 3, No. 4 in A minor
- Op. 3, No. 5 in A major
- Op. 3, No. 6 in E minor
12 Quartets for Violin, Guitar, Viola and Cello, Op. 4
- No. 1 in A minor
- No. 2 in C major
- No. 3 in A major
- No. 4 in D major
- No. 5 in C major
- No. 6 in D major
- No. 7 in E major
- No. 8 in A major
- No. 9 in D major
- No. 10 in A major
- No. 11 in B major
- No. 12 in A minor
- No. 13 in F minor
- No. 14
- No. 15 in A Major
Concerto for violin No. 1, in D major, Op. 6 (1817)
Concerto for violin No. 2, in B minor, Op. 7 (1826) (La Campanella, 'The little bell')
Concerto for violin No. 3, in E major (1830)
Concerto for violin No. 4, in D minor (1830)
Concerto for violin No. 5, in A minor (1830)
Concerto for violin No. 6, in E minor (1815?) — last movement completed by unknown authorship.
Le Streghe, Op. 8
Carnevale di Venezia, Op. 10
Moto Perpetuo in C major, Op. 11
60 Variations on Barucaba for violin and guitar, Op. 14
Cantabile in D major, Op. 17
18 Centone di Sonate, for violin and guitar
Arranged works
- Introduction, theme and variations from Paisiello's 'La bella molinara' (Nel cor più non mi sento) in G major
- Introduction and variations on a theme from Rossini's 'Cenerentola' (Non più mesta)
- Introduction and variations on a theme from Rossini's 'Moses' (Dal tuo stellato soglio)
- Introduction and variations on a theme from Rossini's 'Tancredi' (Di tanti palpiti)
- Maestoso sonata sentimentale (Variations on the Austrian National Anthem)
- Variations on God Save the King
Miscellaneous works
- I Palpiti
- Perpetuela (Sonata Movimento Perpetuo)
- La Primavera
- Sonata con variazioni (Sonata Militaire)
- Napoleon Sonata
- Hai Un Bel Pirla
- Romanze in A minor
- Tarantella in A minor
- Grand sonata for violin and guitar, in A major
- Sonata for Viola in C minor
- Sonata in C for solo violin

L'Elisir d'Amore 사랑의 묘약 - Una furtiva lagrima 남몰래 흐르는 눈물

2009-10-31T12:30:08Z

Una furtiva lagrima

Una furtiva lagrima
negli occhi suoi spuntò...
quelle festose giovani
invidiar sembrò...
Che più cercando io vo?
M'ama, lo vedo.
Un solo istante i palpiti
del suo bel cor sentir!..
Co' suoi sospir confondere
per poco i miei sospir!...
Cielo, si può morir;
di più non chiedo.

L'elisir d'amore

From Wikipedia, the free encyclopedia

L'elisir d'amore (The Elixir of Love) is a melodramma giocoso in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto after Eugène Scribe's libretto for Daniel-François-Esprit Auber's Le philtre (1831).

The premiere was at the Teatro della Canobbiana, Milan on 12 May 1832

Gaetano Donizetti

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Gaetano Donizetti.

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer from Bergamo, Lombardy. Donizetti's most famous work is Lucia di Lammermoor (1835), and arguably his most immediately recognizable piece of music is the aria "Una furtiva lagrima" from L'elisir d'amore (1832). Along with Vincenzo Bellini and Gioachino Rossini, he was a leading composer of bel canto opera.

Dream

2009-10-30T12:41:34Z

Dream

Priscilla Ahn

I was a little girl alone in my little world
who dreamed of a little home for me.
I played pretend between the trees,
and fed my houseguests bark and leaves,
and laughed in my pretty bed of green.

I had a dream
That I could fly from the highest swing.
I had a dream.

Long walks in the dark
through woods grown behind the park,
I asked God who I'm supposed to be.
The stars smiled down on me,
God answered in silent reverie.
I said a prayer and fell asleep.

I had a dream
That I could fly from the highest tree.
I had a dream.

Now I'm old and feeling grey.
I don't know what's left to say
about this life I'm willing to leave.
I lived it full and I lived it well,
there's many tales I've lived to tell.
I'm ready now, I'm ready now,
I'm ready now to fly from the highest wing.

I had a dream

Priscilla Ahn (born Priscilla Natalie Hartranft, 1984) is an American musician, singer-songwriter, and multi-instrumentalist. She currently resides in Los Angeles, California, although she has lived in Berks County, Pennsylvania for most of her life.

Priscilla Ahn was born in Fort Stewart, Georgia to Harry and Kay Hartranft. However, she adopted her mother's maiden name, who is South Korean. She spent her early childhood years there and in South Korea, after which she lived in Reading, Pennsylvania for 10 years. From there, she lived in Bernville, Pennsylvania and attended Tulpehocken Area High School until she left home for Los Angeles after graduation.

Priscilla Ahn had her start during her time at Tulpehocken Area High School, playing coffee houses and open mikes in the Bernville, Reading, and Philadelphia, Pennsylvania area. She was advised by a college music professor, who recognized her skills, to pursue a songwriting career instead of going to college, so she moved to Los Angeles about a year after graduating from high school.

After moving to Los Angeles, Priscilla Ahn toured with Joshua Radin, Meiko and Cary Brothers, sang on Amos Lee's album Supply and Demand, appeared on Last Call with Carson Daly with Joshua Radin and performed her song "Dream" on The Tonight Show with Jay Leno.^[1] Two of her songs were also featured on two episodes of Grey's Anatomy.^[2]^[3] "Dream" was also featured on the soundtrack to the movie Disturbia,^[4] and more recently on an episode from Ghost Whisperer.^[5] She was also a part of the 2008 Hotel Cafe tour.^[6] In June 2008, she was the Artist of the Week for Paste magazine.^[7] Her song "I Don't Think So" was featured at the end of NBC's Knight Rider premiere episode.

From Wikipedia, the free encyclopedia

Niccolò Paganini Concerto for violin No. 4, in D minor (1830)

2009-10-29T09:10:33Z

Niccolò Paganini Concerto for violin No. 4, in D minor (1830)

Niccolò Paganini

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Listing of compositions

24 caprices, for solo violin, Op.1
- No. 1 in E major (The Arpeggio)
- No. 2 in B minor
- No. 3 in E minor (La Campanella)
- No. 4 in C minor
- No. 5 in A minor
- No. 6 in G minor (The Trill)
- No. 7 in A minor
- No. 8 in E-flat major
- No. 9 in E major (The Hunt)
- No. 10 in G minor
- No. 11 in C major
- No. 12 in A-flat major
- No. 13 in B-flat major (Devil's Laughter)
- No. 14 in E-flat major
- No. 15 in E minor
- No. 16 in G minor
- No. 17 in E-flat major
- No. 18 in C major
- No. 19 in E-flat major
- No. 20 in D major
- No. 21 in A major
- No. 22 in F major
- No. 23 in E-flat major
- No. 24 in A minor (Tema con variazioni)
6 sonatas, for violin and guitar, Ops. 2 and 3
- Op. 2, No. 1 in A major
- Op. 2, No. 2 in C major
- Op. 2, No. 3 in D minor
- Op. 2, No. 4 in A major
- Op. 2, No. 5 in D major
- Op. 2, No. 6 in A minor
- Op. 3, No. 1 in A major
- Op. 3, No. 2 in G major
- Op. 3, No. 3 in D major
- Op. 3, No. 4 in A minor
- Op. 3, No. 5 in A major
- Op. 3, No. 6 in E minor
12 Quartets for Violin, Guitar, Viola and Cello, Op. 4
- No. 1 in A minor
- No. 2 in C major
- No. 3 in A major
- No. 4 in D major
- No. 5 in C major
- No. 6 in D major
- No. 7 in E major
- No. 8 in A major
- No. 9 in D major
- No. 10 in A major
- No. 11 in B major
- No. 12 in A minor
- No. 13 in F minor
- No. 14
- No. 15 in A Major
Concerto for violin No. 1, in D major, Op. 6 (1817)
Concerto for violin No. 2, in B minor, Op. 7 (1826) (La Campanella, 'The little bell')
Concerto for violin No. 3, in E major (1830)
Concerto for violin No. 4, in D minor (1830)
Concerto for violin No. 5, in A minor (1830)
Concerto for violin No. 6, in E minor (1815?) — last movement completed by unknown authorship.
Le Streghe, Op. 8
Carnevale di Venezia, Op. 10
Moto Perpetuo in C major, Op. 11
60 Variations on Barucaba for violin and guitar, Op. 14
Cantabile in D major, Op. 17
18 Centone di Sonate, for violin and guitar
Arranged works
- Introduction, theme and variations from Paisiello's 'La bella molinara' (Nel cor più non mi sento) in G major
- Introduction and variations on a theme from Rossini's 'Cenerentola' (Non più mesta)
- Introduction and variations on a theme from Rossini's 'Moses' (Dal tuo stellato soglio)
- Introduction and variations on a theme from Rossini's 'Tancredi' (Di tanti palpiti)
- Maestoso sonata sentimentale (Variations on the Austrian National Anthem)
- Variations on God Save the King
Miscellaneous works
- I Palpiti
- Perpetuela (Sonata Movimento Perpetuo)
- La Primavera
- Sonata con variazioni (Sonata Militaire)
- Napoleon Sonata
- Hai Un Bel Pirla
- Romanze in A minor
- Tarantella in A minor
- Grand sonata for violin and guitar, in A major
- Sonata for Viola in C minor
- Sonata in C for solo violin

I Shall Go Back

2009-10-28T16:29:59Z

I Shall Go Back

Edna St. Vincent Millay

I shall go back again to the bleak shore
And build a little shanty on the sand
In such a way that the extremest band
Of brittle seaweed shall escape my door
But by a yard or two; and nevermore
Shall I return to take you by the hand.
I shall be gone to what I understand,
And happier than I ever was before.
The love that stood a moment in your eyes,
The words that lay a moment on your tongue,
Are one with all that in a moment dies,
A little under-said and over-sung.
But I shall find the sullen rocks and skies
Unchanged from what they were when I was young.

