Goldphoenix

20091107

2009-11-08T23:06:34Z

20091107

20091106

2009-11-06T19:54:15Z

20091106

며칠전에 불광사절에 갔었다.절에들어가면 바로보이는

자기를 바로 봅시다

자신을 바로 볼수있고 누운풀처럼 자신을 낮출수있다면 ...

20091031

2009-11-06T19:25:28Z

20091031

좋은 그림과 함께한다는건 나에겐 '울림'이다

다분히 개인적인 미적취향으로 미니멀리즘을 좋아하는것도 있지만

김호득 선생님의 작품이 좋다.

선생님의 작품에는 소소한 울림들이 모여 하나의 묵직한 울림으로 잔잔히 다가온다.

굳이 귀를 쫑긋거리지않아도 시각적으로 전해지는 울림들이 이야기를 건네기때문이다

대학시절 박물관에서 수업중에 유홍준교수님께서

지금 우리가 보고있는 이 박물관에서 훔치고 싶은 물건이 뭐냐? 손가락으로 가리켜보라고 하셨을때

학생들이 모두 같은 물건을 손으로 가리켰다

교수님께서 웃으시면서 그래서 난 실기하는학생들이 좋다라고 하신게 생각난다.

지금도 미술관에 가게되면 버릇처럼 훔치고 싶은 작품한점을 나도 모르게

손가락으로 가리키게된다.

tag : 김호득

이인성미술상 10주년 학술행사

2009-11-06T18:59:31Z

이인성미술상 10주년 학술행사

2009.11.3(화) 오후2시-4시

대구문화예술회관 국제회의장

1.조선미전의 스타 이인성의 낭만과 예술

- 윤범모(미술평론가,경원대교수)

2.이인성회화와 '남방(南方)의 로컬리티(locality)

- 김승익(서울대학교 박물관)

3.이인성미술상의 의미와 역활

- 박남희(경북대학교교수,미술사학)

tag : 이인성, 학회

20091030

2009-10-31T00:09:57Z

20091030

이병헌의 몸은 예술이다.

남성의 육체미

인간의 육체만큼 아름다운것이 있겠는가?

아이리스 드라마를 보면서

그의 아름다움에 대한 찬사를 보내고싶다.

사진은 Vatican 의 Laocoon 의 일부분

중1부터 소묘를 배우면서 수 많은 예술작품을 그려보았지만,

근육이 살아꿈틀거리며 호흡하는듯한

인간육체의 조각이나 그림들이 가장 아름답게 느껴진다.

예전에 대학원때인가 논문발표를 마치고 식사하고 교수님들과 차를 한잔하러 가는길이었다.

달빛이 비치는 아래에 프로야구 선수들이 나와 베팅연습을 하고있는모습을 보았는데 장관이었다.

모두 상의를 벗고 야구방망이를 휘두르고있었다.

달빛에 근육의 그림자가 투명하게 살짝비치고 방망이를 휘두를때마다 근육이

움직이며 땀이 흐르는모습을 보고 있으니

교수님이 옆에 오셔서

"아름답지? 그래 여자의 육체보다 남성의 육체가 더 아름답지 "하셨다.

계속 볼수가 없었다.옆의 친구가 민망하다며 가자고 끌고갔다

움직이는 조각이었는데...

누드수업때도 여자 모델만 그렸는데 가슴이 작거나 개조한가슴이여서 별로였다.

compliments of the season

2009-10-30T19:07:08Z

compliments of the season

bookbindersdesign

2009-10-29T01:30:03Z

bookbindersdesign

www.bookbindersdesign.co.kr

스웨덴의 문구 디자인

색으로 말하는 맛있는 디자인

아직 온라인에서 판매는 안하구요 준비중

가로수길로

이쁘고 이국적인 카페들과

은행나무 잎들이 보석처럼 빛날텐데...

가구싶당~

20091025

2009-10-25T22:13:11Z

20091025

일주일 정도인가? 두통으로 고생했다.

두통이 있으면 사실 난 아무것도 할수가 없다.

