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  <title>BoBEAN'S special effects LAB</title>
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  <updated>2009-08-08T10:44:12Z</updated>

  		<entry>
	    <title>Giant Particle Collider Struggles </title>
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	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-08-08T10:44:12Z</updated>
	    <published>2009-08-08T10:44:12Z</published>
	    <content type="html">
	    	&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;Giant Particle Collider Struggles &lt;/SPAN&gt;&lt;/NYT_HEADLINE&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV class=image id=wideImage&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=331 alt=&quot;&quot; src=&quot;http://graphics8.nytimes.com/images/2009/08/04/world/04collide_600.jpg&quot; width=600 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;DIV class=credit&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Valerio Mezzanotti for The New York Times&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P class=caption&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Many of the magnets meant to whiz subatomic particles around the 17-mile underground Large Hadron Collider outside Geneva have mysteriously lost their ability to operate at high energies. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;
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&lt;DIV id=toolsRight&gt;&lt;NYT_TEXT&gt;&lt;/DIV&gt;
&lt;DIV id=articleBody&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The biggest, most expensive physics machine in the world is riddled with thousands of bad electrical connections.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV class=inlineLeft id=articleInline&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Many of the magnets meant to whiz high-energy subatomic particles around a 17-mile underground racetrack have mysteriously lost their ability to operate at high energies.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Some physicists are deserting the European project, at least temporarily, to work at a smaller, rival machine across the ocean. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;After 15 years and $9 billion, and a &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Times article&quot; href=&quot;http://www.nytimes.com/2008/09/11/science/11collider.html&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;showy “switch-on” ceremony&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; last September, the &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Articles and resources on Large Hadron Collider&quot; href=&quot;http://topics.nytimes.com/top/news/science/topics/large_hadron_collider/index.html&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Large Hadron Collider&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, the giant particle accelerator outside Geneva, has to yet collide any particles at all. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But soon?&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;This week, scientists and engineers at the European Center for Nuclear Research, or &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;CERN’s page on the Large Hadron Collider&quot; href=&quot;http://public.web.cern.ch/public/en/LHC/LHC-en.html&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;CERN&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, are to announce how and when their machine will start running this winter. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;That will be a Champagne moment. But scientists say it could be years, if ever, before the collider runs at full strength, stretching out the time it should take to achieve the collider’s main goals, like producing a particle known as the Higgs boson thought to be responsible for imbuing other elementary particles with mass, or identifying the &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;&quot; href=&quot;http://topics.nytimes.com/top/news/science/topics/dark_matter/index.html?inline=nyt-classifier&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;dark matter&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; that astronomers say makes up 25 percent of the cosmos. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The energy shortfall could also limit the collider’s ability to test more exotic ideas, like the existence of extra dimensions beyond the three of space and one of time that characterize life.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;“The fact is, it’s likely to take a while to get the results we really want,” said &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Profile of Dr. Randall&quot; href=&quot;http://www.nytimes.com/2005/11/01/science/01prof.html?scp=1&amp;sq=lisa+randall&amp;st=nyt&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lisa Randall&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, a &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;More articles about Harvard University.&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/organizations/h/harvard_university/index.html?inline=nyt-org&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; physicist who is an architect of the extra-dimension theory.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The collider was &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Times article&quot; href=&quot;http://www.nytimes.com/2007/05/15/science/15cern.html&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;built to accelerate protons to energies of seven trillion electron volts&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; and smash them together in search of particles and forces that reigned earlier than the first trillionth of a second of time, but the machine could run as low as four trillion electron volts for its first year. Upgrades would come a year or two later.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Physicists on both sides of the Atlantic say they are confident that the European machine will produce groundbreaking science — eventually — and quickly catch up to an American rival, even at the lower energy. All big accelerators have gone through painful beginnings. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;“These are baby problems,” said Peter Limon, a physicist at the &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Laboratory’s Web site&quot; href=&quot;http://www.fnal.gov/&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Fermi National Accelerator Laboratory&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; in Batavia, Ill., who helped build the collider.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But some physicists admit to being impatient. “I’ve waited 15 years,” said Nima Arkani-Hamed, a leading particle theorist at the Institute for Advanced Study in Princeton. “I want it to get up running. We can’t tolerate another disaster. It has to run smoothly from now.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The delays are hardest on younger scientists, who may need data to complete a thesis or work toward tenure. Slowing a recent physics brain drain from the United States to Europe, some have gone to work at Fermilab, where the rival Tevatron accelerator has been smashing together protons and antiprotons for the last decade.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Colliders get their oomph from Einstein’s equivalence of mass and energy, both expressed in the currency of electron volts. The &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;More articles about CERN.&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/organizations/c/cern/index.html?inline=nyt-org&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;CERN&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; collider was designed to investigate what happens at energies and distances where the reigning theory, known as the Standard Model, breaks down and gives nonsense answers. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The collider’s own prodigious energies are in some way its worst enemy. At full strength, the energy stored in its superconducting magnets would equal that of an &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;More articles about Airbus S.A.S.&quot; href=&quot;http://topics.nytimes.com/top/news/business/companies/airbus_sas/index.html?inline=nyt-org&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Airbus&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; A380 flying at 450 miles an hour, and the proton beam itself could pierce 100 feet of solid copper.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;In order to carry enough current, the collider’s magnets are cooled by liquid helium to a temperature of 1.9 degrees above absolute zero, at which point the niobium-titanium cables in them lose all electrical resistance and become superconducting.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Any perturbation, however, such as a bad soldering job on a splice, can cause resistance and heat the cable and cause it to lose its superconductivity in what physicists call a “quench.” Which is what happened on Sept. 19, when the junction between two magnets vaporized in a shower of sparks, soot and liberated helium.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Technicians have spent most of the last year cleaning up and inspecting thousands of splices in the collider. About 5,000 will have to be redone, &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Dr. Myers’ July update on status of L.H.C.&quot; href=&quot;http://cdsweb.cern.ch/record/1187270&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Steve Myers, head of CERN’s accelerator division&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, said in an interview. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The exploding splices have diverted engineers’ attention from the mystery of the underperforming magnets. Before the superconducting magnets are installed, engineers “train” each one by ramping up its electrical current until the magnet fails, or “quenches.” Thus the magnet gradually grows comfortable with higher and higher current.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;All of the magnets for the collider were trained to an energy above seven trillion electron volts before being installed, Dr. Myers said, but when engineers tried to take one of the rings’ eight sectors to a higher energy last year, some magnets unexpectedly failed.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;In an e-mail exchange, Lucio Rossi, head of magnets for CERN, said that 49 magnets had lost their training in the sectors tested and that it was impossible to estimate how many in the entire collider had gone bad. He said the magnets in question had all met specifications and that the problem might stem from having sat outside for a year before they could be installed.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Retraining magnets is costly and time consuming, experts say, and it might not be worth the wait to get all the way to the original target energy. “It looks like we can get to 6.5 relatively easily,” Dr. Myers said, but seven trillion electron volts would require “a lot of training.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Many physicists say they would be perfectly happy if the collider never got above five trillion electron volts. If that were the case, said Joe Lykken, a Fermilab theorist who is on one of the CERN collider teams, “It’s not the end of the world. I am not pessimistic at all.” &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;For the immediate future, however, physicists are not even going to get that. Dr. Myers said he thought the splices as they are could handle 4 trillion electron volts.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;“We could be doing physics at the end of November,” he said in July, before new vacuum leaks pushed the schedule back a few additional weeks. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;“It’s not the design energy of the machine, but it’s 4 times higher than the Tevatron,” he said.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Pauline Gagnon, an &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;More articles about Indiana University&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/organizations/i/indiana_university/index.html?inline=nyt-org&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Indiana University&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; physicist who works at CERN, said she would happily take that energy level. “The public pays for this,” she said in an e-mail message, “and we need to start delivering.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;NYT_UPDATE_BOTTOM&gt;&lt;/NYT_UPDATE_BOTTOM&gt;&lt;/NYT_TEXT&gt;&lt;/DIV&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Scientists Use Curvy DNA to Build Molecular Parts </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279805"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279805</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-08-08T10:39:42Z</updated>
	    <published>2009-08-08T10:39:42Z</published>
	    <content type="html">
	    	&lt;P&gt;&lt;STRONG&gt;Observatory&lt;/STRONG&gt;&lt;/NYT_KICKER&gt;&lt;/P&gt;
&lt;H1&gt;&lt;NYT_HEADLINE type=&quot; &quot; version=&quot;1.0&quot;&gt;Scientists Use Curvy DNA to Build Molecular Parts &lt;/NYT_HEADLINE&gt;&lt;/H1&gt;
&lt;DIV class=image id=wideImage&gt;&lt;IMG height=459 alt=&quot;&quot; src=&quot;http://graphics8.nytimes.com/images/2009/08/11/science/11obdna1.600.jpg&quot; width=600 border=0&gt; 
&lt;DIV class=credit&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Science/AAAS&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P class=caption&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A 12-tooth gear, about one-tenth of a micrometer in diameter, assembled from strands of DNA. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;
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&lt;DIV id=toolsRight&gt;&lt;STRONG&gt;&lt;NYT_TEXT&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV id=articleBody&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;You can’t build a machine without parts. That’s true for large machines like engines and pumps, and it’s true for the tiniest machines, the kind that scientists want to build on the scale of molecules to do work inside the body.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV class=inlineLeft id=articleInline&gt;
&lt;DIV id=inlineBox&gt;
&lt;DIV class=&quot;doubleRule lastRule&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;A name=secondParagraph&gt;&lt;/A&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Researchers at the Dana-Farber Cancer Institute and &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;More articles about Harvard University.&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/organizations/h/harvard_university/index.html?inline=nyt-org&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard University&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; have taken a step toward creating parts for molecular machines, out of DNA. In a &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;The journal Science.&quot; href=&quot;http://www.sciencemag.org/&quot;&gt;&lt;U&gt;&lt;FONT color=#004276&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;paper in Science&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, Hendrik Dietz (who is now with the Technical University of Munich), Shawn M. Douglas and William H. Shih describe a programmable technique for twisting and curving DNA into shapes.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr. Shih said the method used strands of DNA that self-assemble into rigid bundles, with the individual double helixes joined by strong crosslinks. Manipulating the base pairs in the helixes — using more or fewer of them between crosslinks — creates torque that causes the bundles to twist and bend in a specific direction. The researchers were able to control the degree of bending, and were even able to make a bundle bend back on itself.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The researchers built several structures, including a 12-toothed gear and a wire-frame ball. Dr. Shih said that while it was possible that a future molecular machine might use parts like these, the work was meant to demonstrate that “if you want to make a machine, you are going to need very precise fabrication ability.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The goal, he added, is to make objects that are far more complex, in order to eventually build a machine that could, say, deliver a tiny amount of a drug to a precise spot in the body. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr. Shih likened the work to the development of integrated circuits, where complexity has roughly doubled every 18 months for the past 40 years. “We’re motivated to improve the technology,” he said. “If you want to do amazing things, you are going to need to be able to build very complicated devices.” &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;NYT_UPDATE_BOTTOM&gt;&lt;/NYT_UPDATE_BOTTOM&gt;&lt;/NYT_TEXT&gt;&lt;/DIV&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Structure of HIV genome 'decoded'  </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279804"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279804</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-08-08T10:37:17Z</updated>
	    <published>2009-08-08T10:37:17Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
&lt;TBODY&gt;
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&lt;DIV class=mxb&gt;
&lt;H1&gt;Structure of HIV genome 'decoded' &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;IMG height=170 alt=&quot;HIV drugs&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/46161000/gif/_46161127_hivtreatment.gif&quot; width=226 border=0&gt; 
&lt;DIV class=cap&gt;The team hope their work will pave the way to new treatments&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;B&gt;Scientists say they have decoded the entire genetic structure of HIV-1 - the main cause of Aids in humans.&lt;/B&gt; 
&lt;P class=first&gt;&amp;nbsp; 
&lt;P class=first&gt;&amp;nbsp; 
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;They hope this will pave the way to a greater understanding of how the virus operates, and potentially accelerate the development of drug treatments. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;HIV carries its genetic information in more complicated structures than some other viruses. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The US research, published in Nature, may allow scientists the chance to look at the information buried inside. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;HIV, like the viruses which cause influenza, hepatitis C and polio, carries its genetic information as single-stranded RNA rather than double-stranded DNA. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The information enclosed in DNA is encoded in a relatively simple way, but in RNA this is more complex. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;!-- S IBOX --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=231 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD width=5&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/o.gif&quot; width=5 border=0&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/TD&gt;
&lt;TD class=sibtbg&gt;
&lt;DIV&gt;
&lt;DIV class=mva&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif&quot; width=24 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; We are also beginning to understand tricks the genome uses to help the virus escape detection by the human host &lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif&quot; width=23 align=right border=0&gt;&lt;/SPAN&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;DIV class=mva&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Ron Swanstrom&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;study author&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IBOX --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;RNA is able to fold into intricate patterns and structures. Therefore decoding a full genome opens up genetic information that was not previously accessible, and may hold answers to why the virus acts as it does. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The team from the University of North Carolina at Chapel Hill said they planned to use the information to see if they could make tiny changes to the virus. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;If it doesn't grow as well when you disrupt the virus with mutations, then you know you've mutated or affected something that was important to the virus,&quot; says Ron Swanstrom, professor of microbiology and immunology. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;We are also beginning to understand tricks the genome uses to help the virus escape detection by the human host.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Deep inside&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr David Robertson from the University of Manchester welcomed this &quot;definitive analysis&quot;. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;What this may reveal is some of the proteins operating at a level below the structures, which may have all sorts of functions within the virus. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;More generally, if we can unpick the structures then we can compare the systems of different viruses and gain new understanding of how they work.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Keith Alcorn of the HIV information service NAM added: &quot;Encouraging the virus to mutate is not a new idea, but it is one of a number of options on the table. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;How important this information will be for the development of new drugs remains to be seen, but it is a useful addition to what we know.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Cannibal theory over early Briton </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279803"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279803</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-08-08T10:34:24Z</updated>