서정적 공간 72.7x50.0cm Oil on Canvas 2009 오 정익

Edna St. Vincent Millay

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Jump to: navigation, search

Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright and the first woman to receive the Pulitzer Prize for Poetry. She was also known for her unconventional, bohemian lifestyle and her many love affairs. She used the pseudonym Nancy Boyd for her prose work.

Rachmaninov sonata for cello and piano op.19 in G minor

2009-10-26T16:27:37Z

77 (3rd mov)

Andante

Stjepan Hauser plays

Rachmaninov sonata for cello and piano op.19 in G minor (2nd mov)

Sergei Rachmaninoff : Sonata for Cello and Piano in g minor, Op.19

01. Lento - Allegro moderato
02. Allegro scherzando
03. Andante
04. Allegro mosso

Sergei Rachmaninoff

From Wikipedia, the free encyclopedia

Portrait of Sergei Rachmaninoff (1925) by Konstantin Somov

Sergei Vasilievich Rachmaninoff^[1] (Russian: Сергей Васильевич Рахманинов, Sergej Vasil’evič Rakhmaninov, 1 April 1873 [O.S. 20 March] – 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.^[2]

The piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody.

한국인이 사랑하는 대표 와인

2009-10-23T13:54:31Z

프리미에 크뤼급 화이트 와인
1. 샤블리 바이용
프랑스 l 9만원
샤블리 와인 중에서도 등급이 한 단계 높은 프리미에 크뤼급 와인이다.
샤블리 와인을 만드는 루이 자도는 부르고뉴 지역 와인을 이야기할 때 절대 빼놓을 수 없는 와이너리인데, 선별된 포도를 100% 직접 재배하고 생산하는 것으로 유명하다. 때문에 다른 부르고뉴 지역의 샤블리 와인보다 20% 비싼 가격에 판매된다.
화이트 와인의 가격치고 결코 만만한 가격이 아님에도 베스트 와인에 선정된 이유는 그만큼 이 와인의 뛰어난 맛과 품질을 사람들이 인정한다는 증거. 또한 해산물을 즐겨 먹는 한국인의 취향에 잘 맞는 화이트 와인이다.

선물용 추천 와인 1순위
2. 샤토 린치 바주
프랑스 l 5만원
프랑스 와인을 좋아하는 국내의 많은 와인 애호가는 보르도 와인 중에서도 그랑 크뤼 와인을 선호하는 편이다.
샤토 린치 바주는 그랑 크뤼 5등급 와인이면서도 2등급에 버금가는 맛과 향을 갖춘 와인으로 찬사를 받는 제품. 빈티지에 따라 가격 차이가 나지만, 변함없는 와인 애호가의 사랑을 받으며, 선물용으로도 인기가 높다. 블랙 커런트와 민트 향이 짙게 나며 전체적으로 묵직한 맛을 내는 이 와인은 균형이 잘 잡힌 풀보디 와인으로 와인 마니아의 입맛을 사로잡고 있다.

할인 마트 평정한 최상급 와인
3. 무통카데 레드
프랑스 l 5만원
세계에서 가장 많이 팔리는 보르도 AOC 와인으로 프랑스의 와인 명가인 바롱 필립 드 로칠드사의 대표 제품이다.
오크통 숙성과 제한 수량 생산으로 우수한 품질을 선보이면서도 가격이 높지 않아 국내에서도 많은 사랑을 받았다. 특히 일반 마트에서 구입할 수 있는 와인 중 최상급에 꼽히는 와인이어서 인기가 높다.
입 안을 가득 채우는 맛과 탄탄한 구조, 세련된 타닌의 조화를 느낄 수 있는 고급 레드 와인으로 선정!

시원하고 달콤한 화이트 와인
4. 빌라 무스카델
이탈리아 l 2만원
이탈리아 단일 품목 와인 중 판매 1위를 기록하고 있는 제품.
우리나라에선 레드 와인보다 화이트 와인에 대한 선호도가 떨어지지만, 빌라 무스카델에 대한 애정만큼은 남다른 듯. 상큼한 과일향과 맛 그리고 시원함을 더하는 스파클링과 어우러지는 달콤함은 그 무엇과도 비교할 수 없다. 심플하고 예쁜 병 모양 때문에 선물용으로도 많이 팔린다.

독일 와인의 힘
5. 블랙 타워
독일 l 1만원
1만원대의 저렴한 가격에 편의점에서도 살 수 있어 와인 초보자가 부담 없이 즐길 수 있는 와인으로 지난 한 해 큰 인기를 끌었다.
가벼운 맛과 달콤한 향이 한국인의 입맛에도 잘 맞으며 상온에서 마시는 기존의 레드 와인과 달리 냉장고에 넣어 차게 해서 마시는 것이 특징.

세상에서 가장 경쾌한 와인
6. 슐로스 카비네트
독일 l 5만원
해산물요리를 즐겨 먹는 한국인 입맛에 잘 맞는 독일 리슬링 와인.
100% 리슬링으로 만드는 슐로스 폴라드 와인은 단맛이 강해 마시기에 까다롭지 않으며, 가격도 부담이 없다. 충분히 익은 포도에서 생산되는 우아한 와인으로 알코올 함량이 낮고 가볍게 즐기는 와인.

최고급 와인의 결정판
7. 사시카이아
이탈리아 l 30만원대
고가임에도 이미 상반기 중에 재고 부족으로 판매를 할 수 없을 정도로 인기를 끈 제품.
세계 100대 명품 와인 중 하나로 손꼽히는 사시카이아는 이탈리아에서 가장 값비싼 와인으로도 유명하다. 토스카나 지역 와인으로 타닌 성분이 입 안에서 오랫동안 지속되며 풍부한 과일향이 절묘한 조화를 이룬다. 30만원대

메도크 지방의 자존심
8. 샤토 다가삭
프랑스 l 5만5000원
AOC 등급에는 들지 못하나 그 등급만큼 품질이 뛰어난 크뤼부르주아급 와인.
가격 대비 품질이 뛰어난 이 와인은 메도크 지방의 와인을 유난히 좋아하는 국내 와인 애호가가 즐겨 찾는다. 온화한 풀 보디를 느낄 수 있으며 입 안에서 느껴지는 라운드한 느낌이 일품이다. 부드러운 타닌과 신선한 과일맛, 끝맛은 커피 맛이 살짝 돈다.

소믈리에 추천 1위 이탈리아 와인
9. 로카 기치아르다 키안티 클라시코 리제르바
이탈리아 l 4만5000원
이탈리아의 최고 등급인 DOCG급 와인이면서도 가격이 저렴한 것이 장점.
부드러우면서도 꽉 찬 보디를 느낄 수 있어 한번 맛을 들인 사람은 계속 찾게 된다. 키안티 클라시코에 사용되는 산지오베제 포도 품종은 산도가 강하고 텁텁한 기운이 강하지만, 20개월 동안의 오크통 숙성으로 텁텁한 기운이 한결 부드러워지고, 진한 바닐라 향을 갖게 된다.

100년 역사의 스페인 와인
10. 토레스 마스 라 플라나
스페인 l 7만1000원
프랑스, 이탈리아에 이어 세계 3위의 와인 생산국인 스페인 와인을 세계 시장에 부각시킨 브랜드가 바로 토레스다.
마스 라 플라나는 토레스가 자랑하는 명품 와인으로 작은 포도원에서 선별된 최상의 카베르네 소비뇽으로 만들어진다. 스페인의 전통 품종 템프라니오와 카베르네 소비뇽을 블렌딩하여 만드는 풀보디 와인으로 한 모금 마신 후 느낄 수 있는 우아함과 풍요로움, 깊은 맛이 뛰어나다. 옅은 마호가니 향과 크랜베리, 체리, 송로버섯 향이 강렬하다.

출처: 이동미 Joins(My friday)

wine Tasting

2009-10-23T00:28:04Z

Wine tasting

Wine tasting

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Wines in stemware.

Wine tasting (often, in wine circles, simply tasting) is the sensory examination and evaluation of wine. While the practice of wine tasting is as ancient as its production, a more formalized methodology has slowly become established from the 14th century onwards. Modern, professional wine tasters (such as sommeliers or buyers for retailers) use a constantly-evolving formal terminology which is used to describe the range of perceived flavors, aromas and general characteristics of a wine. More informal, recreational tasting may use similar terminology, usually involving a much less analytical process for a more general, personal appreciation.^[1]

Sommelier

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The sommelier knife is an important tool of the sommelier.

A sommelier (pronounced /sʌməlˈjeɪ/, French pronunciation: [sɔməlje]), or wine steward, is a trained and knowledgeable wine professional, commonly working in fine restaurants, who specializes in all aspects of wine service. The role is more specialized and informed than that of a wine waiter.

Retailing

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(Redirected from Retailers)

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"Retail" and "Retail stores" redirect here. For the comic strip by Norm Feuti, see Retail (comic strip).

Drawing of a self-service store.

Retailing consists of the sale of goods or merchandise from a fixed location, such as a department store, boutique or kiosk, or by mail, in small or individual lots for direct consumption by the purchaser.^[1] Retailing may include subordinated services, such as delivery. Purchasers may be individuals or businesses.

와인의 46가지의 맛과 표현

1. aggressive (억센): 잇몸이 아릴 정도로 신맛, 또는 탄닌이 너무 많아 목구멍 뒷부분이 바싹 마를 정도의 신맛이 난다.

2. aromatic (아로마가 그윽한): 모든 와인에는 아로마가 있다. 그러나 아로마가 그윽한  와인은특히 톡 쏘거나 향기가 진하다. 게뷔르츠트라미너 같은 향기로운 품종으로 만든다.

3. astringent (떫은): 입 안이 쩍 달라붙을 만큼 탄닌 맛이 강하다.

4. big (바디가 가득한):과일향, 신맛, 탄닌, 알코올 등 여러 가지 맛과 향이 어울린 상태를 말하며 풀 바디라고도 합니다.