시간이 멈추어진것

그러면 난 늘 공상,아님 재미있는 상상을 한다.

엉뚱한 짓을 잘 하기때문에 개그우먼이라고도 하지만

그래도 자꾸만 이상한 상상을 즐긴다.

"왜 평면 TV는 검은색이어야만 하는가"

TV가 켜져있다면 상관없지만 항상 켜져있지는 않다.

그럼 커다란 네모모양의 검은 표면은 뭘까?

나같은 환쟁이들은 그 곳이 자꾸 신경이 쓰인다.

바넷뉴먼의 미니멀한 작품이 될수도 있고 잭슨폴록의 페인팅 작품이 될수도 있고

고흐의 해바라기그림이나 모네의 수련그림이 될수있다면

집안 전체의 분위기가 좋아질것이고 사람들의 기분도 훨씬 맑아 질텐데

검은 큰 화면은 아무래도 영 아니다.

혹시 익숙한것에 안주 하고 있지는 않을까?

왜 바꾸지 않는걸까? 그래도 잘 팔리기 때문일까?.화질만 따지나보다.

휴대폰의 화면은 자주 바꾸는 현대인들이...

집안의 인테리어에는 둔감한 걸까?

별로 어려운 기술은 아닌것 같고

약간의 시도가 필요할 뿐인것 같다.

방금 재미있는 아이디어가 하나 떠올랐다.

소논문을 하나 써봐야겠다.

총총총

Pecanpals wooden series

2009-10-16T14:24:46Z

Toys by Noferin

www.noferin.com/toys.htm

Pecanpals wooden series
sustainably harvested rubber wood
4.5 - 6.5 inches tall 2008

넘 귀엽고 사랑스러운데...

sold out 이네요.

Barnett Newman

2009-10-15T16:50:02Z

"The problem of a painting is physical and metaphysical,

the same as I think life is physical and metaphysical."

- Barnett Newman -

tag : 현대미술, 미술가, Barnett Newman

Finger points to new da Vinci art

2009-10-14T21:37:52Z

Finger points to new da Vinci art

http://news.bbc.co.uk/2/hi/uk_news/8304021.stm

무명화가의 Young Girl in Profile in Renaissance Dress 작품에서

Leonardo da Vinci 의 작품

루도비코 스포르차(Ludovico Sforza, 1452∼1508) 공작의 딸 비앙카 스포르차(Bianca Sforza) 인물화로‥‥‥

tag : Leonardo da Vinci

행복한 음악 교육은 오케스트라의 사명

2009-10-14T21:11:25Z

행복한 음악 교육은 오케스트라의 사명

뉴욕필 교육담당 디렉터 ‘테오도르 위프러드’

http://artezine.arte.or.kr/articleView.php?g_menu=300&g_serial=695

Peter Callesen

2009-10-12T15:40:52Z

Peter Callesen

www.petercallesen.com

Born 1967 in Denmark
Education:

1997-00 Goldsmiths College, London
1994-97 Det Jyske Kunstakademi, Århus
1993-94 Århus Art School (Foundation Course)
1990-93 Århus School of Architecture

Solo exhibitions:

2009

- Trapholt, Kolding, Denmark.Opens November 25th 2009.

- The Museum of Religious Art, Lemvig, Denmark. Opens September 19th 2009.

2008

- Perry Rubenstein Gallery, New York. Opens December 11th 2008.

Paperman, Helene Nyborg Contemporary, Copenhagen.

2007

Unfolding, Emily Tsingou Gallery, London.

Himmelrum, Kunsthallen Nikolaj in Copenhagen.