	    <published>2009-08-08T10:34:24Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;Cannibal theory over early Briton &lt;/SPAN&gt;&lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IBYL --&gt;
&lt;DIV class=mvb&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=466 border=0&gt;
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&lt;DIV class=mvb&gt;&lt;STRONG&gt;&lt;SPAN class=byl&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By Judith Burns &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN class=byd&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Science reporter, BBC News &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/999999.gif&quot; width=466 border=0&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;!-- E IBYL --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
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&lt;TD&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=170 alt=&quot;Kents Cavern great chamber (Kents Cavern)&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/46169000/jpg/_46169989_kent_kents_226.jpg&quot; width=226 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;DIV class=cap&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Kents Cavern has a long history of human occupation&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A fragment of bone from a Devon cave may hint at cannibalism by early Britons, according to archaeologists. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=first&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&amp;nbsp; 
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Researchers say the 9,000-year-old bone carries cut marks made by a stone tool which are consistent with the act of dismemberment. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Scientists believe the bone is evidence that Britons from the Mesolithic period engaged in complex burial rituals and possibly cannibalism. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Human remains from this period are extremely rare in Britain. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The bone was found at Kents Cavern in the late 19th century and was being stored at Torquay museum where curator Barry Chandler noticed the cut marks on it. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;He showed the bone to Dr Rick Schulting from Oxford University who concluded that it belonged a human adult. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr Schulting told BBC News: &quot;The cuts are along the top of the ulna, the top of the bone of the lower arm, right at the elbow. They look like they're made by stone tools rather than metal tools.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;They're just a series of fine parallel cuts as though you're trying to dismember, to remove the lower arm.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The person must have been already dead at this time. So you're looking at post-mortem dismemberment for some reason.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr Schulting says the marks could be evidence of a complex mortuary treatment. Or, he says, &quot;the other possibility is that this is done for quite another reason, the consumption of the individual as part of cannibalism.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Fresh break&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The bone is also fractured and according to scientists this probably happened when it was still fresh, which might provide some support for the cannibalism theory - but Dr Schulting urges caution. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Carbon dating put the bone in the Mesolithic period, between the end of the last Ice Age and the start of farming. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr Schulting hopes to resolve the cannibalism question by searching Kents Cavern for other human and animal bones remains from this period to see if they were treated in the same way. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr Silvia Bello, a palaeontologist at London's Natural History Museum, told BBC News: &quot;Cannibalism amongst [&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Homo&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;] &lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;sapiens&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; and pre-&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;sapiens&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; humans has always been a taboo topic. Whilst the presence of cut marks on faunal remains is usually referred to as a direct manifestation of butchery activities, cut marks on human remains are not usually considered to be un-equivocal evidence of cannibalism. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The presence of butchery cut marks on human remains is generally interpreted as ritual practice, such as de-fleshing, scalping, dismembering, without consumption of the body. However, although difficult to prove, cannibalistic practices cannot be completely dismissed.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The newly described human remains from Kent's Cavern are clearly an important development in the reconstruction of the complex funerary behaviour of Mesolithic people in Britain.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;In the UK, the only other bones with cut marks were discovered in Gough's Cave, Somerset and are 5,000 years older. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;This bone was dug up by in 1866 by archaeologist and geologist William Pengelly. He discovered it in the upper levels of Kents Cavern which are less studied than the lower levels as the items here are generally more recent. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It was being stored alongside some fragments of animal bone from the same area when Barry Chandler spotted it. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;He was surprised that the carbon dating showed it as being so much older than the rest of the collection which are from the Bronze Age or late Neolithic era.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>The Developing Child </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279802"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279802</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:43:41Z</updated>
	    <published>2009-03-22T08:43:41Z</published>
	    <content type="html">
	    	&lt;H1&gt;The Developing Child &lt;/H1&gt;
&lt;H1 class=subtitle&gt;With a new interdisciplinary center, Harvard turns its focus to the earliest years of life—in an approach that combines science, policy, and practice.&lt;/H1&gt;
&lt;P class=authors&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;by &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A title=&quot;View user profile.&quot; href=&quot;http://harvardmagazine.com/profile/elizabeth-gudrais&quot; jQuery1237678643562=&quot;58&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Elizabeth Gudrais&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/P&gt;
&lt;DIV id=content_top&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;STRONG&gt;&lt;FONT size=2&gt;&lt;/FONT&gt;&lt;/STRONG&gt;
&lt;DIV class=divclear style=&quot;WIDTH: 100%; HEIGHT: 1px&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=divclear style=&quot;WIDTH: 100%; HEIGHT: 1px&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P class=&quot;multipage-pager-prev hidden&quot;&gt;&lt;A href=&quot;http://harvardmagazine.com/2009/03/the-developing-child?page=2&quot; jQuery1237678643562=&quot;82&quot;&gt;&lt;U&gt;&lt;FONT color=#800080&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&amp;nbsp;&lt;/P&gt;
&lt;DIV class=current-page id=page-1&gt;
&lt;DIV class=photo_full style=&quot;WIDTH: 500px&quot;&gt;&lt;STRONG&gt;&lt;U&gt;&lt;FONT color=#800080&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=314 alt=&quot;A classroom in Peñalolén (a neighborhood of Santiago, Chile) where &#8220;Un Buen Comienzo&#8221; is being implemented&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/500/img/story/0209/0309-p34_p005_.jpg&quot; width=500&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Aldo Benincasa&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A classroom in Peñalolén (a neighborhood of Santiago, Chile) where “Un Buen Comienzo” is being implemented&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;A teacher and student work together on a writing exercise. Chilean schools typically don’t begin to teach reading until the first grade; UBC gives teachers strategies for introducing the alphabet and building early literacy with four- and five-year-olds. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-p34_p012_.jpg&quot; rel=lead-images jQuery1237678643562=&quot;83&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;A teacher and student work together on a writing exercise. Chilean schools typically don&#8217;t begin to teach reading until the first grade; UBC gives teachers strategies for introducing the alphabet and building early literacy with four- and five-year-olds.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-p34_p012_.jpg&quot; width=70&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;UBC focuses on classroom design and organization as well as lesson content. The program teaches that something as simple as keeping books readily accessible to children, rather than locked away in a cupboard, encourages early engagement with reading. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-p35_p018_.jpg&quot; rel=lead-images jQuery1237678643562=&quot;84&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;UBC focuses on classroom design and organization as well as lesson content. The program teaches that something as simple as keeping books readily accessible to children, rather than locked away in a cupboard, encourages early engagement with reading.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-p35_p018_.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;Teacher Patricia Pérez reads to her students, using the method she learned in UBC: stopping to ask the students questions about the plot, and focusing on new vocabulary at the end. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-p35_p008_.jpg&quot; rel=lead-images jQuery1237678643562=&quot;85&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;Teacher Patricia Pérez reads to her students, using the method she learned in UBC: stopping to ask the students questions about the plot, and focusing on new vocabulary at the end.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-p35_p008_.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;Children in a Peñalolén school that received the less intensive UBC intervention—fewer donated books and less involved teacher workshops. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-child2.jpg&quot; rel=lead-images jQuery1237678643562=&quot;86&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;Children in a Peñalolén school that received the less intensive UBC intervention—fewer donated books and less involved teacher workshops.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-child2.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;Children perform “cuecas,” a Chilean traditional dance, for visitors including Harvard professors who helped design UBC. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-child3.jpg&quot; rel=lead-images jQuery1237678643562=&quot;87&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;Children perform &#8220;cuecas,&#8221; a Chilean traditional dance, for visitors including Harvard professors who helped design UBC.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-child3.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;Children in a UBC classroom display a writing exercise on which they’ve been working. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-child4.jpg&quot; rel=lead-images jQuery1237678643562=&quot;88&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;Children in a UBC classroom display a writing exercise on which they&#8217;ve been working.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-child4.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=zoom&gt;&lt;A title=&quot;A close-up of a child’s drawing depicting a scene from a book the child had read with a parent or teacher. These drawings, displayed outside a classroom at a UBC school, show the type of engagement with books the program tries to cultivate in students. (Aldo Benincasa)&quot; href=&quot;http://harvardmagazine.com/sites/default/files/img/story/0209/0309-child5.jpg&quot; rel=lead-images jQuery1237678643562=&quot;89&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Aldo Benincasa&quot; height=70 alt=&quot;A close-up of a child&#8217;s drawing depicting a scene from a book the child had read with a parent or teacher. These drawings, displayed outside a classroom at a UBC school, show the type of engagement with books the program tries to cultivate in students.&quot; src=&quot;http://harvardmagazine.com/sites/default/files/imagecache/70/img/story/0209/0309-child5.jpg&quot; width=70&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=photo_right style=&quot;MARGIN-TOP: 0px; WIDTH: 250px&quot;&gt;
&lt;DIV class=callout&gt;
&lt;H3 class=extra-callout-logo&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Extra&lt;/SPAN&gt;&lt;/H3&gt;
&lt;H5&gt;&lt;A href=&quot;http://harvardmagazine.com/extras/helping-those-most-in-need&quot; jQuery1237678643562=&quot;90&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Helping Those Most in Need&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/H5&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;In other CDC projects, Harvard scholars are trying to help former child soldiers, abuse victims, and children growing up in poor neighborhoods with rampant violence.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;H5 style=&quot;PADDING-LEFT: 10px; PADDING-TOP: 10px&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Sidebars&lt;/SPAN&gt;&lt;/H5&gt;
&lt;UL class=sidebars&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;“&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2009/03/connections-across-continents&quot; jQuery1237678643562=&quot;91&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Connections Across Continents&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;,” March-April 2009 &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;“&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2009/03/centered-children&quot; jQuery1237678643562=&quot;92&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Centered on Children&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;,” March-April 2009&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;At a school&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; in Peñalolén, a working-class neighborhood in Santiago, Chile, kindergarten teacher Patricia Pérez is reading to her class. The story involves a pig who wants to impress a lady friend so she’ll agree to go on a picnic with him. From a fox, a zebra, and a lion, he borrows items to spiff himself up: a tail, stripes, and a mane. When Mr. Pig arrives at his intended’s house, she doesn’t recognize him and refuses to go with him; he saves the day by coming back unadorned, prompting the lady pig to exclaim with delight: “&lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;¡Qué romántico!&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;When the story ends, Pérez works with her pupils on vocabulary words such as &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;consejo&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; (“advice”—which Mr. Pig got from his friends, but should not have heeded), asking students to sound them out and write them on the board. In a nearby classroom, different kindergartners listen to &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;their&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; teacher reading; others read on their own, choosing from books strewn across tabletops.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=335 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-child6.jpg&quot; width=500&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Aldo Benincasa&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Catherine Snow&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;To American visitors, these are unremarkable kindergarten scenes. In Chile, however, such scenes are less ordinary. Chilean children typically do not learn to read, or even begin working with the full alphabet, until first grade. “Early-childhood education has not, in Latin America in general, been thought of as &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;education&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;,” says Graham professor of education Catherine Snow. “The approach is: Let the kids play, get them used to being in groups, and we’ll worry about teaching them starting in first grade. But then in first grade, the expectations for progress are suddenly very high, and none of the preparatory work has been done. Kids kind of get dropped into the deep end.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The hands-on approach to books in the Peñalolén classrooms is part of &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Un Buen Comienzo&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; (UBC; “a good start”), a program designed with guidance from Snow and Harvard colleagues. It aims to improve the quality of early-childhood education in Santiago, increasing literacy and school success for the young participants. UBC is a project of the Harvard Graduate School of Education (HGSE); a Chilean philanthropic foundation is underwriting and implementing it, and researchers from a Chilean university will evaluate its effectiveness.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Un Buen Comienzo&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; reflects a recognition of early childhood as a crucial time for the development, both emotional and cognitive, that influences children’s later lives. Chile’s expansion of preschool programs, integrated into the existing school system, offered a unique opportunity to reach children at a younger age. Past efforts tended to focus on later childhood, but “the cost-benefit ratio is more favorable in early childhood than at any point in the life cycle,” says HGSE dean Kathleen McCartney. In the case of some skills and abilities, in fact, by the time a child enters school it’s too late to have maximum impact. Children’s vocabulary at age five very reliably predicts the number of words they know in sixth grade (see chart below). “We know from a number of studies that a very good predictor of success in literacy is oral language skills,” says Snow. “So if kids are limited in the oral language skills that enable them to understand a story that’s read aloud, or to tell a story about an event in their own lives, then they will have difficulty accessing meaning in the texts they learn how to read in the first grade.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN style=&quot;DISPLAY: inline-block; BACKGROUND: none transparent scroll repeat 0% 0%; FILTER: progid:DXImageTransform.Microsoft.AlphaImageLoader(src='/2009/03-images/0309-p36.png', sizingMethod='scale'); WIDTH: 504px; POSITION: relative; HEIGHT: 406px&quot;&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV jQuery1237678643562=&quot;171&quot;&gt;