5. bold (현저한):산도, 당분, 탄닌, 알코올이 균형을 이뤄 향이 뚜렷하고 쉽게 감별할 수 있다.

6. buttery (버터 냄새가 나는):오크 숙성을 통해 버터 냄새가 난다.

7. chewy (씹히는 듯한): 탄닌이 많고 맛이 강하지만 억세지 않다.

8. clean (깔끔한):박테리아나 화학 불순물이 느껴지지 않아 깔끔하고 산뜻하다.

9. complex (복잡 미묘한):여러 가지 향이 함께 느껴진다.

10. crisp (상쾌한):신맛이 적당히 들어 있어 상쾌한 기분이 든다.

11. deep (깊이 있는):향이 미묘하고 풍부하다. 복합 미묘한 향과 같은 종류이다.

12. dry (드라이):단맛이 느껴지지 않는다.

13. dull (맛이없는):딱히 무슨 맛이라 말할 수 없이 유쾌하지 않은 맛을 말합니다. 공기 노출이 지나쳤다는 표시입니다.

14. dusty (더스티):드라이하면서 흙 냄새가 약간 난다. 레드 와인에서 가끔 발견된다.멋진 과일향과 어울리면 아주 매력적인 와인이 될 수 있다.

15. earthy (흙 냄새가 나는):축축한 흙 냄새와 향을 풍긴다. 깔끔한 와인에서 아주 좋다.

16. fat (매끄러운):풀 바디하고 입 안을 매끄럽게 감싼다.

17. firm (맛이 견고한):맛이 조화롭고 확실할때 쓴다. 맛이 약하다는 말과 반대되는 표현이다.

18. flabby (맛이 연약한):신맛이 부족해서 맛이 분명하지 않다.

19. fresh (후레쉬한):싱싱한 과일맛과 신맛이 조화를 이루고 있다.

20. full (향이 무겁고 진한):입 안에서 무게가 느껴진다.

21. grassy (풀냄새가 나는):갓 베어 낸 풀냄새가 난다. 고추 열매, 구스베리 또는 라임 이라고 하는것이 더 정확하다.

22. green (풋풋한):제대로 숙성되지 않아 맛이 기대에 미치지 못할 때 쓴다. 하지만 기후가 서늘한 지역의 레드 와인에서는 풀잎 냄새가 난다. 일부 화이트 와인에서는 구스베리나 사과향이 어울려 후레쉬하고 톡 쏘는 맛을 낸다.

23. hard (맛이강한):레드와인은 탄닌 맛이 강하고, 화이트 와인은 신맛이 강해 몸이 쭈삣 거릴정도일때 사용한다. 맛이 견고한(firm), 맛이 강한(hard), 억센(aggresive) 순으로 강도가 세진다.

24. jammy (잼 같은):졸인 과일향이 난다. 주로 레드 와인에서도 풍긴다.

25. light (라이트한):알코올이나 바디가 적어 깔끔한 맛이 난다.

26. meaty (육질의):진한 레드 와인에서 느껴지는 강하고 씹히는 맛으로 실제 고기맛이 난다.

27. minerally (미네랄 냄새가 나는):독일 와인과 프랑스 루아르밸리 와인에서 자주 나는 냄새로 부싯돌이나 분필 냄새가 난다.

28. neutral (뉴츄럴한):향이 뚜렷하지 않다.

29. oaky (오크향을 풍기는):새 오크통에서 숙성된 와인은 약간 스위트한 바닐라 향, 토스트 냄새 버터 냄새가 난다.

30. petrolly (휘발유 냄새를 풍기는):리슬링으로 만든 숙성된 와인에서는 향그러운 휘발유
     냄새가 난다.
31. piercing (쿡쿡찌르는 듯한):산도가 아주 높을 때나 과일향이 진동할 때 느낄 수 있다.

32. powerful (향이 강렬한): 다양한 맛과 향이 담겨진 와인을 표현하지만, 특히 알코올 함량이 높은 와인일 경우에 많이 쓴다.

33. prickly (알싸한):잔류 이산화 탄소 가스로 인해 거품이 약간 일어 난다. 깔끔한 화이트 와인 에서는 무척 산뜻한 느낌을 준다.

34. rich (감칠맛이 나는):맛이 무겁고 진하면서도 향이 적당하고 알코올이 가득하다.

35. ripe (농익은):잘 익은 포도로 만든 와인에서 나는 맛 좋은 과일향이다. 제대로 익지 않은 와인 에서는 풋풋한 냄새가 날 수도 있다.

36. rounded (향이 조화로운):향이 지나치게 자극적이지 않고 만족스럽다.

37. soft (부드러운): 거친 탄닌이나 강한 신맛이 없어 부담 없이 즐길 수 있다.

38. spicy (향긋한 또는 매콤한):게뷔르츠트라미너의 이국적인 향과 호주산 쉬라즈 와인에서 나는 후추, 계피 등의 향이다. 그 외에 오크 숙성으로 향긋한 향이 생기기도 한다.

39. steely (쇠같이 단단한):강한 신맛과 과일향은 적지만 바디가 약하지 않을 때 사용한다.

40. stony (돌처럼 단단한):드라이 하고 미네랄 냄새처럼 분필향이 나지만 활기는 떨어진다.

41. structured (맛이 짜여진):신맛과 탄닌이 기본을 이루면서 과일향이 적당히 감싸고 있다.

42. supple (순한):활기차고 연한 느낌으로, 향보다는 와인의 식감을 표현한 말이다.

43. sweet (스위트한):당도가 높을 뿐 아니라 감미롭고 농익은 과일향이 난다. 요즘 나오는
     드라이 와인에서 많이 느낄수 있다.
44. tart (시큼한): 덜 익은 사과처럼 매우 톡쏘면서 신맛이 난다. 기세가 약하고 과일향이 적으면서산도가 높아 무척 시다.

45. toasty (토스트 냄새가 나는): 오크숙성으로 생긴 버터 바른 토스트 냄새이다.

46. upfront (솔직한):와인의 맛을 있는 그대로 보여준다. 맛이 애매하지 않고 분명하다.

Chopin: Fantasie-Impromptu Op. 66

2009-10-14T13:55:11Z

Chopin: Fantasie-Impromptu Op. 66

Fantaisie-Impromptu

From Wikipedia, the free encyclopedia

Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66, is a solo piano composition and one of his most well-known pieces. It was composed in 1834 and dedicated to Julian Fontana. Despite Chopin's request to Fontana that the piece not be published, Fontana did so anyway, in order to show the world the piece.

The piece uses many cross-rhythms (the right hand plays semiquavers against the left hand playing triplets) and a ceaselessly moving note figuration and is in cut time. The opening tempo is marked allegro agitato. The tempo changes to largo and later moderato cantabile when the key changes to D-flat major, the enharmonic equivalent of the more obscure tonic major key of C-sharp major. The piece then changes back to the original tempo where it continues in C-sharp minor as before. It ends off in an ambiguous fantasy-like ending, in a quiet and mysterious way, where the left hand repeats the first few notes of the moderato section theme, while the right hand continues playing semiquavers.

Julian Fontana

Julian (or Jules) Fontana (July 31,^{[citation needed]} 1810 - December 23,^{[dubious – discuss]} 1869) was a Polish pianist, composer, lawyer, author and entrepreneur, best remembered as a close friend and musical executor of Frédéric Chopin.

Born Warsaw, Fontana studied law at the University of Warsaw and music under Józef Elsner at the conservatory where he met Chopin. Fontana left Warsaw in 1831, after the November Uprising and settled in Hamburg, before becoming a pianist and teacher in Paris in 1832.^[1] He took up a wandering life that included:

England and France (1833-1837);^[1]
New York and Havana (1842-1851) - he gave concerts with Camillo Sivori;^[1]
Montgeron, Paris (1852) - becoming part of the literary scene and friends with Adam Mickiewicz.^[1]

In Paris, some time after 1848, Fontana married Juana Camila Dalcour (1818–1855), widow of Stephen Cattley Tennant (1800–1848), a merchant, and mother of Enriqueta Augustina Tennant (1843-1908).^[2]

He succumbed to deafness and poverty and committed suicide.^[1]

Chopin compositions,
[edit] Ballade

Opus 23: Ballade in G minor (composed 1835-36)
Opus 38: Ballade in F major (1836-39)
Opus 47: Ballade in A-flat major (1841)
Opus 52: Ballade in F minor (1842-43)

[edit] Étude

Main article: Études (Chopin)

Opus 10:
- No. 1: Étude in C major (composed 1830)
- No. 2: Étude in A minor (1830)
- No. 3: Étude in E major "Tristesse" (1832)
- No. 4: Étude in C-sharp minor (1832)
- No. 5: Étude in G-flat major "Black Key" (1830)
- No. 6: Étude in E-flat minor (1830)
- No. 7: Étude in C major (1832)
- No. 8: Étude in F major (1829)
- No. 9: Étude in F minor (1829)
- No. 10: Étude in A-flat major (1829)
- No. 11: Étude in E-flat major (1829)
- No. 12: Étude in C minor "Revolutionary" (1831)
Opus 25:
- No. 1: Étude in A-flat major "Aeolian Harp" (composed 1836)
- No. 2: Étude in F minor (1836)
- No. 3: Étude in F major (1836)
- No. 4: Étude in A minor (1832-1834)
- No. 5: Étude in E minor (1832-1834)
- No. 6: Étude in G-sharp minor (1832-1834)
- No. 7: Étude in C-sharp minor (1836)
- No. 8: Étude in D-flat major (1832-1834)
- No. 9: Étude in G-flat major "Butterfly" (1832-1834)
- No. 10: Étude in H minor (1832-1834)
- No. 11: Étude in A minor "Winter Wind" (1834)
- No. 12: Étude in C minor (1836)
Trois Nouvelles Études:
- No. 1: Étude in F minor (1839)
- No. 2: Étude in A-flat major (1839)
- No. 3: Étude in D-flat major (1839)