Himmelrum at Brandt’s in Odense, Denmark

2006

Castle Museum, Nottingham, England

ALIVE, BUT DEAD, Helene Nyborg Contemporary, Copenhagen

2005

do ART gallery, Seoul, Korea
Egg ballet, Odense Performance Festival
Concert for birds, performance on Christianshavns Volde in Copenhagen

2004
emilyTsingou gallery, London
Mirage, Galleri Koch und Kesslau, Berlin

2003
Snowdrifting, The Kiosk Project, London

2001

The Life of The Dying Swan, Gallery Tommy Lund, Copenhagen
White Shadows, installation & performance, Esbjerg Museum of Art, Denmark

2000
Der Sterbende Schwan, Gallery KUNST auf KAMPNAGEL, Hamburg
Jukebox, performance at Gallery Muu, Helsinki
Hvorfor blir det nat mor, three days performance, Gallery Tommy Lund, Copenhagen

1999
The Dying Swan is back, performance at Goldsmiths College's exhibitionspace
Sailing, performance at Overgaden, Copenhagen
Happy Birthday, performance in Goldsmiths College's canteen, London
Castle, two weeks happening at Goldsmiths College, London

1998
The Dying swan, performance at Det Fynske Kunstakademis Udstillingssted, Odense
The Dying swan, performance at Goldsmiths College's exhibitionspace

1997
Peter R. Callesen præsenterer Peter R. Callesen, happening in rum 46, Århus
Little Peter Spiderman III, performance & installation in rum 46, Århus
Le Déjeuner sur l'Herbe", happening & installation in rum 46, Århus

Selected group exhibitions:

2009

Filmkunt - kunstfilm, Kunstforeningen Gl. Strand, Copenhagen, Denmark. Opens April 22nd.

2008

Ruiner - fascination og fantasi, Museet På Koldinghus, Denmark.

Drømmerier, Statens Museum for Kunst, Copenhagen, Denmark.

Papir i tre dimensioner, Skovgaard Art Museum, Viborg, Denmark.

Hidden narratives, Graves Art Gallery, Sheffield, England.

Dream Therapy, Kathleen Cullen Fine Arts, New York.

2007

Snow Fall, Vejen Art Museum, Denmark. Dec 1st - Mar 24th 2008

Fairy Tale, Leeds City Art Gallery, Leeds, England

Venice Biennale, Mobile Journey, Crossing, San Servolo Venice, Italy

Fairy Tale, Chapter, Cardiff, Wales

Spor, Esbjerg Art Museum, Denmark

Exportable Goods, Krinzinger Projekte, Vienna

Fairy Tale, The New Art Gallery Walsall, Walsall, England

2006

Group Show, Emily Tsingou, London, England

ART COPENHAGEN - THE NORDIC ART FAIR
Shanghai Biennale 6, Shanghai Art Museum, China

Paper Cuts, Bury St Edmunds Art Gallery, England

Fuori è un giorno fragile, Imbiancheria del Vajro, Chieri,Torino, Italy

Papercut. Voges + Partner Gallerie, Frankurt am Main, Germany

Inner to Go, Gallery Vamiali, Athens. Greece

TRANSIT 2006, Charlottenborg Exhibition Hall, Copenhagen

2005

Inaugural show, Helene Nyborg Contemporary, Copenhagen
Superbia 2, Cork in Ireland, organized by Kerlin Gallery

Vandspejl, exhibition in Frederiksberg Garden, Copenhagen organizer and artist,
Tell tail, Ewha Art Centre, Seoul Korea, paper works and performance
The City Rumble, Overgaden, Institute of Contemporary Art, Copenhagen
The Armory Show, Art Fair New York, represented by emily Tsingou gallery
Galleri Susanne Ottesen, Copenhagen

2004
Hidden (hi)stories Galerie K & S, Berlin
Charlottenborgs efterårsudstilling, Copenhagen
Paper, Emily Tsingou Gallery, London
Monument, a public art exhibition in Copenhagen, Main Library and in public

2003
From Dust to Dusk, Charlottenborg, Copenhagen, performance & installation
TURMSTURM, organizer and artist, Nikolaj,Copenhagen Contemporary Art
Amorph, performancefestival in Helsinki, interactive installation Palace of Dreams
NB – lad os modes, videoproject with Kenneth Balfelt, Ydre Nørrebro, Copenhagen
Ung Samtidskunst, Marineteknologisk center, Skagen