&lt;P class=credit&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Snow et al., 2007. &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Is literacy enough? Pathways to academic success for adolescents.&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; Baltimore: Paul H. Brookes.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Each line in the graph above follows a child’s vocabulary growth from kindergarten through sixth grade. Note that the lines do not cross—the children with the largest vocabularies in kindergarten still had the largest vocabularies six years later. This is why it is crucial that preschool programs focus on building vocabulary and making up for the deficit that children in low-income families already face, says Graham professor of education Catherine Snow.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Because UBC incorporates rigorous evaluation of the strategies on trial, “I think countries across the world will be interested in the findings from this project,” says McCartney. “Most times, government education policy is driven by opinion, rather than data—by people’s best guesses about what will work.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;This dual approach—implementation and evaluation—is characteristic of Harvard’s aim to play a much larger role in improving the lot of children, in the United States and the world, through the interdisciplinary Center on the Developing Child (CDC; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.developingchild.harvard.edu/&quot; jQuery1237678643562=&quot;93&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;www.developingchild.harvard.edu&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;), founded in 2006 with the goal of “advancing the scientific foundations of health, learning, and community well-being.” The center funds research by faculty and students and helps them take their findings out into the world—into the classroom, but also to the state and national capitols where policies are made. Even where a solid knowledge base exists, says CDC director and Richmond professor of child health and development Jack Shonkoff, “we don’t take it as a given that science speaks for itself in the policy world.” These efforts are already paying off for children, in Chile and elsewhere.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;H3&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Teaching the Whole Child&lt;/SPAN&gt;&lt;/H3&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard has long had&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; eminent faculty in child development —prominently including Julius Richmond, the late Harvard Medical School professor who served as founding director of Head Start and later as U.S. surgeon general (and who advocated for the CDC’s creation). But the University lacked a place where these researchers could combine efforts and share what was happening in their labs. President Neil Rudenstine created the Harvard Project on Schooling and Children in the early 1990s (see “&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A title=&quot;Promoting a National Love of Children&quot; href=&quot;http://harvardmagazine.com/1996/11/children.html&quot; jQuery1237678643562=&quot;94&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Promoting a National Love of Children&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;,” November-December 1996, page 52). But when Steven Hyman became provost in 2001, those leading the initiative recommended that it disband, Hyman recalls: “It was a volunteer, part-time effort—it wasn’t structured or funded in a way that it could be anybody’s full-time job. It was a labor of love tacked onto the day job of busy people, and that just wasn’t sustainable.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV class=current-page id=page-2&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Tired of waiting for a more effective umbrella organization, McCartney, Snow, and colleagues had begun work on UBC before Shonkoff arrived at Harvard and the center’s creation was announced. Now it is a flagship project in the center’s emerging global portfolio, reflecting the University’s fundamental interest in making a tangible difference in the lives of children. Snow is on the center’s steering committee. HGSE professor Hirokazu Yoshikawa, who is overseeing evaluation of UBC, is involved with multiple center initiatives. And UBC director Andrea Rolla, Ed.D. ’06, is a scholar in residence at the center this year.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV style=&quot;MARGIN-BOTTOM: 15px; WIDTH: 400px&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=375 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-p36_p017_.jpg&quot; width=500&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Photograph by Aldo Benincasa&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Andrea Rolla (third from left) and Hirokazu Yoshikawa visit a UBC school in Peñalolén. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;And the interdisciplinary nature of the Santiago effort epitomizes the center’s approach. UBC combines professional development for teachers with workshops for parents, literacy with health, lesson content with a concern for classroom design. Says Rolla, “Children’s problems are interdisciplinary.” Training sessions prompt teachers to update their instructional methods to reflect current knowledge about how children learn: introduce reading through familiar words (instead of phonetic exercises that ask children to spell independently of context) and teach new vocabulary through stories instead of memorization. To expose children to as many letters and words as possible, hang posters and signs all over the classroom, label classroom objects, keep books accessible instead of hidden away in a cupboard, and post the letters of the alphabet at child’s-eye level, instead of near the ceiling.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;For both teachers and parents, there is an emphasis on using “sophisticated vocabulary”—defined as anything beyond the 3,000 most commonly used words in the language. (Instead of saying “Eat your peas,” a parent might say, “You need to eat your peas because they have vitamins in them,” introducing an unfamiliar word in context.) The training also encourages the adults to be more verbal at every opportunity: if a child asks, “How do I tie my shoes?” the parent should talk through the steps—“first you make a loop. Then, you wrap the other lace around…”—instead of merely demonstrating.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The program’s designers quickly realized that making sure children learn means making sure they attend school consistently. In Santiago, where the Andes trap smog over the city and the air quality in winter is abysmal, children often get respiratory infections and parents may keep them home for weeks on end. In low-income &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;comunas&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; (districts of Santiago), winter attendance rates in preschool classrooms commonly drop to 50 percent or lower. (The &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;average&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; absence rate in the pre-UBC classrooms was more than 25 percent.) UBC teaches that children should attend school if at all possible (and donated hand-sanitizer dispensers hang in each classroom).&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Parental engagement doesn’t happen automatically. In Latin America—and particularly in poor communities where parents lack advanced education—“families traditionally do not get involved in their children’s education,” says Rolla, the child of Argentine émigrés who grew up in Massachusetts, attended Princeton, and is married to a Chilean. At the entrance of each school, she says, “there’s a fence”—literal enough, but with symbolic value, too. “Parents drop their children o and pick them up.” Parents have told Rolla that before UBC, they thought that they were responsible for their children’s basic needs, but that education was solely the job of teachers. In a survey of UBC parents, 52 percent reported having 10 or fewer books at home. One quarter reported never reading to their children; another quarter reported reading to their children just once or twice a month.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;After a pilot year, UBC’s second year has just concluded. The evaluation team is now measuring whether the program met its goals of enlarging students’ vocabulary, reducing respiratory infections, increasing school attendance, and getting all children to have annual physicals. It is examining children’s language use in journals and watching videotapes from the classrooms (professional development isn’t worth much if the teachers don’t use the new methods, Rolla notes). Says Yoshikawa, “We think that, with rigorous evaluation, you have a chance of influencing policy not just in Chile, but throughout South America—in fact, in middle-income countries everywhere.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The program is focusing on poorer neighborhoods, at least to start, aiming to compensate for what is presumed to be a vocabulary-poor environment at home. At a cost of 45,000 Chilean pesos (about $75) per child per year, UBC is reaching 500 children already, and another 500 through less intensive intervention (see below). It will expand beyond Peñalolén to two other &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;comunas&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; this year, and by 2010 should reach almost 10,000 Chilean children.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Although the program is locally supported and run—critical elements for its credibility—there are frequent visits between Cambridge and Santiago. During an October trip to Chile, Snow, Yoshikawa, and MaryCatherine Arbour, M.D. ’05 (a clinical fellow in medicine at the Harvard-affiliated Brigham and Women’s Hospital who is overseeing the health portion of UBC), visited one school in which the full program was being implemented, and one control school, which received five donated books per classroom (as opposed to 70 books for two or three classrooms to share with the full program), and self-care workshops to help the teachers avoid burnout.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;At the first school, words and letters were everywhere. A single classroom contained a bulletin board with vocabulary words; the alphabet; a poster with days of the week; and posters of colors bearing their names. Outside the classroom hung drawings the children made, each one a scene from a book they read. On the door hung a poster listing the &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;normas y reglas de la sala &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;(the rules of the classroom) in the children’s own handwriting, not the teacher’s. Each element reflected the teachers’ new training. Above the school’s entrance gate hung a banner with a UBC-inspired message: &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Niño o Niña que no Asiste a Clases no Aprende &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;(“Boys and girls don’t learn if they don’t go to school”).&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;DIV class=not-current-page id=page-3&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;When the program leaders met with teachers, one expressed amazement that her students were capable of the work the program assigns; she hadn’t believed it until she’d seen it. Another said, “Before, we would work on vocabulary words and then forget about them. Now, I hear the kids use them in conversation.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;At the second school, classroom walls displayed little written material. Books were nowhere to be seen, and certainly nowhere the children could access them easily. The pupils were gluing yarn to irregular shapes on paper, working on eye-hand coordination. There’s nothing wrong with this kind of exercise, Rolla explained, but it falls well short of engaging the full abilities of four- and five-year-olds. Absent language and literacy activities, the children miss opportunities for more rapid development.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;H3&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;How Stress Becomes Biology&lt;/SPAN&gt;&lt;/H3&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Beyond bringing&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; Harvard’s scholarship to bear on programs for children, the Center on the Developing Child’s brief also includes creating new knowledge. CDC director Jack Shonkoff explains that the center aims “to build a very strong science core that focuses on increasing our understanding of the underlying science of disparities”—of the factors that contribute to healthy development for some children and less good outcomes for others.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A center-funded study on the biology of early adversity will use recent advances in genetics and molecular biology to learn more about how stressors such as child abuse and neglect, or just growing up poor, affect physical and mental health across the lifespan. The researchers, six professors from three different Harvard faculties conducting human and animal research, are studying biomarkers, including telomere length and oxidative stress.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The telomere is a region found at both ends of every chromosome in cells throughout the body. Each time DNA replicates, the telomere shortens slightly: older people have a shorter average telomere length than younger people. This shrinkage is thought to be a natural part of aging—and perhaps even a physiological &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;cause&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; of the debility and disease that accompany it.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Intriguingly, recent studies have found a link between stress and accelerated telomere shortening—one documented especially short telomeres among adult caregivers for children with chronic problems such as autism. “By one estimate, they had lost 10 years of life through the chronic stress of taking care of these kids,” says professor of pediatrics Charles A. Nelson III, who holds the Scott chair in pediatrics at Children’s Hospital Boston and is one of the principal investigators.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Oxidative stress—also implicated in aging, and measured through a molecule in the blood—is the process by which free radicals, byproducts of the body’s use of oxygen, damage cell components including DNA. A diet of foods high in antioxidants (which neutralize free radicals) bolsters the body’s own antioxidant production; lifestyle factors such as smoking, exposure to pollution, and stress may overwhelm these natural defenses to bring about disease.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Nelson, who is also a member of the faculties of education and public health, is studying telomere length and oxidative stress in a population he knows well: Romanian orphans raised in institutions under heartbreaking conditions. Infants, for example, were left in cribs all day, except when being changed or fed. “No one responds to them if they cry, and as a result, no one cries,” he says. “The weirdest thing when you walk into this room for the first time is how quiet it is. There’s no talking, there’s no crying, there’s nothing.” Older children showed severely stunted growth and indiscriminate friendliness, sitting in the laps of complete strangers or happily walking off with them.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV style=&quot;MARGIN-BOTTOM: 15px; WIDTH: 400px&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=339 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-p38_p004_.jpg&quot; width=500&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Michael Carroll&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Children in Romanian orphanages are raised in conditions of social and cognitive deprivation. In many cases they receive no adult attention other than being fed and taken to the toilet as a group a few times a day.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;DIV class=not-current-page id=page-4&gt;
&lt;DIV class=photoright&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=363 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-p38_p011_.jpg&quot; width=250&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Charles Nelson&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;This 11-year-old girl, raised in an orphanage in Romania, was only as tall as an average four-year-old child when the photograph was taken.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;DIV class=photoright&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=275 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-p38.jpg&quot; width=250&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Charles Nelson&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;In these brain “heat maps”—seen from above, with the triangles at the top indicating the front of the head—red corresponds to high activity and blue connotes no activity. The different frequency bands (left-hand scale) reflect different types of brain activity, but across all frequencies, the level of activity was lower for children raised in Romanian orphanages (left column) than for those who grew up with their parents (right column).&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;To explain these disturbing observations, Nelson in 2000 began an exhaustive study of a cohort of children born that year and abandoned to orphanages, compared to a control group of children living with their families in Bucharest. He found a much higher incidence of mental illness among the children who grew up in the social and cognitive deprivation of the orphanage, as well as major differences in brain activity (see chart at left) and IQ. Half the orphans were placed in foster care, while the other half remained institutionalized; Nelson found that those placed in foster care before the age of two recovered about half of the IQ deficit, but orphans placed later had IQ scores nearly identical to those of children who stayed in the orphanage. He concluded that the first two years of life are crucial for normal development of language, cognition, and mental health—diverse faculties that develop apace in a normal family environment, but not in an institution with minimal interaction. These findings have already led to action: in 2003, in response to his work, the Romanian government passed a law forbidding the institutionalization of any child younger than two unless the child is severely handicapped.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;In the current study, Nelson will examine the biological toll of early adversity by testing whether institutionalized children have shorter telomeres and more evidence of oxidative stress than children raised with their families. Colleagues will examine the same dimensions in two American samples—a large national longitudinal study and a group of youths with posttraumatic stress disorder—in hopes of quantifying the relationships among early adversity, elevated oxidative stress and shortened telomeres, and poor emotional, physical, and cognitive outcomes. The overarching goal is to get a better idea of how stress becomes biologically embedded, and precisely when intervention is most effective.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV class=photoright&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=187 alt=&quot;&quot; src=&quot;http://harvardmagazine.com/2009/03-images/0309-p39_p006_.jpg&quot; width=250&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P class=credit&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Takao Hensch&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Takao Hensch (professor of molecular and cellular biology and of neurology) uses a contrast test to assess vision in mice. Mice that receive no visual input (for instance, because they are blindfolded) during a critical period will almost certainly be permanently blind—but Hensch has found a way around this. Using drugs approved for other uses in humans, he has induced plasticity in the visual system later in life, making blind mice see (and, conversely, making seeing mice blind by removing visual input after administering the drugs).&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It is well established that in humans, critical periods exist for vision and some components of language (most notably, acquiring the syntax of a first language). Such sensitive periods in brain development are the specialty of Takao Hensch, professor of molecular and cellular biology in the Faculty of Arts and Sciences and professor of neurology at the Medical School (HMS). Building on the work of David Hubel and Torsten Wiesel (the Nobel Prize-winning HMS researchers who demonstrated the concept of critical periods for brain development by studying vision in cats), Hensch has identified the cell type that controls brain plasticity for the visual system. “Plasticity” refers to the capability of the brain to adapt its structure in response to experience; some parts of the brain remain malleable through adulthood. The visual system, on the other hand, is “wired” early in life, and then plasticity ends. Humans and animals that receive no visual input during the critical period (say, because they are blindfolded) typically are permanently blind, but recently, Hensch has &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;induced&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; plasticity in adult mice using drugs already approved for other uses in humans.