[edit] Fantaisie

Opus 49: Fantaisie in F minor
Opus 61: Polonaise-Fantaisie in A-flat major

[edit] Impromptu

Opus 29: Impromptu in A-flat major (1837)
Opus 36: Impromptu in F-sharp major (1839)
Opus 51: Impromptu in G-flat major (1843)
Opus posth. 66: Fantaisie-Impromptu in C-sharp minor (1834)

[edit] Mazurka

Opus 6, Four Mazurkas:
- No. 1: Mazurka in F-sharp minor
- No. 2: Mazurka in C-sharp minor
- No. 3: Mazurka in E major
- No. 4: Mazurka in E-flat minor
Opus 7, Five Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F minor
- No. 4: Mazurka in A-flat major
- No. 5: Mazurka in C major
Opus 17, Four Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in E minor
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in A minor
Opus 24, Four Mazurkas:
- No. 1: Mazurka in G minor
- No. 2: Mazurka in C major
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in B-flat minor
Opus 30, Four Mazurkas:
- No. 1: Mazurka in C minor
- No. 2: Mazurka in B minor
- No. 3: Mazurka in D-flat major
- No. 4: Mazurka in C-sharp minor
Opus 33, Four Mazurkas:
- No. 1: Mazurka in G-sharp minor
- No. 2: Mazurka in D major
- No. 3: Mazurka in C major
- No. 4: Mazurka in B minor
Opus 41, Four Mazurkas:
- No. 1: Mazurka in C-sharp minor
- No. 2: Mazurka in E minor
- No. 3: Mazurka in B major
- No. 4: Mazurka in A-flat major
Opus 50, Three Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in C-sharp minor
Opus 56, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in C major
- No. 3: Mazurka in C minor
Opus 59, Three Mazurkas:
- No. 1: Mazurka in A minor
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in F-sharp minor
Opus 63, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in F minor
- No. 3: Mazurka in C-sharp minor
Opus posth. 67, Four Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in G minor
- No. 3: Mazurka in C major
- No. 4: Mazurka in A minor
Opus posth. 68, Four Mazurkas:
- No. 1: Mazurka in C major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F major
- No. 4: Mazurka in F minor
S 1, No. 2, Two Mazurkas:
- a. Mazurka in G major (1836)
- b. Mazurka in B flat major (1836)
S 2, Two Mazurkas:
- No. 4, Mazurka No. 50 in A minor "Notre Temps" (1840)
- No. 5, Mazurka No. 51 in A minor "Émile Gaillard" (1841)
P 2, Four Mazurkas:
- No. 1, Mazurka in B flat major (1832)
- No. 2, Mazurka in D major (1832)
- No. 3, Mazurka in C major (1833)
- No. 4, Mazurka in A flat major (1834)
A 1, No. 1: Mazurka in F major "Mazurek" (1820)
P 1, No. 7: Mazurka in D major (1829)

[edit] Nocturne

Opus 9:
- No. 1: Nocturne in B-flat minor
- No. 2: Nocturne in E-flat major
- No. 3: Nocturne in B major
Opus 15:
- No. 1: Nocturne in F major (1830-1831)
- No. 2: Nocturne in F-sharp major (1830-1831)
- No. 3: Nocturne in G minor (1833)
Opus 27:
- No. 1: Nocturne in C-sharp minor
- No. 2: Nocturne in D-flat major
Opus 32:
- No. 1: Nocturne in B major (1836-1837)
- No. 2: Nocturne in A-flat major (1836-1837)
Opus 37:
- No. 1: Nocturne in G minor
- No. 2: Nocturne in G major
Opus 48:
- No. 1: Nocturne in C minor
- No. 2: Nocturne in F-sharp minor
Opus 55:
- No. 1: Nocturne in F minor
- No. 2: Nocturne in E-flat major
Opus 62:
- No. 1: Nocturne in B major
- No. 2: Nocturne in E major
Opus posth. 72:
- No. 1: Nocturne in E minor
Posthumously published:
- Nocturne in C-sharp minor (1830)
- Nocturne in C minor (1837)

[edit] Polonaise

Opus 26:
- No. 1: Polonaise in C-sharp minor
- No. 2: Polonaise in E-flat minor
Opus 40:
- No. 1: Polonaise in A major "Military"
- No. 2: Polonaise in C minor
Opus 44: Polonaise in F-sharp minor
Opus 53: Polonaise in A-flat major "Heroic"
Opus 61: Polonaise-Fantaisie in A-flat major
Opus posth. 71:
- No. 1: Polonaise in D minor
- No. 2: Polonaise in B-flat major
- No. 3: Polonaise in F minor
KK IIa No. 1: Polonaise in G minor (1817)
KK IVa:
- No. 1: Polonaise in B flat major (1817)
- No. 2: Polonaise in A flat major (1821)
- No. 3: Polonaise in G sharp minor (1822)
- No. 5: Polonaise in B flat minor "Adieu à Guillaume Kolberg" (1826)
- No. 8: Polonaise in G flat major (1829).

[edit] Prélude

Main article: Preludes (Chopin)

Opus 28:
- No. 1: Prélude in C major (composed 1839)
- No. 2: Prélude in A minor (1838)
- No. 3: Prélude in G major (1838-1839)
- No. 4: Prélude in E minor (1838)
- No. 5: Prélude in D major (1838-1839)
- No. 6: Prélude in B minor (1838-1839)
- No. 7: Prélude in A major (1836)
- No. 8: Prélude in F-sharp minor (1838-1839)
- No. 9: Prélude in E major (1838-1839)
- No. 10: Prélude in C-sharp minor (1838-1839)
- No. 11: Prélude in B major (1838-1839)
- No. 12: Prélude in G-sharp minor (1838-1839)
- No. 13: Prélude in F-sharp major (1838-1839)
- No. 14: Prélude in E-flat minor (1838-1839)
- No. 15: Prélude in D-flat major ("Raindrop") (1838-1839)
- No. 16: Prélude in B-flat minor (1838-1839)
- No. 17: Prélude in A-flat major (1836)
- No. 18: Prélude in F minor (1838-1839)
- No. 19: Prélude in E-flat major (1838-1839)
- No. 20: Prélude in C minor (1838-1839)
- No. 21: Prélude in B-flat major (1838-1839)
- No. 22: Prélude in G minor (1838-1839)
- No. 23: Prélude in F major (1838-1839)
- No. 24: Prélude in D minor (1838-1839)
Opus 45: Prélude in C-sharp minor (1841)
Posthumously published: Prélude in A-flat major (1834, published 1918)

[edit] Rondo

Opus 1: Rondo in C Minor
Opus 5: Rondo à la Mazur in F major (1826)
Opus 16: Rondo in E-flat major (1832)
Opus posth. 73: Rondo in C major, two pianos (1828)

[edit] Scherzo

Opus 20: Scherzo in B minor (1831)
Opus 31: Scherzo in B-flat minor (1837)
Opus 39: Scherzo in C-sharp minor (1839)
Opus 54: Scherzo in E major (1843)

[edit] Sonata

Opus 4: Piano Sonata in C minor
Opus 35: Piano Sonata in B-flat minor; movement number 3 is the famous "Funeral March"
Opus 58: Piano Sonata in B minor

[edit] Waltzes

Opus 18: Grande Valse brillante in E-flat major
Opus 34:
- No. 1: Valse brillante in A-flat major (1835)
- No. 2: Valse brillante in A minor (1831)
- No. 3: Valse brillante in F Major (1838)
Opus 42: Valse in A-flat major
Opus 64:
- No. 1: Valse in D-flat major "Minute Waltz" (1846)
- No. 2: Valse in C-sharp minor (1846)
- No. 3: Valse in A-flat major
Opus posth. 69:
- No. 1: Valse in A-flat major (1835)
- No. 2: Valse in B minor
Opus posth. 70:
- No. 1: Valse in G-flat major
- No. 2: Valse in F minor
- No. 3: Valse in D-flat major
Posthumously published:
- Valse in E minor
- Valse in E major
- Valse in A minor
- Valse in A-flat major
- Valse in E-flat major
- Valse in E-flat major
- Valse in F-sharp minor (Doubtful)
Partially lost:
- Valse in C major (1826)
- Valse in A-flat major (1827)
- Valse in A-flat major (1829-30)
- Valse in D minor (1827)
- Valse in E-flat major (1829-30)
- Valse in C major (1831)
Unpublished (privately owned): Valse in B major (1848)

[edit] Miscellaneous

Opus 12: Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic"
Opus 19: Bolero in A minor
Opus 43: Tarantelle in A-flat major
Opus 46: Allegro de Concert in A major
Opus 57: Berceuse in D-flat major
Opus 60: Barcarolle in F-sharp major
Opus posth. 72:
- No. 2: Marche funèbre (1829)
- No. 3: Trois Ecossaises (1830)
B. 12a: Variations in D major on a Theme by Thomas Moore, piano four-hands
B. 14: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub"
B. 17: Contredanse in G-flat major
B. 37: Variations in A major, 'Souvenir de Paganini'
B. 84: Cantabile in B-flat major
B. 109a: Largo in E-flat major
B. 129a: Canon in F minor
B. 144: Fugue in A minor
B. 151: Album Leaf in E major

Piancerstra

Opus 2: Variations on 'Là ci darem la mano' in B-flat major (1827)
Opus 11: Piano Concerto No. 1 in E minor (composed 1830)
Opus 13: Fantaisie brillante on Polish Airs in A major (1828)
Opus 14: Rondo à la Krakowiak in F major (1828)
Opus 21: Piano Concerto No. 2 in F minor (1829-1830)
Opus 22: Andante Spianato and Grande Polonaise Brillante in E-flat major (1830-1831)^[1]

Piancrestra

Opus 3: Introduction and Polonaise brillante in C major
Opus 65: Cello Sonata in G minor (1845–46)
B. 70: Grand Duo Concertante in E major on Themes from "Robert le Diable", cello and piano (1832; written jointly with August Franchomme, and published under both their names)

[edit] Violin, cello and piano

Opus 8: Trio for Violin, Cello & Piano in G minor

[edit] Vocal music

Op. posth. 74, 19 Songs (1829-1847; Polish)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)
One other song.