2002
Artgenda, Hamburg
Kunstparade, Copenhagen

2001
Masculinities, Nicolai Church, Copenhagen, performance & video
Barcelona Arte Contempereano, BAC, performance & installation, Barcelona
Videomanifesta, Gl. Strand, Copenhagen
Art Fair in Basel, Gallery Tommy Lund
Quality Street, Gallery Tommy Lund
ARTKINO, videoscreening at Frankfurt Art Fair
All the best, videoscreening at the LUX, London
Location, Trinity Buoy Wharf, London, performance The Flying Swan & installation Family

2000
Assembly, London, installation BridgeKonnektor Berlin, Berlin, performance Jukebox & To be - or not to be
The Rest of the Story, Chelsea College, London, sculpture Little Head
Waterfront, Denmark and Sweden, Folding, Little Peter Spiderman & To be - or not to be
Art Forum, Art Fair in Berlin, Gallery Tommy Lund
Ylikierroksilla, performance project in Helsinki
Art Fair in Basel, Gallery Tommy Lund
Croma2, Inauguración Festival, Madrid, video projection So Cold
Summer Agglutinate 3 + 4, 291 Gallery, London, performance & video
Box Museum 2000, Fukuoka Asian Art Museum, Japan, Handy & drawings

1999
Post-Ulu Gig, Singapore, videos Inside Out & Face to Face
The Last Show on Earth, London, performance Jukebox
Art Forum, Art Fair in Berlin, Gallery Tommy Lund
Performancefestival in Odense, performance Folding
Samtidskunstforum in Oslo, videoinstallation Johanne's Cottage
The Sun was Shining Upside-down, Overgaden, Copenhagen
Cardiff Timebased Art Festival, performance Assurance

1998
Kunstnernes Efterårsudstilling in Copenhagen, video Dreamdriving
Kunstnernes Påskeudstilling in Århus, video Handy, Inside Out & To be - or not to be
Environmental, London, video Little Peter Spiderman I & I I

1997
View, Videotek in rum 46, Århus, video Action & So Cold
Performancefestival in Odense, video Lille Peter Spiderman & So Cold
Charlottenborgs Forårudstilling, Copenhagen, video Little Peter Spiderman I & I I

Scholarships, Grants and Residencies:

2007

Residency at Danish Academy in Rome

2005

Grant from Kunstfonden af 1973

2004
Working Grant from Statens Kunstfond, Denmark

2003
Travel grant from Henny Sophie Clausen og møbelarkitekt Axel Clausens fond

2002
Nifca’s Artist Residency in Qaqortoq in Greenland
Travel Grant from De Bielkelske Legater
Sleipnir Travel Grant
Travel Grant from Dansk Metal

2001

Sleipnir Travel Grant for research trip to the North of Norway
Århus Kommunes Kunstnerstipendium

Selected Reviews, Articles and books:

2006

Peter Callesen – Selected Works, Emily Tsingou Gallery, London, UK

2005

100 Future Greats, Art Review’s Top Emerging Artists, Art Review, December

Nacy Williams, More paperwork, Phaidon books, London, UK, p 120

Hans Christian Andersen: by artists from around the world, SolArc Publishing, Hertfordshire, UK

A. Marsh, Peter Callesen, Flash Art, March - April

M. Coomer, Peter Callesen, Time Out, Jan 19 - 26

H. Anderson, Peter Callesen: Paper Sculpture and Installation, Evening Standard Metro Life

2003

S. Kent, Peter Callesen / Kiosk, Time Out, Dec 3 - 10

P. Kyander, From Dust to Dusk, Charlottenborg Udstillingsbygning, Copenhagen, DK

Public Collections:

Wallsall Art Gallery, UK

West Collection, USA

Malmö Art Museum, Malmö Sweden

MAT Charitable Foundation, New York, USA

Television:

2002
8 minutes portrait of me and my work in the weekly artprogram Bildjournalen on Swedish National Television
10 minutes interview and portrait on NDR, German Television in the program Kulturnournal about my Floating Castle in Hamburg.