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Much work remains to be done on whether plasticity could be induced in humans. But in the CDC study, Hensch and assistant professor of neurology Michela Fagiolini are investigating whether such complex and varied phenomena as autism and schizophrenia might also be critical-period disorders. Their hypothesis is that stress can cause abnormalities in basic brain systems and processes—specifically, in the formation of the myelin coating that allows neurons to transmit electrical impulses, and in the functioning of GABA, the chief inhibitory neurotransmitter in the brain.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Autism, says Hensch, “smacks of a critical period gone awry. It’s identified around three years after birth. Parents report that their children were normal up to that age, and then suddenly they’ve gone o track.” The search for genes involved in the disorder has led to many different candidates. The fact that such different genetic signatures manifest themselves the same way—“there’s an imbalance between excitation and inhibition,” in Hensch’s words—has led him and others to wonder whether autism stems not from the DNA, but from something about the way genes are expressed and the brain architecture is laid down. “Maybe different parts of the brain are becoming plastic either too fast or too slow,” he says. “We know that different brain regions feed into other brain regions, and so either degraded or accelerated maturation will cause the next stage to develop better or worse.” (For more on Harvard scientists’ research on autism, see &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2008/01/a-spectrum-of-disorders.html&quot; jQuery1237678695109=&quot;95&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;“A Spectrum of Disorders&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;,” January-February 2008, page 27.)&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Hensch notes that scientists in Scotland have induced Rett syndrome, an autism-spectrum disorder, in mice by removing a single gene, and have also engineered mice in which the gene was dormant early, but could be switched on during adulthood—at which point, the second set of mice became normal. “This was tremendous,” says Hensch. “It suggests that this one mutation could produce something as severe as Rett syndrome, and yet all of brain development is lying dormant and could be rekindled.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Meanwhile, research by associate professor of psychiatry Martin Teicher suggests that sexual abuse affects children differently depending on the age at which it happens. And Nelson’s research points to critical periods for other cognitive and emotional faculties. In addition, Nelson is running a study of autism risk in infants whose older siblings have the disease. Convergences like these explain the scientists’ excitement at working together. “I think we’ll find that many of the psychiatric disorders in humans will have a critical-period origin,” says Hensch, “that an early insult around birth or a genetic defect…will predispose brains to wire incorrectly.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;H3&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Practicing Good Policy&lt;/SPAN&gt;&lt;/H3&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Translating scientific advancements&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; into policy requires creating programs that incorporate cutting-edge science—and then testing those programs to see if they work. But such translational efforts have lagged behind. In reality, most contemporary proposals for early-childhood education depend on four fundamental studies begun decades ago: the Perry Preschool Study, begun in Ypsilanti, Michigan, in the 1960s; the Abecedarian Project, undertaken in North Carolina in the 1970s; the Brookline Early Education Project, begun in Massachusetts in the 1970s; and the Chicago Child Parent Centers launched in the 1980s. These studies “are &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;still&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; the foundation for government investment in preschool education all over the world,” says Hiro Yoshikawa of HGSE. “There’s a great need for conducting these kinds of rigorous evaluations on early-childhood education now.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;
&lt;DIV class=not-current-page id=page-5&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;To that end, he is working on a program the Center on the Developing Child is launching in Tulsa. Although its context is utterly different from the program in Chile, the questions asked and concerns considered in program design are similar. Tulsa was chosen not only because it has “some of the worst health statistics in the nation,” according to Jack Shonkoff, but because of willing partners: the University of Oklahoma School of Community Medicine, the George Kaiser Family Foundation, and Tulsa’s Educare Center.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Involving faculty members from Harvard’s schools of education, medicine, and public health, this project envisions going even further than UBC in addressing multiple facets of a child’s life. Besides school readiness and health, the initiative will wrap in workforce development (job training and placement for parents) and behavioral economics (from explaining why check-cashing and payday-loan services that charge steep fees are a bad deal, to trying to pass laws that ban predatory financial practices).&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Of the nascent project, Shonkoff says, “What’s distinctive about it is that it truly integrates cutting-edge thinking in early literacy, child and parent mental health, and economic security for low-income families.” These aims mirror his own Harvard appointments, in the schools of education, public health, and medicine. The Tulsa team reflects that range of skills, too. Among the participants are Richard Frank, Morris professor of healthcare policy, who specializes in healthcare finance and, in particular, in evaluating claims that specific policy changes will generate enough cost savings to pay for themselves; Bill Beardslee, Gardner-Monks professor of child psychiatry, who has examined how to protect children from the harmful effects of parental depression; Catherine Snow; and Yoshikawa, who has coedited a book on improving outcomes for children of low-wage workers.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;From such innovative programs and watertight evaluation will come new knowledge about how best to help children. If this knowledge reaches a wide, influential audience, Shonkoff hopes the tide will turn in the direction of supporting early-childhood programs across the United States—programs that he says are “grossly underfunded.” Nearly 45 years after its founding, Head Start “is serving half of the kids it is meant to serve”: about one million American four- and five-year-olds were enrolled in 2006, but nearly two million live in families poor enough to meet the income guidelines. (The program costs $7 billion a year; to serve all eligible children, the government would need to double that amount.)&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Early Head Start is in even worse straits. That program (which costs $11,000 per child) reaches just 96,000 children age three and younger—less than 3 percent of those who qualify. “With a few exceptions, every developed country in the world has a better system of publicly supported early care and education than the United States has,” Shonkoff says. “The concept of shared responsibility for each other’s children is not part of our political culture.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Questions about these programs’ effectiveness also hold up efforts to allocate more funding. “There is tremendous variability in the quality of the implementation of Head Start,” he acknowledges. The challenge is to identify the features that successful providers share, to get more providers to incorporate those practices—&lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;and&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; to develop new approaches with even greater impact.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Another challenge: convincing politicians and the public that “early childhood development is economic development,” in the words of Arthur Rolnick, who spoke last year at a CDC colloquium at the Business School. Rolnick is senior vice president and director of research for the Federal Reserve Bank of Minneapolis, which is helping coordinate an experimental preschool program in St. Paul. The most successful preschool programs provide a &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;large&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; return on public money, Rolnick noted: for instance, evaluations have shown the Perry Preschool program returned $17 on each dollar invested. And the biggest return, he said, is savings associated with crime (not just on prison budgets, but also on judicial and law-enforcement expenses, and costs to communities to repair damage from criminal acts). This type of investment equips the next generation to succeed in school, to graduate instead of dropping out, and to find jobs.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;What’s more, says Provost Hyman, the stakes are huge for keeping the United States competitive. Providing children with supportive environments and making sure they have what they need to succeed in school, he says, are tasks “central to the success of our society.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV class=byline&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A generous gift to support international reporting, from a friend of &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard Magazine&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, enabled associate editor Elizabeth Gudrais to travel to Chile in October to learn about the educational projects involving Harvard faculty and staff members reported in this article. Her earlier dispatch from that trip, “&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://harvardmagazine.com/2009/01/santiagos-poor-housing-dignity&quot; jQuery1237678695109=&quot;96&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;For Santiago’s Poor, Housing with Dignity&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;,” appeared in the January-February 2009 issue.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>The Next Dimension</title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279801"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279801</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:33:27Z</updated>
	    <published>2009-03-22T08:33:27Z</published>
	    <content type="html">
	    	&lt;DIV class=artHd&gt;
&lt;H1&gt;The Next Dimension&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN class=name&gt;&lt;A onclick=&quot;javascript:window.open('/time/letters/email_letter.html','letter','width=400,height=420,status=no,scrollbars=yes')&quot; href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Josh Quittner&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN class=date&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Thursday, Mar. 19, 2009&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
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&lt;DIV class=imgcont&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;Cameron, center, revolutionized the 3-D business with his Fusion high-definition video cameras.&quot; height=200 alt=&quot;Cameron, center, revolutionized the 3-D business with his Fusion high-definition video cameras.&quot; src=&quot;http://img.timeinc.net/time/daily/2009/0903/a_w3d_0330.jpg&quot; width=307&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=caption&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Cameron, center, revolutionized the 3-D business with his Fusion high-definition video cameras.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
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&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;3-D is all the rage in Hollywood, and Steven Spielberg and James Cameron are at the forefront of the technology&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
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&lt;H3&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Technology&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H3&gt;
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&lt;H3&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Super Bowl XLIII&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H3&gt;
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&lt;DIV class=tout&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The lights dim in the screening room. Suddenly, the doomed &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Titanic&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; fills the screen--but not the way I remember in the movie. The luxury liner is nearly vertical, starting its slide into the black Atlantic, and Leonardo DiCaprio is hanging on for life, just like always. But this time, I am too. The camera pans to the icy water far below, pulling me into the scene--the sensation reminds me of jerking awake from a dream--and I grip the sides of my seat to keep from falling into the drink.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Most of us have seen the top-grossing film of all time. But not like this. The new version, still in production, was remade in digital 3-D, a technology that's finally bringing a true third dimension to movies. Without giving you a headache. (&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.time.com/time/2005/100movies/&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See the 100 best movies of all time.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;)&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Had digital 3-D been available a dozen or so years ago when he shot &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Titanic&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, he'd have used it, director James Cameron tells me later. &quot;But I didn't have it at the time,&quot; he says ruefully. &quot;Certainly every film I'm planning to do will be in 3-D.&quot;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Digital 3-D, which has slowly been gaining steam over the past few years, is finally ready for its closeup. Just about every top director and major studio is doing it--a dozen movies are slated to arrive this year, with dozens more in the works for 2010 and beyond. These are not just animations but live-action films, comedies, dramas and documentaries. Cameron is currently shooting a live-action drama, &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Avatar&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, for Fox in 3-D. Disney and its Pixar studio are releasing five 3-D movies this year alone, including a 3-D-ified version of &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Toy Story&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. George Lucas hopes to rerelease his &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Star Wars&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; movies in 3-D. And Steven Spielberg is currently shooting &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Tintin&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; in it, with Peter Jackson doing the 3-D sequel next year. Live sports and rock concerts in 3-D have been showing up at digital theaters around the U.S. nearly every week.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;With the release on March 27 of &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Monsters vs. Aliens&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, Jeffrey Katzenberg, the head of DreamWorks Animation SKG, is betting the future of his studio on digital 3-D. While he's not the first to embrace the technology, he has become its most vocal evangelist, asserting that digital 3-D is now good enough to make it--after sound and color--the third sea change to affect movies. &quot;This really is a revolution,&quot; he says.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Over the past few years, Katzenberg has repositioned DreamWorks as a 3-D-animation company. From &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Monsters&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; on, all its movies will be made, natively, in 3-D. (Many animation studios create the 3-D effect in postproduction.) That's a pretty big commitment since 3-D involves even more computer power than usual. The DreamWorks crew invokes &quot;Shrek's law,&quot; which holds that every sequel takes about twice as long to render--create a final image from models--as the movie that preceded it. Authoring the movie in 3-D effectively doubles the time called for by Shrek's law.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;That requires an extreme amount of horsepower--the computational power of DreamWorks' render farm puts it roughly among the 15 fastest supercomputers on the planet. The studio partnered with Hewlett-Packard and Intel and built an enormous test bed on more than 17,500 sq. ft. in California. The Silicon Valley companies are hot on 3-D because they believe it's how people will navigate the Web and the desktops of their PCs and that it will be standard on computers and HDTVs.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.time.com/time/photogallery/0,29307,1861107,00.html&quot; target=_blank&gt;&lt;FONT color=#0000ff&gt;&lt;U&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See pictures of the best animated movies.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.time.com/time/specials/packages/article/0,28804,1874549_1874552,00.html&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See the best and worst Super Bowl commercials of 2009 including 3-D spots.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;At DreamWorks, I watched a &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Monsters&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; filmmaker peer through an elaborate camera rig that allowed him to &quot;previsualize&quot; a scene before shooting it. As he panned across the room we were standing in, he flew over a computer-generated 3-D image of the White House war room--the set for a scene in which the President (voiced by Stephen Colbert) meets with his staff to discuss an alien invasion. The camera let the director precisely manage the z-axis and decide which elements in the background, midground and foreground needed to be lit and focused.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;!--END SPHERE INLINE SIDEBAR MODULE--&gt;&lt;!-- End Article Side Bar Copy --&gt;&lt;!-- End Article Side Bar --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Katzenberg says going 3-D adds about 15% to his costs--which is nothing compared with the profits studios anticipate as the digital transformation takes hold. Digital 3-D movies usually gross at least three times as much as their flat-world counterparts--thanks in part to the higher ticket prices and longer runs they garner. Another benefit: 3-D films are far more difficult for digital-camera-toting moviegoers to pirate. (&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.time.com/time/photogallery/0,29307,1699703_1511794,00.html&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See pictures of movie costumes.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;)&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Beyond the venal, however, filmmakers say that 3-D, like sound and color, really breaks down the barrier between audience and movie. &quot;At some level, I believe that almost any movie benefits from 3-D,&quot; &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lord of the Rings&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; director Jackson says. &quot;As a filmmaker, I want you to suspend disbelief and get lost in the film--participate in the film rather than just observe it. On that level, 3-D can only help.