[edit] Chopin compositions, by opus number

[edit] Works with opus number

Op. 1, Rondo in C minor (1825)
Op. 2, Variations on "La ci darem la mano" from Mozart's Opera "Don Giovanni" in B-flat major (1827)
Op. 3, Introduction and Polonaise brillante for Violoncello and Piano in C major (1829)
Op. 4, Piano Sonata No. 1 in C minor (1828)
Op. 5, Rondo à la Mazur in F major (1826)
Op. 6, 4 Mazurkas (1830)
- No. 1 in F-sharp minor
- No. 2 in C-sharp minor
- No. 3 in E major
- No. 4 in E-flat minor
Op. 7, 5 Mazurkas (1830-1831)
- No. 1 in B-flat major
- No. 2 in A minor
- No. 3 in F minor
- No. 4 in A-flat major
- No. 5 in C major
Op. 8, Trio for Violin, Violoncello and Piano in G minor (1829)
Op. 9, 3 Nocturnes (1830-1831)
- No. 1 in B-flat minor
- No. 2 in E-flat major
- No. 3 in B major
Op. 10, 12 Études à son ami Franz Liszt (1829-1832)
- No. 1 in C major (1830)
- No. 2 in A minor (1830)
- No. 3 in E major (1832)
- No. 4 in C-sharp minor (1832)
- No. 5 in G-flat major ("Black Key") (1830)
- No. 6 in E-flat minor (1830)
- No. 7 in C major (1832)
- No. 8 in F major (1829)
- No. 9 in F minor (1829)
- No. 10 in A-flat major (1829)
- No. 11 in E-flat major (1829)
- No. 12 C minor - (Revolutionary étude) (1831)
Op. 11, Concerto for Piano and Orchestra No. 1 in E minor (1830)
Op. 12, Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic" (1833)
Op. 13, Fantasia on Polish Airs in A major (1828)
Op. 14, Rondo à la Krakowiak in F major (1828)
Op. 15, 3 Nocturnes (1830-1833)
- No. 1 in F major (1830-1831)
- No. 2 in F-sharp major (1830-1831)
- No. 3 in G minor (1833)
Op. 16, Rondo in E-flat major (1832)
Op. 17, 4 Mazurkas (1832-1833)
- No. 1 in B-flat major
- No. 2 in E minor
- No. 3 in A-flat major
- No. 4 in A minor
Op. 18, Grande Valse brillante in E-flat major (1831)
Op. 19, Bolero in A minor (1833)
Op. 20, Scherzo No. 1 in B minor (1831)
Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829-1830)
Op. 22, Andante spianato in G major and Grande Polonaise brillante in E-flat major (Piano Solo 1834; the Polonaise section orchestrated 1830-31)
Op. 23, Ballade No.1 in G minor (1831-1835)
Op. 24, 4 Mazurkas (1834-1835)
- No. 1 in G minor
- No. 2 in C major
- No. 3 in A-flat major
- No. 4 in B-flat minor
Op. 25, 12 Études à son ami Mme la Comtesse d'Agoult (1832-1836)
- No. 1 in A flat major (1836)
- No. 2 in F minor (1836)
- No. 3 in F major (1836)
- No. 4 in A minor (1832-1834)
- No. 5 in E minor (1832-1834)
- No. 6 in G-sharp minor (1832-1834)
- No. 7 in C-sharp minor (1836)
- No. 8 in D-flat major (1832-1834)
- No. 9 in G-flat major (1832-1834)
- No. 10 in B minor (1832-1834)
- No. 11 in A minor ("Winter Wind") (1834)
- No. 12 in C minor ("Ocean") (1836)
Op. 26, 2 Polonaises (1834-1835)
- No. 1 in C-sharp minor
- No. 2 in E-flat minor
Op. 27, 2 Nocturnes (1835)
- No. 1 in C-sharp minor
- No. 2 in D-flat major
Op. 28, 24 Preludes (1836-1839)
- No. 1 in C major (1839)
- No. 2 in A minor (1838)
- No. 3 in G major (1838-1839)
- No. 4 in E minor (1838)
- No. 5 in D major (1838-1839)
- No. 6 in B minor (1838-1839)
- No. 7 in A major (1836)
- No. 8 in F-sharp minor (1838-1839)
- No. 9 in E major (1838-1839)
- No. 10 in C-sharp minor (1838-1839)
- No. 11 in B major (1838-1839)
- No. 12 in G-sharp minor (1838-1839)
- No. 13 in F-sharp major (1838-1839)
- No. 14 in E-flat minor (1838-1839)
- No. 15 in D-flat major ("Raindrop") (1838-1839)
- No. 16 in B-flat minor (1838-1839)
- No. 17 in A-flat major (1836)
- No. 18 in F minor (1838-1839)
- No. 19 in E-flat major (1838-1839)
- No. 20 in C minor (1838-1839)
- No. 21 in B-flat major (1838-1839)
- No. 22 in G minor (1836-1839)
- No. 23 in F major (1838-1839)
- No. 24 in D minor (1838-1839)
Op. 29, Impromptu No. 1 in A flat major (1837)
Op. 30, 4 Mazurkas (1836-1837)
- No. 1 in C minor
- No. 2 in B minor
- No. 3 in D-flat major
- No. 4 in C-sharp minor
Op. 31, Scherzo No. 2 in B-flat minor (1837)
Op. 32, 2 Nocturnes (1836-1837)
- No. 1 in B major (1836-1837)
- No. 2 in A-flat major (1836-1837)
Op. 33, 4 Mazurkas (1837-1838)
- No. 1 in G-sharp minor
- No. 2 in D major
- No. 3 in C major
- No. 4 in B minor
Op. 34, 3 Waltzes (1831-1838)
- No. 1 in A-flat major (1835)
- No. 2 in A minor (1831)
- No. 3 in F major (1838)
Op. 35, Piano Sonata No. 2 in B-flat minor - Funeral March (1839)
Op. 36, Impromptu No. 2 in F-sharp major (1839)
Op. 37, 2 Nocturnes (1838-1839)
- No. 1 in G minor (1838)
- No. 2 in G major (1839)
Op. 38, Ballade No. 2 in F major (1836-1839)
Op. 39, Scherzo No. 3 in C-sharp minor (1839)
Op. 40, 2 Polonaises (1838-1839)
- No. 1 in A major - Military (1838)
- No. 2 in C minor (1838-1839)
Op. 41 4 Mazurkas (1838-1839)
- No. 1/2, in E minor (1839)
- No. 2/3, in B major (1838)
- No. 3/4, in A-flat major (1839)
- No. 4/1, in C-sharp minor (1839)
Op. 42, Waltz in A-flat major (1840)
Op. 43, Tarantella in A-flat major (1841)
Op. 44, Polonaise in F-sharp minor (1841)
Op. 45, Prelude in C-sharp minor (1841)
Op. 46, Allegro de Concert in A major (1832-1841)
Op. 47, Ballade No. 3 in A-flat major (1840-1841)
Op. 48, 2 Nocturnes (1841)
- No. 1 in C minor
- No. 2 in F-sharp minor
Op. 49, Fantasia in F minor (1841)
Op. 50, 3 Mazurkas (1841-1842)
- No. 1 in G major
- No. 2 in A-flat major
- No. 3 in C-sharp minor
Op. 51, Impromptu No. 3 in G-flat major (1842)
Op. 52, Ballade No. 4 in F minor (1842)
Op. 53, Polonaise in A-flat major - "Heroic" (1842)
Op. 54, Scherzo No. 4 in E major (1842)
Op. 55, 2 Nocturnes (1843)
- No. 1 in F minor
- No. 2 in E-flat major
Op. 56, 3 Mazurkas (1843)
- No. 1 in B major
- No. 2 in C major
- No. 3 in C minor
Op. 57, Berceuse in D-flat major (1843)
Op. 58, Piano Sonata No. 3 in B minor (1844)
Op. 59, 3 Mazurkas (1845)
- No. 1 in A minor
- No. 2 in A-flat major
- No. 3 in F-sharp minor
Op. 60, Barcarolle in F-sharp major (1845-1846)
Op. 61, Polonaise-Fantaisie in A-flat major (1845-1846)
Op. 62, 2 Nocturnes (1846)
- No. 1 in B major
- No. 2 in E major
Op. 63, 3 Mazurkas (1846)
- No. 1 in B major
- No. 2 in F minor
- No. 3 in C-sharp minor
Op. 64, 3 Waltzes (1846-1847)
- No. 1 in D-flat major - (Minute Waltz)
- No. 2 in C-sharp minor
- No. 3 in A-flat major (c. 1840)
Op. 65, Sonata for Violoncello and Piano in G minor (1845-1846)
Op. posth. 66, Fantaisie-Impromptu in C-sharp minor (1835)
Op. posth. 67, 4 Mazurkas (1835-1849)
- No. 1 in G major (1835)
- No. 2 in G minor (1849)
- No. 3 in C major (1835)
- No. 4 in A minor (1846)
Op. posth. 68, 4 Mazurkas (1827-1849)
- No. 1 in C major (1829)
- No. 2 in A minor (1827)
- No. 3 in F major (1829)
- No. 4 in F minor (1849) (Last Composition)
Op. posth. 69, 2 Waltzes (1829-1835)
- No. 1 in A-flat major (1835)
- No. 2 in B minor (1829)
Op. posth. 70, 3 Waltzes (1829-1841)
- No. 1 in G-flat major (1833)
- No. 2 in F minor (1841)
- No. 3 in D-flat major (1829)
Op. posth. 71, 3 Polonaises (1825-1828)
- No. 1 in D minor (1825)
- No. 2 in B-flat major (1828)
- No. 3 in F minor (1828)
Op. posth. 72, (1826-1827)
- No. 1 Nocturne in E minor (1827)
- No. 2 Funeral March in C minor (1827)
- No. 3 3 Ecossaises (1826)
  - No. 3a in D major
  - No. 3b in G major
  - No. 3c in D-flat major
Op. posth. 73, Rondo in C major (for two pianos) (1828)
Op. posth. 74, 19 Songs (1829-1847)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)

Mother to Son

2009-10-06T19:33:39Z

Mother to Son

Langston Hughes

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor --
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So boy, don't you turn back.
Don't you set down on the steps
'Cause you finds it's kinder hard.
Don't you fall now --
For I'se still goin'. honey,
I'se still climbin'.
Aind life for me ain't been no crystal stair.