Represented by:

Helene Nyborg Contemporary

www.helenenyborg.com

smarthistory

2009-10-12T14:55:16Z

smarthistory

http://smarthistory.org/

미술사의 흐름을 알기쉽게 정리해놓은 곳입니다.

학습자료로 활용하기좋은곳

tag : 미술사

FLORENTIJN HOFMAN

2009-10-12T14:31:26Z

FLORENTIJN HOFMAN

www.florentijnhofman.nl

In the village of Nieuwerkerk aan den IJssel, the
lowest point in the lowlands, Dutch artist Florentijn
Hofman designed and coordinated the building of a giant
musk rat out of a wooden frame thatched with hay.
Partly a satirical response to the muskrat being labelled
a ‘big problem’ in that part of the Netherlands
– their natural digging instincts destroy the infrastructure
of the dykes and waterworks – it proved to
be another trippy addition to Hofman’s growing sculptural
menagerie.
Imagine an episode of Sesame Street made by Gordon
Matta-Clark in collaboration with Jim Henson and you
might begin to understand the semi-collaborative performances
with local communities that are central to
Hofman’s work. In a glasshouse in Amsterdam’s Botanical
Gardens he glued 210 paper sparrows onto what he
describes as‘the most non-natural place of the hortus,
its heating pipes, the ‘blood vessels’ for the greenhouse’.
The birds were made from ‘cloned’ photocopies
of a sparrow model kit sent to friends and acquaintances
all over the world for them to build and return.
As Hofman puts it, ‘thus, the birds travelled without
flying’. In the NDSM yard in Amsterdam North he stencilled
more than a hundred koi carp onto the vast dry
dock. In Vlaardingen he designed and helped local
people construct a massive rabbit sculpture out of salvaged
wood as if to document his own presence in that
sculptural orgy where site and structure and landscape
and architecture fuck like rabbits in an expanded
field.
Asked by the borough of Delfshaven in Rotterdam to work
on the site of a derelict block awaiting demolition
Hofman painted the entire exterior of the property with
a 2 micron layer of blue paint that transformed it into
the most photographed section of the city. The application
of the paint was intended to slow further deterioration.
Such urban dereliction is usually a material
reminder of the alienating power of urban planners and
developers to disperse communities and erase local history.
By amplifying the memory and meaning of the space
for those people living and passing through the neighbourhood
the surreal energy of Hofman’s work temporarily
reclaims that alienation while the building awaits
reconstruction via the wrecking ball.
Hofman used to drive a van sprayed with the exact
colour and logo of the DHL fleet. An everyday ‘performance’
which allowed him to escape parking tickets (a
tribute to the mercy of Dutch traffic wardens) and wave
at other DHL couriers as if part of some Pynchonesque
cabal of delivery workers.
During the fifth anniversary of Schiermonnikoog’s
International Chamber Music Festival the beach of the
Dutch Island in the Wadden Sea was marked with three
grand pianos. The visitors could be spotted peacefully
on the timber-clad structures, eating sandwiches,
snugly sheltered from the wind. The majestic instruments
looked as they had been tossed by the rough waves
before landing upside down on the sand, were they
waited to be salvaged or to float back to the sea on
the outgoing tide.
The fact that Florentijn Hofman is not an average
gallery-exhibited artist should be obvious. The world
is a huge playground and he can choose just about any
spot or material in which to dispaly his installations.
The Loire river in France was the starting point of a
project that ultimately became a giant rubber duck.
Measuring 26 m in height, it may look like the favourite
toy of Sesame Street’s Ernie, but it’s too big to
fit into anyone’s bath- and impossible to ignore.
According to Florentijn Hofman, the Canard de bain
crosses all bounderies and does not discriminate and
does not have a political connotation. The friendly,
floating Rubber Duck has healing properties, it can
relieve mondial tensions as well as define them.
The work of Hofman is known for integrating, intriguing
and interactive installations into public space.
Obviously he changes with great joy between performative
(public) art and the domain of the sculpture (only
to mention a few of his used media) and has a strong
wish to amaze and making life a little much more fun.
For more information and a overview of the work see:

tag : 미술, artist, FLORENTIJN HOFMAN