&quot;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;3-D Movies, Take 8&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;If the return of the 3-D movie sounds like a rerun, that's because it is. By some counts, this is 3-D's eighth incarnation, and to date, it hasn't exactly revolutionized the industry. The first stereoscopic movies appeared in the U.S. before the last Great Depression, disappeared, then enjoyed a schmaltzy revival in the 1950s with such blockbusters as &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;House of Wax&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; (1953). They've cropped up intermittently ever since, typically attached to high-camp vehicles like &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Andy Warhol's Frankenstein&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; (1973).&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;To me, 3-D has always been the circus coming to town,&quot; says Daniel Symmes, a 3-D historian and film-industry veteran. Symmes worked on the soft-core 3-D hit &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The Stewardesses&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, which was produced in 1969 for around $100,000. It grossed more than $27 million, making it the most profitable 3-D movie ever. Symmes scoffs at today's digital 3-D and its big budgets and says it's déjà vu. &quot;Does the circus stay around?&quot; he says. &quot;No. If it does, attendance drops off, the novelty is gone and the circus goes away.&quot;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But proponents say digital 3-D is a different animal from the analog stuff that came before 2005. Viewers often wore cardboard glasses with red and cyan cellophane lenses (similar to but somewhat different from what you see in this magazine). As just about everyone knows, old-school 3-D was less than awesome. Colors looked washed out. Some viewers got headaches. A few vomited. &quot;Making your customers sick is not a recipe for success,&quot; Katzenberg likes to say.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It was cumbersome to produce too. In the old days, two 65-mm, 150-lb. film cameras--each shooting the same scene in sync--were used to make a 3-D picture. The gap between the lenses simulates the space between our eyes, adding space perception. But with film, you never knew how the shot would turn out until later.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The birth of high-definition, digital filmmaking changed all that. Cameron and an associate, Vince Pace, developed the 3-D-capable Fusion camera system, which is cheaper, smaller--13 lb. each--and way more versatile than the old film rigs. &quot;Every movie I made, up until &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Tintin&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, I always kept one eye closed when I've been framing a shot,&quot; Spielberg told me. That's because he wanted to see the movie in 2-D, the way moviegoers would. &quot;On &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Tintin&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, I have both of my eyes open.&quot;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,1832842,00.html&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Read &quot;3-D Movies: Coming Back at You.&quot;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A Beverly Hills company called Real D took the lead on the theater side. It leases out a kind of digital shutter system that sits in front of digital projectors, alternating the two views of each frame 144 times per sec.--fast enough to achieve stereovision. The new system uses polarization, rather than color-coding. Gone are the completely cheesy cardboard glasses, replaced with slightly less cheesy disposable plastic-frame glasses that have gray lenses. &quot;Someday,&quot; predicts Katzenberg, &quot;people will buy their own movie glasses, which they'll take to the movies--like people have their own tennis rackets.&quot;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;!--END SPHERE INLINE SIDEBAR MODULE--&gt;&lt;!-- End Article Side Bar Copy --&gt;&lt;!-- End Article Side Bar --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Even if you're willing to grant him the glasses, there's still one problem. For digital 3-D to work, the movie theater must first convert from analog to digital--that is, from reels of film to data feeds. Theaters have been slow to do it, citing the expense and security. Disney chairman Dick Cook is credited with breaking the initial logjam with &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Chicken Little&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; in 2005. About 75 theaters converted to digital to show the film, and a surprising thing happened: 3-D theaters reported three to four times the box-office gross as those that showed the 2-D version. (All 3-D movies can easily be stepped down to 2-D and are typically shown in both forms.) That was the jump start digital 3-D needed. Katzenberg predicts that more than 2,000 theaters will be 3-D-ready by this week. (&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/specials/2008/top10/article/0,30583,1855948_1864351,00.html&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See the top 10 movie performances of 2008.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;)&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But in this economy, will people spend as much as $15 a ticket for a movie? Katzenberg is optimistic, pointing out that consumers are cutting back on everything but cheap entertainment. &quot;The movies have been the greatest beneficiary of this,&quot; he says. &quot;So to offer a new, exciting premium version of a bargain will be a big winner.&quot;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The Future of 3-D&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Cameron's &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Avatar&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, due in December, could be the thing that forces theaters to convert to digital. Spielberg predicts it will be the biggest 3-D live-action film ever. More than a thousand people have worked on it, at a cost in excess of $200 million, and it represents digital filmmaking's bleeding edge. Cameron wrote the treatment for it in 1995 as a way to push his digital-production company to its limits. (&quot;We can't do this,&quot; he recalled his crew saying. &quot;We'll die.&quot;) He worked for years to build the tools he needed to realize his vision. The movie pioneers two unrelated technologies--e-motion capture, which uses images from tiny cameras rigged to actors' heads to replicate their expressions, and digital 3-D.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Avatar&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; is filmed in the old &quot;Spruce Goose&quot; hangar, the 16,000-sq.-ft. space where Howard Hughes built his wooden airplane. The film is set in the future, and most of the action takes place on a mythical planet, Pandora. The actors work in an empty studio; Pandora's lush jungle-aquatic environment is computer-generated in New Zealand by Jackson's special-effects company, Weta Digital, and added later.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;I couldn't tell what was real and what was animated--even knowing that the 9-ft.-tall blue, dappled dude couldn't possibly be real. The scenes were so startling and absorbing that the following morning, I had the peculiar sensation of wanting to return there, as if Pandora were real.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Cameron wasn't surprised. One theory, he says, is that 3-D viewing &quot;is so close to a real experience that it actually triggers memory creation in a way that 2-D viewing doesn't.&quot; His own theory is that stereoscopic viewing uses more neurons. That's possible. After watching all that 3-D, I was a bit wiped out. I was also totally entertained.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The original version of this story misstated the cost of the film&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; Avatar &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;as being in excess of $300 million. The correct figure is in excess of $200 million.&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.time.com/time/covers/0,16641,19530608,00.html&quot; target=_blank&gt;&lt;FONT color=#0000ff&gt;&lt;U&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See TIME's 1953 cover about 3-D Movies.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href=&quot;http://www.time.com/time/picturesoftheweek&quot; target=_blank&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See TIME's Pictures of the Week&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>'Brain decline' begins at age 27 </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279800"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279800</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:24:53Z</updated>
	    <published>2009-03-22T08:24:53Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
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&lt;DIV class=mxb&gt;
&lt;H1&gt;'Brain decline' begins at age 27 &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;IMG height=170 alt=Concentration hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45570000/jpg/_45570902_mind.jpg&quot; width=226 border=0&gt; 
&lt;DIV class=cap&gt;Mental abilities decline at a relatively young age, experts suspect&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;SPAN&gt;&lt;STRONG&gt;Mental powers start to dwindle at 27 after peaking at 22, marking the start of old age, US research suggests. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Professor Timothy Salthouse of the University of Virginia found reasoning, spatial visualisation and speed of thought all decline in our late 20s. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Therapies designed to stall or reverse the ageing process may need to start much earlier, he said. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;His seven-year study of 2,000 healthy people aged 18-60 is published in the journal Neurobiology of Aging. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;To test mental agility, the study participants had to solve puzzles, recall words and story details and spot patterns in letters and symbols. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- S IBOX --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=231 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD width=5&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/o.gif&quot; width=5 border=0&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/TD&gt;
&lt;TD class=sibtbg&gt;
&lt;DIV&gt;
&lt;DIV class=mva&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif&quot; width=24 border=0&gt;&lt;/SPAN&gt;&lt;SPAN&gt; The natural decline of some of our mental abilities as we age starts much earlier than some of us might expect&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif&quot; width=23 align=right border=0&gt;&lt;/SPAN&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;DIV class=mva&gt;
&lt;DIV&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Rebecca Wood of the Alzheimer's Research Trust&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IBOX --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The same tests are already used by doctors to spot signs of dementia. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;In nine out of 12 tests the average age at which the top performance was achieved was 22. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The first age at which there was any marked decline was at 27 in tests of brain speed, reasoning and visual puzzle-solving ability. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Things like memory stayed intact until the age of 37, on average, while abilities based on accumulated knowledge, such as performance on tests of vocabulary or general information, increased until the age of 60. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Professor Salthouse said his findings suggested &quot;some aspects of age-related cognitive decline begin in healthy, educated adults when they are in their 20s and 30s.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Rebecca Wood of the Alzheimer's Research Trust agreed, saying: &quot;This research suggests that the natural decline of some of our mental abilities as we age starts much earlier than some of us might expect - in our 20s and 30s. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;Understanding more about how healthy brains decline could help us understand what goes wrong in serious diseases like Alzheimer's. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;Alzheimer's is not a natural part of getting old; it is a physical disease that kills brain cells, affecting tens of thousands of under 65s too. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;Much more research is urgently needed if we are to offer hope to the 700,000 people in the UK who live with dementia, a currently incurable condition.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Maggot therapy hope 'premature' </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279799"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279799</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:22:14Z</updated>
	    <published>2009-03-22T08:22:14Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
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&lt;H1&gt;Maggot therapy hope 'premature' &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
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&lt;DIV&gt;&lt;IMG height=170 alt=Maggots hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45582000/jpg/_45582675_maggot_spl.jpg&quot; width=226 border=0&gt; 
&lt;DIV class=cap&gt;There has been increasing interest in use of maggots in wound healing&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;SPAN&gt;&lt;STRONG&gt;Maggots may not have the miracle healing properties that have been claimed, a UK study suggests. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Researchers comparing maggots with a standard &quot;hydrogel&quot; in treating leg ulcers found little difference. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Recent excitement over using maggots to speed up healing and even reduce MRSA infections in leg ulcers seems to have been premature, they said. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The British Medical Journal study is the first to compare maggots with standard treatment. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Leg ulcers can be very difficult to treat and after use of high-compression bandages only about half are healed within 16 weeks. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;One common treatment is to use a water-based gel to keep the wound moist and promote the natural healing process. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Maggots, or larval therapy, are another option - but it can be more tricky to place them in the wound and they have to be specially ordered which takes a few days. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The theory has been that maggots are effective because they &quot;clean out&quot; dead tissue - a process called debridement - stimulating healing and getting rid of bugs such as MRSA in the process. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;But although larval therapy is being used more and more, it has only been tested in one randomised controlled trial of 12 patients, the team said. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;Healing &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;In the latest study, 270 patients with leg ulcers from around the UK were treated either with maggots or hydrogel and progress followed for up to a year. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;There was no significant difference in the time it took the ulcer to heal between the two treatments or in quality of life. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Maggots were not more effective than hydrogel treatment at reducing the amount of bacteria present or in getting rid of MRSA and were, on average, associated with more pain. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;!-- S IBOX --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=231 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD width=5&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/o.gif&quot; width=5 border=0&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/TD&gt;
&lt;TD class=sibtbg&gt;
&lt;DIV&gt;
&lt;DIV class=mva&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif&quot; width=24 border=0&gt;&lt;/SPAN&gt;&lt;SPAN&gt; It comes down to the aim of treatment, if for some reason rapid debridement is important, then you would choose larval therapy&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif&quot; width=23 align=right border=0&gt;&lt;/SPAN&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;DIV class=mva&gt;
&lt;DIV&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Professor Nicky Cullum, study leader&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IBOX --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The only benefit seemed to be that the dead tissue in the wound was cleaned out more quickly &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A separate study looking at cost-effectiveness estimated there was little to choose between the two therapies. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Study leader Professor Nicky Cullum, deputy head of health sciences at the University of York, said the resurgence in interest in using maggots had been &quot;premature&quot;. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;The ulcers treated with larval therapy did get cleaner - which is not surprising as they're an active debriding agent - but that rapid cleaning did not lead to rapid healing.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;She said it would be up to clinicians to decide which was the most appropriate for their patients, but in general there was no extra benefit from maggots over standard therapy. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;It comes down to the aim of treatment. If for some reason rapid debridement is important, then you would choose larval therapy - for example if someone was having a skin graft. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;This will help them make more informed decisions.&quot; &lt;/SPAN&gt;&lt;!-- E BO --&gt;&lt;BR&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Gene 'has key schizophrenia role'  </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279798"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279798</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:21:14Z</updated>
	    <published>2009-03-22T08:21:14Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD colSpan=2&gt;
&lt;DIV class=mxb&gt;
&lt;H1&gt;Gene 'has key schizophrenia role' &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;IMG height=170 alt=&quot;schizophrenia brain scan&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45147000/jpg/_45147537_-17.jpg&quot; width=226 border=0&gt; 
&lt;DIV class=cap&gt;Schizophrenia can have devastating symptoms&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;SPAN&gt;&lt;STRONG&gt;Two studies have pinpointed a single gene as key to the development and treatment of schizophrenia. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A US team from the Howard Hughes Medical Institute found that a mutated version of the DISC1 gene disrupts the growth and development of brain cells. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;And a team from the University of Edinburgh showed that the gene affects how patients respond to treatment. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Both studies, published in the journals PLoS One and Cell, raise hopes of more effective treatment for schizophrenia. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;!-- S IBOX --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=231 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD width=5&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/o.gif&quot; width=5 border=0&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/TD&gt;
&lt;TD class=sibtbg&gt;
&lt;DIV class=sih&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;DISC1 GENE &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=mva&gt;