Langston Hughes

From Wikipedia, the free encyclopedia

James Mercer Langston Hughes, (February 1, 1902 – May 22, 1967) was an American poet, novelist, playwright, short story writer, and columnist. He was one of the earliest innovators of the new literary art form jazz poetry. Hughes is best-known for his work during the Harlem Renaissance.

자연image 162.2 x 162.2cm charcoal,crayon oil canvas

http://kjunyong.com/ 김 준용

Chopin - Prelude No.24 in D Minor

2009-09-26T09:42:10Z

Chopin - Prelude No.24 in D Minor

Prelude

A Prelude ("before play") is

something that serves as a preceding event or introduces what follows after it.

Prelude (music)

From Wikipedia, the free encyclopedia

Jump to: navigation, search

A prelude is a short piece of music, usually in no particular internal form, which may serve as an introduction to succeeding movements of a work that are usually longer and more complex. It generally features a single rhythmic and melodic motif that is used in every measure throughout the piece. Stylistically, the prelude is improvisatory in nature. The prelude can also refer to an overture, particularly to those seen in an opera or an oratorio.

The prelude can be thought of as a preface. It may stand on its own or introduce another work.

Frédéric Chopin

From Wikipedia, the free encyclopedia

Frédéric Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin; family-name pronunciation in English: IPA: /ˈʃoʊpæn/; March 1, 1810^[1] – October 17, 1849) was a Polish^[2]^[3] virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century.

Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and came to be regarded as a child-prodigy pianist. In November 1830, at the age of twenty, Chopin went abroad. After the suppression of the Polish 1830–31 Uprising, he became one of the many expatriates of the Polish Great Emigration. In Paris he made a comfortable living as composer and piano teacher, while giving few public performances. A great Polish patriot, in France he used the French version of his given name and, to avoid having to rely on Imperial Russian documents, eventually became a French citizen.^[4]^[5]^[6] From 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, at 39 in Paris he succumbed to pulmonary tuberculosis.^[7]

Chopin's extant compositions all include the piano, predominantly alone or as a solo instrument among others. Though his music is technically demanding, its style emphasizes nuance and expressive depth rather than technical virtuosity. Chopin invented new musical forms such as the ballade,^[8] and made major innovations in existing forms such as the piano sonata, waltz, nocturne, étude, impromptu, and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazurkas and polonaises remain the cornerstone of Polish national classical music.

[edit] Chopin compositions, by musical form

[edit] Ballade

Opus 23: Ballade in G minor (composed 1835-36)
Opus 38: Ballade in F major (1836-39)
Opus 47: Ballade in A-flat major (1841)
Opus 52: Ballade in F minor (1842-43)

[edit] Étude

Main article: Études (Chopin)

Opus 10:
- No. 1: Étude in C major (composed 1830)
- No. 2: Étude in A minor (1830)
- No. 3: Étude in E major "Tristesse" (1832)
- No. 4: Étude in C-sharp minor (1832)
- No. 5: Étude in G-flat major "Black Key" (1830)
- No. 6: Étude in E-flat minor (1830)
- No. 7: Étude in C major (1832)
- No. 8: Étude in F major (1829)
- No. 9: Étude in F minor (1829)
- No. 10: Étude in A-flat major (1829)
- No. 11: Étude in E-flat major (1829)
- No. 12: Étude in C minor "Revolutionary" (1831)
Opus 25:
- No. 1: Étude in A-flat major "Aeolian Harp" (composed 1836)
- No. 2: Étude in F minor (1836)
- No. 3: Étude in F major (1836)
- No. 4: Étude in A minor (1832-1834)
- No. 5: Étude in E minor (1832-1834)
- No. 6: Étude in G-sharp minor (1832-1834)
- No. 7: Étude in C-sharp minor (1836)
- No. 8: Étude in D-flat major (1832-1834)
- No. 9: Étude in G-flat major "Butterfly" (1832-1834)
- No. 10: Étude in H minor (1832-1834)
- No. 11: Étude in A minor "Winter Wind" (1834)
- No. 12: Étude in C minor (1836)
Trois Nouvelles Études:
- No. 1: Étude in F minor (1839)
- No. 2: Étude in A-flat major (1839)
- No. 3: Étude in D-flat major (1839)

[edit] Fantaisie

Opus 49: Fantaisie in F minor
Opus 61: Polonaise-Fantaisie in A-flat major

[edit] Impromptu

Opus 29: Impromptu in A-flat major (1837)
Opus 36: Impromptu in F-sharp major (1839)
Opus 51: Impromptu in G-flat major (1843)
Opus posth. 66: Fantaisie-Impromptu in C-sharp minor (1834)

[edit] Mazurka

Opus 6, Four Mazurkas:
- No. 1: Mazurka in F-sharp minor
- No. 2: Mazurka in C-sharp minor
- No. 3: Mazurka in E major
- No. 4: Mazurka in E-flat minor
Opus 7, Five Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F minor
- No. 4: Mazurka in A-flat major
- No. 5: Mazurka in C major
Opus 17, Four Mazurkas:
- No. 1: Mazurka in B-flat major
- No. 2: Mazurka in E minor
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in A minor
Opus 24, Four Mazurkas:
- No. 1: Mazurka in G minor
- No. 2: Mazurka in C major
- No. 3: Mazurka in A-flat major
- No. 4: Mazurka in B-flat minor
Opus 30, Four Mazurkas:
- No. 1: Mazurka in C minor
- No. 2: Mazurka in B minor
- No. 3: Mazurka in D-flat major
- No. 4: Mazurka in C-sharp minor
Opus 33, Four Mazurkas:
- No. 1: Mazurka in G-sharp minor
- No. 2: Mazurka in D major
- No. 3: Mazurka in C major
- No. 4: Mazurka in B minor
Opus 41, Four Mazurkas:
- No. 1: Mazurka in C-sharp minor
- No. 2: Mazurka in E minor
- No. 3: Mazurka in B major
- No. 4: Mazurka in A-flat major
Opus 50, Three Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in C-sharp minor
Opus 56, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in C major
- No. 3: Mazurka in C minor
Opus 59, Three Mazurkas:
- No. 1: Mazurka in A minor
- No. 2: Mazurka in A-flat major
- No. 3: Mazurka in F-sharp minor
Opus 63, Three Mazurkas:
- No. 1: Mazurka in B major
- No. 2: Mazurka in F minor
- No. 3: Mazurka in C-sharp minor
Opus posth. 67, Four Mazurkas:
- No. 1: Mazurka in G major
- No. 2: Mazurka in G minor
- No. 3: Mazurka in C major
- No. 4: Mazurka in A minor
Opus posth. 68, Four Mazurkas:
- No. 1: Mazurka in C major
- No. 2: Mazurka in A minor
- No. 3: Mazurka in F major
- No. 4: Mazurka in F minor
S 1, No. 2, Two Mazurkas:
- a. Mazurka in G major (1836)
- b. Mazurka in B flat major (1836)
S 2, Two Mazurkas:
- No. 4, Mazurka No. 50 in A minor "Notre Temps" (1840)
- No. 5, Mazurka No. 51 in A minor "Émile Gaillard" (1841)
P 2, Four Mazurkas:
- No. 1, Mazurka in B flat major (1832)
- No. 2, Mazurka in D major (1832)
- No. 3, Mazurka in C major (1833)
- No. 4, Mazurka in A flat major (1834)
A 1, No. 1: Mazurka in F major "Mazurek" (1820)
P 1, No. 7: Mazurka in D major (1829)

[edit] Nocturne

Opus 9:
- No. 1: Nocturne in B-flat minor
- No. 2: Nocturne in E-flat major
- No. 3: Nocturne in B major
Opus 15:
- No. 1: Nocturne in F major (1830-1831)
- No. 2: Nocturne in F-sharp major (1830-1831)
- No. 3: Nocturne in G minor (1833)
Opus 27:
- No. 1: Nocturne in C-sharp minor
- No. 2: Nocturne in D-flat major
Opus 32:
- No. 1: Nocturne in B major (1836-1837)
- No. 2: Nocturne in A-flat major (1836-1837)
Opus 37:
- No. 1: Nocturne in G minor
- No. 2: Nocturne in G major
Opus 48:
- No. 1: Nocturne in C minor
- No. 2: Nocturne in F-sharp minor
Opus 55:
- No. 1: Nocturne in F minor
- No. 2: Nocturne in E-flat major
Opus 62:
- No. 1: Nocturne in B major
- No. 2: Nocturne in E major
Opus posth. 72:
- No. 1: Nocturne in E minor
Posthumously published:
- Nocturne in C-sharp minor (1830)
- Nocturne in C minor (1837)

[edit] Polonaise

Opus 26:
- No. 1: Polonaise in C-sharp minor
- No. 2: Polonaise in E-flat minor
Opus 40:
- No. 1: Polonaise in A major "Military"
- No. 2: Polonaise in C minor
Opus 44: Polonaise in F-sharp minor
Opus 53: Polonaise in A-flat major "Heroic"
Opus 61: Polonaise-Fantaisie in A-flat major
Opus posth. 71:
- No. 1: Polonaise in D minor
- No. 2: Polonaise in B-flat major
- No. 3: Polonaise in F minor
KK IIa No. 1: Polonaise in G minor (1817)
KK IVa:
- No. 1: Polonaise in B flat major (1817)
- No. 2: Polonaise in A flat major (1821)
- No. 3: Polonaise in G sharp minor (1822)
- No. 5: Polonaise in B flat minor "Adieu à Guillaume Kolberg" (1826)
- No. 8: Polonaise in G flat major (1829).