&lt;DIV class=bull&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Linked in the early 1990s to mental illnesses prevalent in a large Scottish family&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=bull&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Over five generations many family members had developed schizophrenia, bipolar disorder, and other mood disorders&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=bull&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Each family member diagnosed with mental illness also carried a mutated copy of DISC1&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IBOX --&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The condition is a common form of mental illness, affecting up to 1% of adults worldwide. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Symptoms tend to appear in late adolescence or early adulthood, and can include delusions, hallucinations, paranoia, and depression. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The US team showed that DISC1 plays a key role in normal brain development and the growth of individual neurons. However, carrying the wrong version of the gene can make this process go awry. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Working on mice, they showed that DISC1 was active, both in cells taken from embryos and in brain stem cells taken from adult mice. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;When DISC1 levels were reduced in adult mice their brain cells failed to divide, and the animals developed symptoms mimicking schizophrenia in humans. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Further tests showed that DISC1 acts like lithium, a drug commonly prescribed as mood stabiliser to patients with mental illness, inhibiting the action of a key chemical in the brain. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;When mice with depressed levels of DISC1 were treated with this chemical, their symptoms began to improve. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Lead researcher Dr Li-Heui Tsai said: &quot;We need to get a handle on the genetics of schizophrenia, but now we know how DISC1 probably contributes to the disorder, which is a big step.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;Impact on treatment &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The Edinburgh researchers analysed data generated by the Human Genome Project, set up to decode the complete genetic blueprint of humans. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;They showed DISC1 affects a number of other genes current medications are designed to target. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Dr William Hennah, who led the Edinburgh team, said: &quot;We know that disorders such as schizophrenia have a genetic element and that this specific gene, DISC1, is important to that process. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;This research helps us to understand exactly how it affects brain development and provides clues about how to solve problems when that process goes wrong.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The charity Rethink, which campaigns on severe mental health issues, described the research as an important step forward in understanding schizophrenia - but only a small step. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A spokesperson said: &quot;With mental illness receiving just 6.5% of research funding in the UK, we can expect it to be a very long time before these findings are developed into major breakthroughs. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;If we really want to unravel the complex causes of schizophrenia and deliver more effective treatments we need a level of research investment proportionate to the enormous human and economic costs of the illness.&quot; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- E BO --&gt;&lt;BR&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Online game gets banking licence </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279797"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279797</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:20:14Z</updated>
	    <published>2009-03-22T08:20:14Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD colSpan=2&gt;
&lt;DIV class=mxb&gt;
&lt;H1&gt;Online game gets banking licence &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IIMA --&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;IMG height=282 alt=&quot;Screenshot from Entropia Universe, Mindark&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45585000/jpg/_45585475_bank-mindark226.jpg.jpg&quot; width=226 border=0&gt; 
&lt;DIV class=cap&gt;Entropia has regularly mixed real and virtual finances.&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;SPAN&gt;&lt;STRONG&gt;Online game Entropia Universe has been granted a licence to be a bank. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Issued by the Swedish Financial Supervisory Authority, the licence means the game can be more closely tied to the real world finances of players. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Mindark, the developers of the game, said it aimed to launch a fully-functioning in-game bank within the next 12 months. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;At current exchange rates, 10 PED (Project Entropia Dollars) are worth one US dollar. &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;!-- E SF --&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Unlike many other online games, which charge a monthly subscription fee, the software for Project Entropia is free to download and install. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;However, players pay real money to get at in-game items, such as guns, armour and other gear, and the micro-payment system pays for Entropia's running costs. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The licence will make it easier for players to convert real world cash into PEDs and sustain their characters in the game, said Mindark in a statement. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&quot;We will be in a position to offer real bank services to the inhabitants of our virtual universe,&quot; said Jan Welter Timkrans, boss of Mindark. It plans to offer players interest-bearing accounts, let them deposit their salaries and pay bills or lend cash via the in-game bank. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The licence also means that each account is backed by deposit insurance to the value of $60,000 (£42,000). &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Regulators will get oversight of financial transactions carried out in the game world, so they can spot if criminals are using it to launder money. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Mindark claims that more than 800,000 people have registered to play the game and 80-100,000 are regular players. About $420m of player-to-player transactions were carried out during 2008, according to Mindark figures. &lt;/SPAN&gt;&lt;!-- E BO --&gt;&lt;BR&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Fossil hints at fuzzy dinosaurs </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279796"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279796</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-03-22T08:17:50Z</updated>
	    <published>2009-03-22T08:17:50Z</published>
	    <content type="html">
	    	&lt;P&gt;
&lt;TABLE class=storycontent cellSpacing=0 cellPadding=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD colSpan=2&gt;
&lt;DIV class=mxb&gt;
&lt;H1&gt;Fossil hints at fuzzy dinosaurs &lt;/H1&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD class=storybody&gt;&lt;!-- S BO --&gt;&lt;!-- S IBYL --&gt;
&lt;DIV class=mvb&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=466 border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD vAlign=bottom&gt;
&lt;DIV class=mvb&gt;&lt;STRONG&gt;&lt;SPAN class=byl&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By Victoria Gill &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN class=byd&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Science reporter, BBC News &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/999999.gif&quot; width=466 border=0&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;!-- E IBYL --&gt;&lt;!-- S IIMA --&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=300 alt=Tianyulong hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45579000/jpg/_45579646_tianyulong.jpg&quot; width=466 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;DIV class=cap&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dinosaurs may have been more fuzzy than previously thought&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;BR clear=all&gt;&lt;!-- E IIMA --&gt;&lt;!-- S SF --&gt;
&lt;P class=first&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A discovery in China has prompted researchers to question the scaly image of dinosaurs. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Previously, experts thought the first feathered dinosaurs appeared about 150 million years ago, but the find suggests feathers evolved much earlier. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;This has raised the question of whether many more of the creatures may have been covered with similar bristles, or &quot;dino-fuzz&quot;. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The team describe the fossil in the journal Nature. &lt;/SPAN&gt;&lt;!-- E SF --&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Hai-Lu You, a researcher from the Insitute of Geology in Beijing, was part of the team that discovered the fossil. &lt;/SPAN&gt;&lt;!-- S IBOX --&gt;&lt;/STRONG&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=231 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD width=5&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=1 alt=&quot;&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/shared/img/o.gif&quot; width=5 border=0&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/TD&gt;
&lt;TD class=sibtbg&gt;
&lt;DIV&gt;
&lt;DIV class=mva&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif&quot; width=24 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; Maybe all dinosaurs, even the predominantly scaled ones, had fuzzy parts &lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=13 alt=&quot;&quot; src=&quot;http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif&quot; width=23 align=right border=0&gt;&lt;/SPAN&gt;&lt;BR clear=all&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
&lt;DIV class=mva&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lawrence Witmer&lt;/SPAN&gt;&lt;BR&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Ohio University&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IBOX --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;He told BBC News he was &quot;very excited&quot; when he realised the significance of what his team had found. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;He described the filaments seen on the body of the new dinosaur, which the team has named &lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Tianyulong confuciusi&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, as &quot;protofeathers&quot; - the precursors of modern feathers. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;Their function was probably display, as well as to keep the body warm&quot; he said. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dr You's team noticed that the filaments on the base of their dinosaur's tail were extremely long. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;These, they suggest, might have evolved for show, and may even have been coloured. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The world of dinosaurs would [have been] more colourful and active than we previously imagined,&quot; he said. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Muddying the water &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Dinosaurs can be categorised into two large families - the Saurischia and the Ornithischia. &lt;/SPAN&gt;&lt;!-- S IIMA --&gt;&lt;/STRONG&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=282 alt=&quot;Dinosaur fossil&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45580000/gif/_45580074_fossil1_226.gif&quot; width=226 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;DIV class=cap&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The filaments or 'protofeathers' are clearly visible on the fossil&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The Saurischia family includes the theropods - thought to be the ancestors of modern birds. Fossils of these dinosaurs have revealed that some of them were feathered. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But the newly-discovered dinosaur is a member of the Ornithischia group - all previously thought to have reptilian scales. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Professor Lawrence Witmer, a paleontologist from Ohio University, says this &quot;really muddies the waters&quot; of what researchers know about the origin of feathers. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It suggests that their origin might go right back to the earliest ancestors of all dinosaurs - more than 200 million years ago. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The bad news is that something we thought was neatly wrapped up is now not so neat,&quot; said Professor Witmer. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;We now need to rethink what the coat of the ancestral dinosaurs actually was.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;He added: &quot;But the good news is that we can now look at existing evidence with new eyes - going back to old fossils and asking if there is evidence of any of these filaments.&quot; &lt;/SPAN&gt;&lt;!-- S IIMA --&gt;&lt;/STRONG&gt;
&lt;TABLE cellSpacing=0 cellPadding=0 width=226 align=right border=0&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;
&lt;DIV&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG height=170 alt=&quot;Dinosaur fossil&quot; hspace=0 src=&quot;http://newsimg.bbc.co.uk/media/images/45580000/gif/_45580040_fossil2_226.gif&quot; width=226 border=0&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;DIV class=cap&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The small dinosaur is housed at Tianyu Museum of Nature in Shandong, China&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;!-- E IIMA --&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The team, who named the dinosaur after the Tianyu Museum of Nature, where the fossil is housed, also dedicated part of its name to the philosopher Confucius to reflect how it has changed the modern view of dinosaurs. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;Maybe all dinosaurs, even the predominantly scaled ones, had fuzzy parts,&quot; added Professor Witmer. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;And if they were covered in a fuzzy coat, what does that tell us about their physiology? Perhaps they were warm-blooded. &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;We now need to think completely differently about the evidence we already have.&quot; &lt;/SPAN&gt;&lt;!-- E BO --&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Advice on Art and Life from Yo-Yo Ma </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279795"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279795</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-02-22T10:31:03Z</updated>
	    <published>2009-02-22T10:31:03Z</published>
	    <content type="html">
	    	&lt;H1&gt;Advice on Art and Life from Yo-Yo Ma &lt;/H1&gt;
&lt;P class=authors&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;February 9, 2009&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;DIV id=content_top&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=divclear style=&quot;WIDTH: 100%; HEIGHT: 1px&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;At a symposium &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;on arts careers last Friday, February 6, Yo-Yo Ma ’76, D.Mus. ’91, started and ended his remarks with a composition—and he encouraged listeners to think of their lives, too, as compositions, with underlying themes that develop across time, through new and unexpected elaborations. For her part, President Drew Faust advanced the first small steps toward implementing an expanded embrace of the arts at Harvard—measures ultimately intended to help students pursue their passion for creativity and performance (see details below).&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;“Never lose your passion,” the cello virtuoso told his Sanders Theatre audience, undergraduates interested in pursuing careers in the arts. “It’s a rare gift to have a passion…. You want to keep it alive.”&amp;nbsp;Ma, who has recorded more than 50 albums and won 15 Grammy awards, said that to stay engaged in his career, he’d had to reframe his reasons for doing what he did. In his twenties, when he was traveling the world for the first time, everything was new and exciting, he said; but in his thirties and forties, as the novelty faded, he had to find a new approach. (For a detailed profile, see “&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2000/03/yo-yo-mas-journeys.html&quot; jQuery1235266141552=&quot;78&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Yo-Yo Ma’s Journeys&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;,” from the &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard Magazine&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; archives.)&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;One of the selections Ma played was a Bach sarabande—a dance that originated in North Africa and wended its way through Spain (where it was banned due to its sensuality), into France (where it became a courtly dance), and then into the oeuvre of this German composer. “Who owns this?” Ma asked. “All of the places the dance has traveled through have part ownership.” Similarly, research about the origin of his instrument revealed that his Italian cello contained components from Africa, Croatia, India, and Indonesia, and that his French bow was made of wood from Brazil and horsehair that could only have come from Canada or Mongolia. Such explorations of lineage led to his founding of the &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.silkroadproject.org/&quot; jQuery1235266141552=&quot;79&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Silk Road Project&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, a nonprofit that broadly supports international and intercultural art exchange.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Ma has also found additional depth in his work by learning about the composers. When he realized that Bach’s compositions for the cello were polyphonic, although the instrument could play only one melodic line at a time, Ma said this changed his approach to the music—and to life: he realized the importance of striving for &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;impossible &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;goals. Attainable goals too often turn out to be disappointing and anticlimactic when reached, he said: “You might as well go for moments that you &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;can’t &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;reach.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Ma spoke of learning to play in an entirely new style in his forties, and of journeying outside his comfort zone to experiment with improvisation through collaboration with Bobby McFerrin (well known for his 1988 pop hit, “Don’t Worry, Be Happy,” but a serious and acclaimed musician in his own right, having won 10 Grammies). It is this continuous quest for intellectual renewal that keeps the spark alive, in music or any other vocation, Ma said.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Ma’s appearance inaugurated the implementation of a &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/breaking-news/new-vision-for-the-arts&quot; jQuery1235266141552=&quot;80&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;report from a University task force on the arts&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, released in December. Friday’s event was one of a pair of panels, together titled “Passion for the Arts,” that Diana Sorensen, dean of arts and humanities in the Faculty of Arts and Sciences, said she envisioned as analogous to the sessions held to inform students about jobs in finance and consulting. “We have nothing against finance, the professions, or management,” &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.news.harvard.edu/gazette/2009/02.05/11-arts.html&quot; jQuery1235266141552=&quot;81&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Sorensen told the &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;University Gazette&lt;/SPAN&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, “but it seems there are more models to be considered.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;(The next morning in the Science Center, three more speakers told students about their careers in the arts and humanities. Noah Feldman ’92 outlined his path to becoming Bemis professor of law at Harvard Law School; the author of several books about the Islamic world and the role of religion in American government and life; and a regular contributor to the &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;New York Times Magazine&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Washington Post &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;sports columnist Sally Jenkins and screenwriter, director, and producer Gary Ross discussed their careers and their current collaboration on a forthcoming film and book about a group of radical Unionists—both black and white—from Mississippi who fought against the Confederacy.)&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Introducing Ma, President Faust noted that the majority of Harvard undergraduates report some involvement in artistic practice, and art-making is the focus of more than half of all registered student groups.&amp;nbsp;Even if students decide against trying to become professional artists, Ma urged them to keep practicing outside of work: “You can’t predict what’s going to happen five years from now…. Maybe you can’t do it now, but don’t forget.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Faust foreshadowed Ma’s message by saying the University must not treat artistic practice as a mere hobby or diversion: “The arts can instill in us the very skills and habits of mind that are essential to finding solutions to the challenges of this age.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;From Recommendation to Action on the Arts&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Reiterating the&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; task-force report’s call to bring art-making from a tangential place in campus culture to the center, Faust said on Friday that, given mounting financial challenges, “we all recognize that this report has not appeared at the most propitious of times.” But, she said, “I have no doubt that we can make significant progress even in current circumstances.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;She proceeded to announce the first concrete steps Harvard will take to enrich students’ arts experiences, including her own commitment of presidential discretionary funds (given last year as part of a &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2008/07/a-giants-gift.html&quot; jQuery1235266141552=&quot;82&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;$100-million gift from David Rockefeller ’36, G ’37, LL.D. ’69&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;) to expand fellowships for student artists through the &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.fas.harvard.edu/~ofa/&quot; jQuery1235266141552=&quot;83&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Office for the Arts at Harvard&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; and to bring more visiting artists to campus. Faust took the opportunity to name the first two: jazz musician &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.wyntonmarsalis.org/&quot; jQuery1235266141552=&quot;84&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Wynton Marsalis&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, who will coordinate a series of lectures by musicians; and the minimalist composer &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.earbox.com/&quot; jQuery1235266141552=&quot;85&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;John Adams ’69, M.A. ’72&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, who won a Pulitzer Prize in 2003 for his piece commemorating those who died on September 11, 2001. (Arrival dates for both are still being worked out, the Harvard News Office said.) Among other measures:&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;UL&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;She announced the development of a new architecture track within the history of art and architecture concentration, designed to prepare students to work in architecture or gain admission to graduate programs in the field. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;She set a goal of offering at least five freshman seminars that incorporate art-making, and another five courses in the undergraduate &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2009/01/educating-students-life&quot; jQuery1235266141552=&quot;86&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;general-education curriculum&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, next year, as well as arts opportunities during &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://harvardmagazine.com/2007/09/the-calendar-changed.html&quot; jQuery1235266141552=&quot;87&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;the new “January experience” period&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;created by moving final exams into December. She offered one example of a concept being developed: a course co-taught by Kenan professor of English and of visual and environmental studies Marjorie Garber and &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.amrep.org/&quot; jQuery1235266141552=&quot;88&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;American Repertory Theatre&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; (ART) artistic director Diane Paulus, studying in depth the journey of a single play from text to performance (and working with one of the plays to be performed at the ART next year). &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;A new Web portal for event listings—performances, exhibitions, lectures—will launch this spring, creating a central place to post, and find out about, arts happenings at and around Harvard. &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Harvard students will now have free admission to the &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.gardnermuseum.org/&quot; jQuery1235266141552=&quot;89&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Isabella Stewart Gardner Museum&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; and the &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.icaboston.org/&quot; jQuery1235266141552=&quot;90&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Institute of Contemporary Art&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;, as well as to the &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.mfa.org/&quot; jQuery1235266141552=&quot;91&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Museum of Fine Arts&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; (a preexisting perk). &lt;/STRONG&gt;&lt;/SPAN&gt;
&lt;LI&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Turning to longer-term goals, Faust said a committee is being formed to examine the creation of an undergraduate concentration in the dramatic arts; she has also asked Graduate School of Arts and Sciences dean Allan Brandt to explore master of fine arts degree programs. Both were task-force recommendations. Finally, a University-wide advisory body will be formed to carry forward the work the arts report envisioned.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/LI&gt;&lt;/UL&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Also during Friday’s panel, Cogan University Professor Stephen Greenblatt, who chaired the arts task force, said he was thrilled to hear such a long list of developments already under way; he said he had feared, especially in light of financial constraints, that the report would go “where most task-force reports go: directly to the bottom of the sea, never to be heard from again.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The report’s more expensive recommendations will evidently have to wait. While Faust repeated the task force’s commitment to create new campus spaces for the arts, she did not mention the proposal for a major new facility in Allston. Rather, she focused on one reuse of existing space that is already operational: student artworks on display for visitors in the main corridor of Massachusetts Hall (where the president and her senior staff work).&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;The panel itself, Faust proclaimed, was “the first large-scale event that Harvard has ever hosted to encourage students to pursue careers in the arts and humanities.” She added: “I hope that this becomes a tradition.”&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Who Was Lincoln, Really? </title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279794"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279794</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-02-22T10:28:49Z</updated>
	    <published>2009-02-22T10:28:49Z</published>
	    <content type="html">
	    	&lt;H1&gt;Who Was Lincoln, Really? &lt;/H1&gt;
&lt;P class=authors&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;February 10, 2009&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV id=content_top&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&amp;nbsp; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=divclear style=&quot;WIDTH: 100%; HEIGHT: 1px&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=divclear style=&quot;WIDTH: 100%; HEIGHT: 1px&quot;&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN class=firstwords&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;In American lore,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; the name Abraham Lincoln stands for many things: gifted orator; champion of black rights; courageous leader who kept a bitterly divided nation from splitting apart entirely.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;As Lincoln the symbol has become a rhetorical staple, Lincoln the man has gotten lost, says Fletcher University Professor Henry Louis Gates Jr. On Monday evening, with Gates as moderator, a panel of Lincoln scholars gathered at the Harvard Kennedy School. In the week of the bicentennial of Lincoln’s birth, they shared knowledge gleaned from their studies of Lincoln’s speeches and letters and other contemporary sources. They painted a picture of a man who, though extraordinary, was also ordinary—a mere mortal, not a divine, infallible figure.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The panel consisted of:&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;UL&gt;
&lt;LI&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;President Drew Faust, a Civil War historian whose most recent book, &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;This Republic of Suffering&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, explores that war’s massive death toll and how it changed the way Americans thought about death. (Read &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://harvardmagazine.com/2008/01/in-my-mind-i-am-perplexe.html&quot; jQuery1235266040083=&quot;78&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;an excerpt&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; in the &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Harvard Magazine &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;archives.) &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;A href=&quot;http://www.fas.harvard.edu/~aaas/faculty/john_stauffer.html&quot; jQuery1235266040083=&quot;79&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;John Stauffer&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, professor of English and of African and African American studies, whose most recent book is &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Giants: The Parallel Lives of Frederick Douglass and Abraham Lincoln&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Playwright Tony Kushner, whose credits include the Pulitzer Prize-winning &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Angels in America&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, and who is writing a screenplay about Lincoln’s life in collaboration with Steven Spielberg &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;New Yorker &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;staff writer &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.newyorker.com/search/query?bylquery=Adam%20Gopnik&amp;sort=publishDate%20desc,%20score%20desc&amp;queryType=nonparsed&quot; jQuery1235266040083=&quot;80&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Adam Gopnik&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, whose book &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Angels and Ages&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;—about how the world changed during the lifetime of Lincoln and Charles Darwin (who were born on the same day)—was published last week &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;A href=&quot;http://www.gettysburg.edu/civilwar/era_studies/employee_detail.dot?empId=02779742420013302&amp;crumbTitle=Allen%20Guelzo&quot; jQuery1235266040083=&quot;81&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Allen Guelzo&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, a historian who directs the Civil War Era Studies Program at Gettysburg College and has written multiple books on Lincoln &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;A href=&quot;http://www.yale.edu/history/faculty/blight.html&quot; jQuery1235266040083=&quot;82&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;David Blight&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, a professor of American history at Yale whose focuses include the Civil War, slavery and its legacy, and Frederick Douglass, and &lt;/SPAN&gt;&lt;/STRONG&gt;
&lt;LI&gt;&lt;A href=&quot;http://www.fas.harvard.edu/~aaas/faculty/henry_louis_gates_jr/index.html&quot; jQuery1235266040083=&quot;83&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Gates&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, who edited &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lincoln on Race and Slavery&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, a collection of the sixteenth president’s writings and speeches (out in hardcover this week), and produced &lt;/SPAN&gt;&lt;EM&gt;&lt;A href=&quot;http://www.pbs.org/wnet/lookingforlincoln/&quot; jQuery1235266040083=&quot;84&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Looking for Lincoln&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, a documentary airing on many PBS affiliates this week.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/LI&gt;&lt;/UL&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Gopnik recounted how he began to see patterns in Lincoln’s prose because he was examining the speeches and writings so closely. Lincoln would lay out an argument in a precisely logical, legalistic fashion, then “slam it home” with a simple, memorable, compelling turn of phrase. And he said Lincoln’s love of reading showed through—in those speeches, Gopnik said he detected echoes of Shakespeare and the King James Bible.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lincoln’s public-speaking skills, and the importance of his presidency for African Americans, have drawn comparisons to the current president. Although Lincoln and Obama may have some political and personal similarities, Blight said—Obama is “also a complicated thinker and a reader”—he would hold back on comparing 2009 to 1861. The present situation is probably more similar to 1933, he suggested; although “Obama &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;does &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;face a profound set of problems,” the United States is &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;not &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;at war with itself.&amp;nbsp;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;In response to Gates’s question about how Lincoln had dealt with the Civil War’s death toll, Faust said his coping mechanisms certainly did &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;not&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; include denial. She said Lincoln had visited battlefield sites and hospitals filled with wounded soldiers. “He didn’t turn away from the costs”—and, she said, he wasn’t unaffected. “I think Lincoln was depressed by what he had to do.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lincoln was not the most personally forthcoming of presidents—his writings contained very little personal reflection, Kushner noted. He said this made it difficult, without taking too much license, to create a character vivid enough for audiences to relate to. But some degree of inscrutability, he added, was true to who Lincoln was: “To make him easily understandable is to lose him completely.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Responding to a question about what would have happened if Lincoln had lived, Gopnik wondered if perhaps he would &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;not &lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;have secured such an esteemed place in history. He recalled President Kennedy’s disappointment upon meeting Jawaharlal Nehru for the first time and finding him to be a mere shell of the brave leader who had agitated for an independent Indian state. Faust had a different take: throughout his life, she said, Lincoln adapted to his surroundings, rather than withdrawing. Noting his changing attitudes toward military service and religion, she said Lincoln “was a learner—he continually evolved.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The panelists also considered—and debated—Lincoln as symbol. His true commitment to freeing the slaves is questioned by those who argue that ending slavery crippled the Confederate economy and gave the Union army the manpower it needed to win—and who wonder if these were Lincoln’s main motivations for signing the Emancipation Proclamation. Stauffer questioned the efficacy of the proclamation itself, saying, “Slaves freed themselves, first and foremost.”&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Other panelists disagreed. Without a legal framework designating the former slaves as people, not property, “all the running away in the world” would not have done any good, Guelzo said. And Kushner said &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.let.rug.nl/usa/P/al16/speeches/last.htm&quot; jQuery1235266040083=&quot;85&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Lincoln’s final speech&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, given three days before his death, may qualify as the first black-rights speech ever given in the United States. On April 11, 1865, a crowd gathered outside the White House, rejoicing over the news that General Lee had surrendered. Eager to hear from their president, the crowd began chanting Lincoln’s name. Lincoln gave few extemporaneous speeches, preferring to give thoughtfully prepared remarks, but on that night he spoke off the cuff. With mentions of voting rights for blacks and even integrated schools, said Kushner, “It’s obvious he’s moving in a more radical direction, it seems to me.” John Wilkes Booth was in the crowd that night; four days later, Lincoln was dead.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P class=MsoNormal&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Guelzo, too, agreed that Lincoln really did oppose slavery on principle—but he believed just as strongly in democracy, he said: government by the people had been in vogue in the late eighteenth century, but “then came Napoleon.” By the mid nineteenth century, a different idea had taken hold: “Democracy is weak and unstable….If you just give it a little push, it will collapse in on itself.” Winning the war, then, meant not just preserving the union; it meant keeping alive the idea that democracy could work as a form of government. The symbolic use of Lincoln that rings truest of all, he said, is Lincoln as defender of democracy.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Accidental Genius: Why a Stradivarius Sounds So Good</title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279793"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279793</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-02-22T10:16:30Z</updated>
	    <published>2009-02-22T10:16:30Z</published>
	    <content type="html">
	    	&lt;DIV class=artHd&gt;
&lt;H1&gt;Accidental Genius: Why a Stradivarius Sounds So Good&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN class=name&gt;&lt;A onclick=&quot;javascript:window.open('/time/letters/email_letter.html','letter','width=400,height=420,status=no,scrollbars=yes')&quot; href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Eben Harrell&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; &lt;/SPAN&gt;&lt;SPAN class=date&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Sunday, Feb. 15, 2009&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;
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&lt;DIV class=imgcont&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;IMG title=&quot;stradivarius violin&quot; height=200 alt=&quot;stradivarius violin&quot; src=&quot;http://img.timeinc.net/time/daily/2009/0901/strad_0127.jpg&quot; width=307&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=caption&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;The sound of Stradivari's violins has never been fully explained by modern research.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;DIV class=credit&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Brendan McDermid / Reuters &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;