[edit] Prélude

Main article: Preludes (Chopin)

Opus 28:
- No. 1: Prélude in C major (composed 1839)
- No. 2: Prélude in A minor (1838)
- No. 3: Prélude in G major (1838-1839)
- No. 4: Prélude in E minor (1838)
- No. 5: Prélude in D major (1838-1839)
- No. 6: Prélude in B minor (1838-1839)
- No. 7: Prélude in A major (1836)
- No. 8: Prélude in F-sharp minor (1838-1839)
- No. 9: Prélude in E major (1838-1839)
- No. 10: Prélude in C-sharp minor (1838-1839)
- No. 11: Prélude in B major (1838-1839)
- No. 12: Prélude in G-sharp minor (1838-1839)
- No. 13: Prélude in F-sharp major (1838-1839)
- No. 14: Prélude in E-flat minor (1838-1839)
- No. 15: Prélude in D-flat major ("Raindrop") (1838-1839)
- No. 16: Prélude in B-flat minor (1838-1839)
- No. 17: Prélude in A-flat major (1836)
- No. 18: Prélude in F minor (1838-1839)
- No. 19: Prélude in E-flat major (1838-1839)
- No. 20: Prélude in C minor (1838-1839)
- No. 21: Prélude in B-flat major (1838-1839)
- No. 22: Prélude in G minor (1838-1839)
- No. 23: Prélude in F major (1838-1839)
- No. 24: Prélude in D minor (1838-1839)
Opus 45: Prélude in C-sharp minor (1841)
Posthumously published: Prélude in A-flat major (1834, published 1918)

[edit] Rondo

Opus 1: Rondo in C Minor
Opus 5: Rondo à la Mazur in F major (1826)
Opus 16: Rondo in E-flat major (1832)
Opus posth. 73: Rondo in C major, two pianos (1828)

[edit] Scherzo

Opus 20: Scherzo in B minor (1831)
Opus 31: Scherzo in B-flat minor (1837)
Opus 39: Scherzo in C-sharp minor (1839)
Opus 54: Scherzo in E major (1843)

[edit] Sonata

Opus 4: Piano Sonata in C minor
Opus 35: Piano Sonata in B-flat minor; movement number 3 is the famous "Funeral March"
Opus 58: Piano Sonata in B minor

[edit] Waltzes

Opus 18: Grande Valse brillante in E-flat major
Opus 34:
- No. 1: Valse brillante in A-flat major (1835)
- No. 2: Valse brillante in A minor (1831)
- No. 3: Valse brillante in F Major (1838)
Opus 42: Valse in A-flat major
Opus 64:
- No. 1: Valse in D-flat major "Minute Waltz" (1846)
- No. 2: Valse in C-sharp minor (1846)
- No. 3: Valse in A-flat major
Opus posth. 69:
- No. 1: Valse in A-flat major (1835)
- No. 2: Valse in B minor
Opus posth. 70:
- No. 1: Valse in G-flat major
- No. 2: Valse in F minor
- No. 3: Valse in D-flat major
Posthumously published:
- Valse in E minor
- Valse in E major
- Valse in A minor
- Valse in A-flat major
- Valse in E-flat major
- Valse in E-flat major
- Valse in F-sharp minor (Doubtful)
Partially lost:
- Valse in C major (1826)
- Valse in A-flat major (1827)
- Valse in A-flat major (1829-30)
- Valse in D minor (1827)
- Valse in E-flat major (1829-30)
- Valse in C major (1831)
Unpublished (privately owned): Valse in B major (1848)

[edit] Miscellaneous

Opus 12: Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic"
Opus 19: Bolero in A minor
Opus 43: Tarantelle in A-flat major
Opus 46: Allegro de Concert in A major
Opus 57: Berceuse in D-flat major
Opus 60: Barcarolle in F-sharp major
Opus posth. 72:
- No. 2: Marche funèbre (1829)
- No. 3: Trois Ecossaises (1830)
B. 12a: Variations in D major on a Theme by Thomas Moore, piano four-hands
B. 14: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub"
B. 17: Contredanse in G-flat major
B. 37: Variations in A major, 'Souvenir de Paganini'
B. 84: Cantabile in B-flat major
B. 109a: Largo in E-flat major
B. 129a: Canon in F minor
B. 144: Fugue in A minor
B. 151: Album Leaf in E major

Piancerstra

Opus 2: Variations on 'Là ci darem la mano' in B-flat major (1827)
Opus 11: Piano Concerto No. 1 in E minor (composed 1830)
Opus 13: Fantaisie brillante on Polish Airs in A major (1828)
Opus 14: Rondo à la Krakowiak in F major (1828)
Opus 21: Piano Concerto No. 2 in F minor (1829-1830)
Opus 22: Andante Spianato and Grande Polonaise Brillante in E-flat major (1830-1831)^[1]

Piancrestra

Opus 3: Introduction and Polonaise brillante in C major
Opus 65: Cello Sonata in G minor (1845–46)
B. 70: Grand Duo Concertante in E major on Themes from "Robert le Diable", cello and piano (1832; written jointly with August Franchomme, and published under both their names)

[edit] Violin, cello and piano

Opus 8: Trio for Violin, Cello & Piano in G minor

[edit] Vocal music

Op. posth. 74, 19 Songs (1829-1847; Polish)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)
One other song.