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&lt;P class=artTools&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Classical musicians&lt;/STRONG&gt; &lt;STRONG&gt;and music lovers believe that prized string instruments are enriched by the generations of virtuosi who have played on them. In the case of the great Cremonese instrument maker &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,894063,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Antonio Stradivari,&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; whose violins and cellos have been the choice of the world's best musicians for three centuries, this belief is coupled with the theory that Stradivari was an inimitable genius on the scale of &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,1161451,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Mozart&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; and &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,1825217,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt;Beethoven.&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;STRONG&gt; What else could explain why Stradivari's instruments remain the best in the world so long after the death of their creator? &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Try varnish. That's the theory of Joseph Nagyvary, a professor emeritus of biochemistry at Texas A &amp; M University. In a study published last week in the scientific journal &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Public Library of Science ONE&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, Nagyvary argues that Stradivari probably had no idea what made his instruments special because the crucial factor, an externally applied varnish on the wood, was beyond his apprehension or control. (&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/photogallery/0,29307,1825241,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;See pictures of things money can buy, including a violin.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;) &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Using the ashes of minute wood samples, Nagyvary analyzed the chemical makeup of violins made by Stradivari and a contemporary Cremonese maker Giuseppe Guarneri del Gesù, whose &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,1005520,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;violins&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; are thought to be near equals to Strads. The ashes of the Strad's wood contained numerous chemicals — most notably borax and chromium — that suggest it had been aggressively treated with a varnish designed to protect against infestation. The analysis also found that the organic matrix of Stradivari's wood was damaged and weakened, almost certainly by the application of the mineral preservative, leading Nagyvary to speculate that the wood's porous quality allows Stradivari instruments to resonate with a rich, powerful tone. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;There is a possibility here that Stradivari received the wood pre-treated and so did not even know these minerals in his wood were the crucial factor for the sound, and this is why, despite almost surely having apprentices, the art of his instrument making was not passed on,&quot; he says. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Nagyvary believes this evidence upends the widespread belief among instrument makers that only the strongest wood can produce a lush, full sound. According to Nagyvary, the opposite is true. He also says it casts doubt on the working hypothesis of many scientists that Stradivari worked during Europe's &quot;little ice age&quot; of the 15th-17th centuries, in which low summer temperatures led to slow but uniform growth in the Spruce trees used for instruments, and that the wood's uniform density explains the instruments' high quality of sound. Last year, researchers in The Netherlands and the U.S. used medical imaging technology to confirm that the wood came from slow-growing trees, and researchers in Sweden have argued that Swedish Spruce in the country's cold North are the closest specimens Europe now holds to the wood of the Stradivari era. But Nagyvary doesn't believe the growing conditions of local forests to be an important factor. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&quot;The problem with the Little Ice Age Theory,&quot; he says, &quot;is that the same wood was available to French, German and other violin makers in Europe, but only instruments made in Cremona were any good. I believe that's because of the special, preservative varnish used there.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Perhaps. But American concert violinist James Ehnes says that while varnish may be one of the keys to Stradivari's greatness, it can't be the only one, for the simple reason that not all Strads sound the same. Ehnes recently released a DVD, &lt;/SPAN&gt;&lt;EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Homage&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;, in which he performed on 12 instruments in the Fulton Collection in Seattle — probably the greatest collection of Stradivari and Guarneri violins in the world. Each Strad had its own voice, he says, although there also existed a &quot;family resemblance&quot; throughout the collection. &quot;When I played these instruments I got the feeling that there were a thousand reasons why they were so great. There will never be one secret,&quot; he says. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;For musicians, the debate over what defines the Stradivarius sound and the underlying causes for this uniqueness may soon be academic, as private collectors drive the price beyond their reach. &quot;The era when musicians could afford their own Strad is coming to an end,&quot; Ehnes says. The concert violinist Cho-Liang Lin says the Stradivarius he bought for $300,000 25 years ago is probably worth $3 million now. He points to the sale of recently deceased cellist Mstislav Rostropovich's Duport Stradivarius, which trade publications recently put at $20 million. &quot;There's no way even a highly successful young musician could afford that,&quot; he says. &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;But Lin's dismay is tempered by excitement over a new generation of instrument makers who, utilizing research by Nagyvary and others, are producing violins, cellos and violas almost indistinguishable in quality from a Stradivarius. Lin himself often plays on a violin made by a Brooklyn-based luthier, Sam Zygmuntowicz. Idaho-based cello maker Christopher Dungey has made instruments for the world's top cellists. Lin says, &quot;We don't know whether the modern instruments we're using will be, after 100 years of vigorous playing, equal to Stradivarius. They already sound pretty darn good right now.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Yet even if scientists were to establish a unified theory for Stradivari's greatness, musicians will always be inclined to spiritual explanations that reflect the numinous and otherworldly qualities of classical music itself. In October 1987, my father, Lynn Harrell, a cellist, performed at London's &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,1664333,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Royal Festival Hall&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; a week after the death of &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,990026,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jacqueline du Pre,&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; the beautiful and extravagantly talented British cellist whose career was cut short at 28 when numbness in her fingers turned out to be Multiple Sclerosis, a disease that eventually killed her. It was an emotional experience: by that time, my father was playing one of du Pre's cellos — a 1674 Stradivarius — and he was due to use it to perform &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/magazine/article/0,9171,747107,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Edward Elgar's&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; Cello Concerto in E Minor, a piece of barely restrained mourning that took on added power in the memory of du Pre's playing. &quot;I dedicated the performance to her,&quot; my father recalls. &quot;For years after I bought the Strad I could hear Jackie's [artistic] voice when I played, especially when I played Elgar. Perhaps all the hours she spent working on projecting a certain coloring and style minutely warped and changed the wood so that it more readily put forth her particular style. I don't know. But I'm sure of this: her musical presence remained in that instrument.&quot; &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;
	    </content>
	    	</entry>
    	<entry>
	    <title>Top 10 Scientific Discoveries</title>
		<link rel="alternate" type="text/html" href="http://blog.daum.net/bobeanslab/12279792"/>
		<id>tag:blog.daum.net,2009:bobeanslab.12279792</id>
	    <author>
		    <name>loveisreborn</name>
	    </author>
	    <updated>2009-02-22T10:09:33Z</updated>
	    <published>2009-02-22T10:09:33Z</published>
	    <content type="html">
	    	&lt;H1&gt;1. Large Hadron Collider&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;SPAN class=timeStamp&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN&gt;&lt;A href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jeffrey Kluger&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jean-Pierre Clatot / AFP / Getty&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Good news! The Large Hadron Collider (LHC) — the massive particle accelerator straddling the Swiss-French border — didn't destroy the world! The bad news: The contraption didn't really work either. In September, the 17-mile collider was switched on for the first time, putting to rest the febrile webchatter that the machine would create an artificial black hole capable of swallowing the planet or at least a sizeable piece of Europe — a bad day no matter what. No lucid observer ever thought that would really happen, but what they did expect was that the LHC would operate as advertised, recreating conditions not seen since instants after the Big Bang and giving physicists a peek into those long-vanished moments. Things looked good at first, until a helium leak caused the collider to shut down after less than two weeks. Repairs are underway and the particles should begin spinning again sometime in June.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;2. The North Pole — of Mars&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;SPAN class=timeStamp&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN&gt;&lt;A href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jeffrey Kluger&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;NASA / AFP / Getty&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;For all the times robot probes have orbited or landed on Mars, none had ever visited its polar region — where the greatest concentrations of ice and water (and arguably the most evidence of life) are to be found. That changed in May when NASA's Phoenix lander touched down in Mars's far north and began scraping, sampling and sniffing its surroundings. Phoenix found nothing that yet changes the picture of Mars as a dead world, but it reinforced the planet's image as a once-wet place that could have teemed with organisms. The ship was not expected to survive the punishing climate for long and in November, the encroaching darkness and cold of the Martian winter silenced it for good.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;3. Creating Life&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;SPAN class=timeStamp&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN&gt;&lt;A href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jeffrey Kluger&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Michel Euler / AP&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Living things don't get a whole lot humbler than a bacterium, with its few hundred thousand genetic base pairs and its stripped-down physical design. Still, you try inventing one. That's what geneticist J. Craig Venter — one of the two men credited with mapping the human genome — managed to do. Venter stitched together the 582,000 base pairs necessary to invent the genetic information for a whole new bacterium. Step two is to boot up that DNA programming in a living bacterium to see if it takes charge of the organism. That's next on Venter's agenda — and he has little doubt it will work. As any software designer will tell you, once you know how to write the code, you can make it do almost anything.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;4. China Soars into Space&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;SPAN class=timeStamp&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN&gt;&lt;A href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jeffrey Kluger&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Xu Haihan / ChinaFotoPress / Getty&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;China put astronauts in orbit. So what, right? The U.S. has been doing it since 1962. Here's what: The Chinese launched their first manned mission in 2003, their second in 2005 and their third this year. They began with a one-person ship, then a two-seater, then a three-man version, and during that last mission they completed a successful spacewalk. By all spacefaring measures, that's impressive — going from a standing start to a sprint in five years. What's more, China's unmanned Chang'e spacecraft is currently orbiting the moon and Beijing wants to have humans on the lunar surface by 2020. Think it can't pull off something that big? Then you didn't see the Olympics.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;5. More Gorillas in the Mist&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Frans Lanting / Corbis&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;A rare bit of good news for the beloved — and beleaguered — western lowland gorilla: New surveys this summer by the Wildlife Conservation Society put the species' numbers far higher than scientists had thought. The forests and swamps of the northern Republic of Congo are now thought to be home to 125,000 gorillas, or up to twice the previous estimates. But the good news was, as so often happens, followed by bad. War in the neighboring Democratic Republic of Congo has spilled into the Virunga National Park there, threatening the tiny and far more fragile population of 350 or so mountain gorillas — half of the world's total.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;6. Brave New Worlds&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;NASA / Getty&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It's getting crowded out there. Scientists have always been certain that the universe was aswarm with planets orbiting stars other than our own little sun, but it wasn't until 1995 that they started to find these so-called exoplanets. Most of them were huge worlds lying too close to their parent stars to harbor life. In June, Swiss astronomer Michel Mayor found 45 much smaller worlds, one only 4.2 times as big as Earth. All of them inscribe small, scorchingly hot orbits too, but Mayor's instruments — which detect planets by the gravitational wobbles they cause their suns — should be sensitive enough to find ones with larger orbits that place them out in cooler, arguably habitable regions. In November, two teams of astronomers from the U.S. and Canada got four exoplanets to sit still for their photographs, producing the first ever images of alien worlds in visible and ultraviolet light.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;7. The Power of Invisibility&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
&lt;DIV class=byline&gt;&lt;SPAN class=timeStamp&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;By &lt;/SPAN&gt;&lt;SPAN&gt;&lt;A href=&quot;javascript:void(0)&quot;&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jeffrey Kluger&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Berkeley, Calif., did nothing to change its rep as one of America's flakier places when scientists on the local campus of the University of California announced they'd invented an &lt;/SPAN&gt;&lt;/STRONG&gt;&lt;A href=&quot;http://www.time.com/time/specials/packages/article/0,28804,1852747_1854195_1854156,00.html&quot; target=_new&gt;&lt;U&gt;&lt;FONT color=#0000ff&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;invisibility cloak&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;. But it was hard physics and complex optics at work, not something illegal or brain-altering. Using nanowires grown inside a porous aluminum tube to create a sheeting 10 times thinner than a piece of paper, they proved that they could wrap an object in the material and bend light waves around it, making it effectively invisible. All of the usual caveats apply: the process is experimental, the cloaking is fantastically fragile, the costs would be prohibitive for anything remotely approaching practical use. Still, we now live in a world in which invisibility is a possibility. That's a good thing, right?&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;8. Cenozoic Park?&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Steven W. Marcus / Mammoth Genome Project / AP&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;It's not often that a hairball makes headlines. But that's what happened this November, when Penn State biochemistry professor Stevan Schuster announced that he had reconstructed 80% of the genome of the long extinct woolly mammoth, using clumps of hair from the remains of several of the giant critters. The job involved not just piecing together more than 3 billion DNA sequences, but making sure none of the material that was used came from bacteria or other organisms clinging to the fur. The work raises the inevitable &lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Jurassic Park&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; question and the answer is, no, we won't see wooly mammoth–populated theme parks any time soon. But the key word is soon. Stephan doesn't rule out the possibility forever.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;9. Can You Spell Science?&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Randy Faris / Corbis&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Think Americans haven't gotten smarter? Think again. Between 1979 and 2006, the percentage of scientifically literate adults doubled — to 17%. This year, a survey by a professor of political science at the University of Michigan found that that dismal showing may have improved, but only a little. Currently, 25% of the population of the U.S. — the country that invented the airplane and the light bulb and landed men on the moon, remember — qualify as &quot;civic scientifically literate.&quot; In practical terms says the investigator, that means that only one in four adults can read and understand the stories in the weekly science section of The New York &lt;/SPAN&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Times.&lt;/SPAN&gt;&lt;/I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt; And this comes at a time when the U.S. electorate is being asked to grapple with — and reach informed consensus about — such complex questions as global warming and stem cell research. Meantime, in November, Beijing announced a new high in scientific literacy scores for the Chinese. So let's at least raise a glass to China. It's somewhere in Europe, right?&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;
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&lt;H1&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;SPAN style=&quot;FONT-SIZE: 24pt&quot;&gt;10. First Family&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/H1&gt;
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&lt;DIV class=credits&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Juraj Liptak / State Office for Heritage Management and Archaeology Saxony-Anhalt / AFP / Getty&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;!-- Begin Article Copy --&gt;
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&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;Americans may boast of family values, but they've got nothing on the folks of Saxony-Anhalt in central Germany. That's the home region of what might be the most traditional — or at least the oldest — nuclear family ever uncovered. Researchers there excavated 4,600-year-old graves of a group of Stone-Agers who appeared to have been killed together in a raid — judging from the defensive wounds many of them bore and the projectile point embedded in the vertebra of one female. Among the remains was a foursome interred together — an adult male and female and two boys, one of them 8 to 9 years old, the other 4 to 5. Analyzing molecular DNA evidence, the investigators confirmed what the tableau suggested: This was a family. Certainly this is not the oldest one that ever existed, but merely the oldest ever unearthed. Still, for now it is, to scientists at least, the true First Family.&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;
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