[edit] Chopin compositions, by opus number

[edit] Works with opus number

Op. 1, Rondo in C minor (1825)
Op. 2, Variations on "La ci darem la mano" from Mozart's Opera "Don Giovanni" in B-flat major (1827)
Op. 3, Introduction and Polonaise brillante for Violoncello and Piano in C major (1829)
Op. 4, Piano Sonata No. 1 in C minor (1828)
Op. 5, Rondo à la Mazur in F major (1826)
Op. 6, 4 Mazurkas (1830)
- No. 1 in F-sharp minor
- No. 2 in C-sharp minor
- No. 3 in E major
- No. 4 in E-flat minor
Op. 7, 5 Mazurkas (1830-1831)
- No. 1 in B-flat major
- No. 2 in A minor
- No. 3 in F minor
- No. 4 in A-flat major
- No. 5 in C major
Op. 8, Trio for Violin, Violoncello and Piano in G minor (1829)
Op. 9, 3 Nocturnes (1830-1831)
- No. 1 in B-flat minor
- No. 2 in E-flat major
- No. 3 in B major
Op. 10, 12 Études à son ami Franz Liszt (1829-1832)
- No. 1 in C major (1830)
- No. 2 in A minor (1830)
- No. 3 in E major (1832)
- No. 4 in C-sharp minor (1832)
- No. 5 in G-flat major ("Black Key") (1830)
- No. 6 in E-flat minor (1830)
- No. 7 in C major (1832)
- No. 8 in F major (1829)
- No. 9 in F minor (1829)
- No. 10 in A-flat major (1829)
- No. 11 in E-flat major (1829)
- No. 12 C minor - (Revolutionary étude) (1831)
Op. 11, Concerto for Piano and Orchestra No. 1 in E minor (1830)
Op. 12, Variations brillantes in B-flat major on "Je vends du Scapulaires" from Hérold's "Ludóvic" (1833)
Op. 13, Fantasia on Polish Airs in A major (1828)
Op. 14, Rondo à la Krakowiak in F major (1828)
Op. 15, 3 Nocturnes (1830-1833)
- No. 1 in F major (1830-1831)
- No. 2 in F-sharp major (1830-1831)
- No. 3 in G minor (1833)
Op. 16, Rondo in E-flat major (1832)
Op. 17, 4 Mazurkas (1832-1833)
- No. 1 in B-flat major
- No. 2 in E minor
- No. 3 in A-flat major
- No. 4 in A minor
Op. 18, Grande Valse brillante in E-flat major (1831)
Op. 19, Bolero in A minor (1833)
Op. 20, Scherzo No. 1 in B minor (1831)
Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829-1830)
Op. 22, Andante spianato in G major and Grande Polonaise brillante in E-flat major (Piano Solo 1834; the Polonaise section orchestrated 1830-31)
Op. 23, Ballade No.1 in G minor (1831-1835)
Op. 24, 4 Mazurkas (1834-1835)
- No. 1 in G minor
- No. 2 in C major
- No. 3 in A-flat major
- No. 4 in B-flat minor
Op. 25, 12 Études à son ami Mme la Comtesse d'Agoult (1832-1836)
- No. 1 in A flat major (1836)
- No. 2 in F minor (1836)
- No. 3 in F major (1836)
- No. 4 in A minor (1832-1834)
- No. 5 in E minor (1832-1834)
- No. 6 in G-sharp minor (1832-1834)
- No. 7 in C-sharp minor (1836)
- No. 8 in D-flat major (1832-1834)
- No. 9 in G-flat major (1832-1834)
- No. 10 in B minor (1832-1834)
- No. 11 in A minor ("Winter Wind") (1834)
- No. 12 in C minor ("Ocean") (1836)
Op. 26, 2 Polonaises (1834-1835)
- No. 1 in C-sharp minor
- No. 2 in E-flat minor
Op. 27, 2 Nocturnes (1835)
- No. 1 in C-sharp minor
- No. 2 in D-flat major
Op. 28, 24 Preludes (1836-1839)
- No. 1 in C major (1839)
- No. 2 in A minor (1838)
- No. 3 in G major (1838-1839)
- No. 4 in E minor (1838)
- No. 5 in D major (1838-1839)
- No. 6 in B minor (1838-1839)
- No. 7 in A major (1836)
- No. 8 in F-sharp minor (1838-1839)
- No. 9 in E major (1838-1839)
- No. 10 in C-sharp minor (1838-1839)
- No. 11 in B major (1838-1839)
- No. 12 in G-sharp minor (1838-1839)
- No. 13 in F-sharp major (1838-1839)
- No. 14 in E-flat minor (1838-1839)
- No. 15 in D-flat major ("Raindrop") (1838-1839)
- No. 16 in B-flat minor (1838-1839)
- No. 17 in A-flat major (1836)
- No. 18 in F minor (1838-1839)
- No. 19 in E-flat major (1838-1839)
- No. 20 in C minor (1838-1839)
- No. 21 in B-flat major (1838-1839)
- No. 22 in G minor (1836-1839)
- No. 23 in F major (1838-1839)
- No. 24 in D minor (1838-1839)
Op. 29, Impromptu No. 1 in A flat major (1837)
Op. 30, 4 Mazurkas (1836-1837)
- No. 1 in C minor
- No. 2 in B minor
- No. 3 in D-flat major
- No. 4 in C-sharp minor
Op. 31, Scherzo No. 2 in B-flat minor (1837)
Op. 32, 2 Nocturnes (1836-1837)
- No. 1 in B major (1836-1837)
- No. 2 in A-flat major (1836-1837)
Op. 33, 4 Mazurkas (1837-1838)
- No. 1 in G-sharp minor
- No. 2 in D major
- No. 3 in C major
- No. 4 in B minor
Op. 34, 3 Waltzes (1831-1838)
- No. 1 in A-flat major (1835)
- No. 2 in A minor (1831)
- No. 3 in F major (1838)
Op. 35, Piano Sonata No. 2 in B-flat minor - Funeral March (1839)
Op. 36, Impromptu No. 2 in F-sharp major (1839)
Op. 37, 2 Nocturnes (1838-1839)
- No. 1 in G minor (1838)
- No. 2 in G major (1839)
Op. 38, Ballade No. 2 in F major (1836-1839)
Op. 39, Scherzo No. 3 in C-sharp minor (1839)
Op. 40, 2 Polonaises (1838-1839)
- No. 1 in A major - Military (1838)
- No. 2 in C minor (1838-1839)
Op. 41 4 Mazurkas (1838-1839)
- No. 1/2, in E minor (1839)
- No. 2/3, in B major (1838)
- No. 3/4, in A-flat major (1839)
- No. 4/1, in C-sharp minor (1839)
Op. 42, Waltz in A-flat major (1840)
Op. 43, Tarantella in A-flat major (1841)
Op. 44, Polonaise in F-sharp minor (1841)
Op. 45, Prelude in C-sharp minor (1841)
Op. 46, Allegro de Concert in A major (1832-1841)
Op. 47, Ballade No. 3 in A-flat major (1840-1841)
Op. 48, 2 Nocturnes (1841)
- No. 1 in C minor
- No. 2 in F-sharp minor
Op. 49, Fantasia in F minor (1841)
Op. 50, 3 Mazurkas (1841-1842)
- No. 1 in G major
- No. 2 in A-flat major
- No. 3 in C-sharp minor
Op. 51, Impromptu No. 3 in G-flat major (1842)
Op. 52, Ballade No. 4 in F minor (1842)
Op. 53, Polonaise in A-flat major - "Heroic" (1842)
Op. 54, Scherzo No. 4 in E major (1842)
Op. 55, 2 Nocturnes (1843)
- No. 1 in F minor
- No. 2 in E-flat major
Op. 56, 3 Mazurkas (1843)
- No. 1 in B major
- No. 2 in C major
- No. 3 in C minor
Op. 57, Berceuse in D-flat major (1843)
Op. 58, Piano Sonata No. 3 in B minor (1844)
Op. 59, 3 Mazurkas (1845)
- No. 1 in A minor
- No. 2 in A-flat major
- No. 3 in F-sharp minor
Op. 60, Barcarolle in F-sharp major (1845-1846)
Op. 61, Polonaise-Fantaisie in A-flat major (1845-1846)
Op. 62, 2 Nocturnes (1846)
- No. 1 in B major
- No. 2 in E major
Op. 63, 3 Mazurkas (1846)
- No. 1 in B major
- No. 2 in F minor
- No. 3 in C-sharp minor
Op. 64, 3 Waltzes (1846-1847)
- No. 1 in D-flat major - (Minute Waltz)
- No. 2 in C-sharp minor
- No. 3 in A-flat major (c. 1840)
Op. 65, Sonata for Violoncello and Piano in G minor (1845-1846)
Op. posth. 66, Fantaisie-Impromptu in C-sharp minor (1835)
Op. posth. 67, 4 Mazurkas (1835-1849)
- No. 1 in G major (1835)
- No. 2 in G minor (1849)
- No. 3 in C major (1835)
- No. 4 in A minor (1846)
Op. posth. 68, 4 Mazurkas (1827-1849)
- No. 1 in C major (1829)
- No. 2 in A minor (1827)
- No. 3 in F major (1829)
- No. 4 in F minor (1849) (Last Composition)
Op. posth. 69, 2 Waltzes (1829-1835)
- No. 1 in A-flat major (1835)
- No. 2 in B minor (1829)
Op. posth. 70, 3 Waltzes (1829-1841)
- No. 1 in G-flat major (1833)
- No. 2 in F minor (1841)
- No. 3 in D-flat major (1829)
Op. posth. 71, 3 Polonaises (1825-1828)
- No. 1 in D minor (1825)
- No. 2 in B-flat major (1828)
- No. 3 in F minor (1828)
Op. posth. 72, (1826-1827)
- No. 1 Nocturne in E minor (1827)
- No. 2 Funeral March in C minor (1827)
- No. 3 3 Ecossaises (1826)
  - No. 3a in D major
  - No. 3b in G major
  - No. 3c in D-flat major
Op. posth. 73, Rondo in C major (for two pianos) (1828)
Op. posth. 74, 19 Songs (1829-1847)
- No. 1 The Wish (Życzenie) (1829)
- No. 2 Spring (Wiosna) (1838)
- No. 3 The Sad River (Smutna Rzeka) (1831)
- No. 4 Merrymaking (Hulanka) (1830)
- No. 5 What She Likes (Gdzie lubi) (1829)
- No. 6 Out of My Sight (Precz z moich oczu) (1830)
- No. 7 The Messenger (Poseł) (1830)
- No. 8 Handsome Lad (Śliczny chłopiec) (1841)
- No. 9 Melody (Melodia) (1847)
- No. 10 The Warrior (Wojak) (1830)
- No. 11 The Double-End (Dwojaki koniec) (1845)
- No. 12 My Darling (Moja pieszczotka) (1837)
- No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
- No. 14 The Ring (Pierścień) (1836)
- No. 15 The Bridegroom (Narzeczony) (1831)
- No. 16 Lithuanian Song (Piosnka litewska) (1831)
- No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)
- No. 18 Enchantment (Czary) (1830)
- No. 19 Reverie (Dumka) (1840)

Chopin Prelude No. 16

2009-09-24T23:15:36Z

Sergio Tiempo (1972~ )

Preludes (Chopin)

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Preludes Op. 28, by Frédéric Chopin, are a set of 24 short pieces written for the piano, one in each key, originally published in 1839. Although the term prelude is generally used to describe an introductory piece, Chopin's Preludes stand as self-contained units, each meant to convey a specific idea or emotion.

Chopin's Preludes have been compared to Johann Sebastian Bach's Preludes in the Well-Tempered Clavier. However, each of Bach's preludes leads to a fugue in the same key, and Bach's pieces were arranged chromatically, while Chopin's were arranged in a circle of fifths. Chopin wrote his Preludes between 1835 and 1839, partly at Valldemossa, Majorca where the composer spent the winter of 1838/9 and where he had fled with George Sand and her children to escape the damp Paris weather.^[1]

Due to apparent lack of formal structure and brevity, the Preludes caused some consternation among critics at the time of their publication.^[2] No prelude is longer than 90 measures (Prelude No. 17) and the shortest a mere 13 measures (Prelude No. 20). Robert Schumann said, "They are sketches, beginnings of etudes, or, so to speak, ruins, individual eagle pinions, all disorder and wild confusions."^[3] Franz Liszt's opinion, however, may have been positive — "Chopin's Preludes are compositions of an order entirely apart."^[3] Since that time, the Preludes have become standard fare for the average pianist. Many major performers have recorded the set, beginning with Alfred Cortot in 1926.

Prélude

Main article: Preludes (Chopin)

Opus 28:
- No. 1: Prélude in C major (composed 1839)
- No. 2: Prélude in A minor (1838)
- No. 3: Prélude in G major (1838-1839)
- No. 4: Prélude in E minor (1838)
- No. 5: Prélude in D major (1838-1839)
- No. 6: Prélude in B minor (1838-1839)
- No. 7: Prélude in A major (1836)
- No. 8: Prélude in F-sharp minor (1838-1839)
- No. 9: Prélude in E major (1838-1839)
- No. 10: Prélude in C-sharp minor (1838-1839)
- No. 11: Prélude in B major (1838-1839)
- No. 12: Prélude in G-sharp minor (1838-1839)
- No. 13: Prélude in F-sharp major (1838-1839)
- No. 14: Prélude in E-flat minor (1838-1839)
- No. 15: Prélude in D-flat major ("Raindrop") (1838-1839)
- No. 16: Prélude in B-flat minor (1838-1839)
- No. 17: Prélude in A-flat major (1836)
- No. 18: Prélude in F minor (1838-1839)
- No. 19: Prélude in E-flat major (1838-1839)
- No. 20: Prélude in C minor (1838-1839)
- No. 21: Prélude in B-flat major (1838-1839)
- No. 22: Prélude in G minor (1838-1839)
- No. 23: Prélude in F major (1838-1839)
- No. 24: Prélude in D minor (1838-1839)
Opus 45: Prélude in C-sharp minor (1841)
Posthumously published: Prélude in A-flat major (1834, published 1918)

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Libertango- Astor Piazzolla

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Paganini's Joke

.Paganini-Sonata concertata , Allegro spiritoso

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L'elisir d'amore

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Dream

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Niccolò Paganini Concerto for violin No. 4, in D minor (1830)

Niccolò Paganini

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Rachmaninov sonata for cello and piano op.19 in G minor

77

(3rd mov)

Stjepan Hauser plays

Rachmaninov sonata for cello and piano op.19 in G minor (2nd mov)

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한국인이 사랑하는 대표 와인

wine Tasting

Wine tasting

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Sommelier

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Retailing

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Chopin: Fantasie-Impromptu Op. 66

Fantaisie-Impromptu

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Julian Fontana

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